VERY RARE 1989 Jack Rudy, "This Sheet Is Dedicated To My Ole Pal... Paul Rogers",  Paul Rogers Tribute, Tattoo Flash Sheet. Laminated, High Quality Copy.

TRADITIONAL Flowers, Banners, Roses, Ect.

Measures Roughly 11X15" (Inches).

READY FOR DISPLAY, IN ANY TATTOO SHOP, ART COLLECTION, OR TATTOO MUSEUM!

Old School, Vintage Style Tattoo Flash.

Would Look Great Matted Framed!

PLEASE SEE PICTURES FOR CONDITION.

WHAT A WONDERFUL RARE PIECE OF TATTOO HISTORY!!!!!!!

This is a great piece of Artwork to display in your shop, or a proud addition to any collection!

This is a great investment for any Tattoo Shop or Art Collector!

Will Ship FLAT, Priority Mail. I WILL COMBINE SHIPPING ON MULTIPLE ITEMS!

Jack Rudy is an American tattoo artist notable for his reinvention of the 'Black and Gray' style of tattooing, realistic portraits, and single-needle use. He is considered to be one of the top tattoo artists in the world.

Career

After leaving the Marines in 1975, Rudy began his career as an apprentice at Goodtime Charlie’s Tattooland, in East Los Angeles. Under the watch of Charlie Cartwright, a friend of his he had met while visiting the Old Long Beach pike while on leave from the USMC Logistics Base in Barstow CA, Rudy and Cartwright began to hone their craft of single-needle, Black and Gray style tattoos. Simultaneously creating a whole new subgenre of modern tattooing and raising the proverbial bar for many new emerging tattoo artists and artists in general. His very distinct and distinguishable style is renowned for its masterful use of light and dark shades of varying degrees of black and grey. In addition to creating a softer and more realistic style of tattooing, with the advent of the new single needle tattoo technology artists were now able to use a much greater level of detail than previously attainable utilizing older and more readily accepted tattoo machine and needle configurations. As the client base of East Los Angeles began requesting this 'penitentiary-style', the pair decided to create a single-needle configured tattoo machine.

Rudy is currently the president of the Beatnik's Car Club - a car club which requires the members to own 50s-styled hot rods and 'lots of tattoos'. He is the owner of Tattooland, an 'old school' street shop, located in Anaheim, California.


Paul Rogers was born on September 9th 1905 in North Carolina, and spent most of his childhood moving from one cotton mill town to the next. Paul started to work in the mills when he was only 13 years old, long before child labor laws were enacted. "Nothing but hardship, man it was hard for everyone." Paul worked in the cotton mills until he was 37 years old. Thankfully, his last years in the mills were part time, because in 1926 when Paul was 21, he got his first tattoo and found his lifetime occupation.

Only two years later he was tattooing with a kit he mail ordered from E.J. Miller in Norfolk, Virginia. In 1932 after tattooing all the folks around his home, Paul hit the road with the J.J. Page Show in search of adventure and clean skin. Later that very same year, Paul joined the John T. Rea Happyland Show where he met and married the boss's daughter, Helen Gensamer. For most of the next decade Paul and Helen worked the carnival circuit in the summers and worked in the cotton mills during the winters.

In 1942 when Paul got a chance to tattoo in Charleston, South Carolina, he jumped at it. At this time his pay envelope from the mill for a 40-hour workweek was $42, which was the biggest payday he ever had in the mills.

After getting his shop up and rolling, Paul now was making $150 to $200 a week! Needless to say, Paul never went back to the mills. In 1945 Paul began a 5 years association with Cap Coleman of Norfolk, Virginia. Coleman was already a legend in the tattoo world and Paul said it was like a dream come true to be invited to work with Coleman. Paul stayed in Norfolk until 1950, when the city fathers shut down tattooing in that city. Coleman moved across the Elizabeth River to Portsmouth, Virginia and tattooed for a few more years.

Paul and Lathan Connelly opened shops in Petersburg, Virginia and Jacksonville, North Carolina. In 1955 when Paul grew tired of traveling between these shops, he took the Jacksonville location and Connelly took the Petersburg shop. This is where the mail order supply business of Spaulding & Rogers was formed. Paul was involved in this business for only a couple of years, but Paul and Huck Spaulding worked together in Jacksonville up until 1961. In 1960 they closed their shop on Courts Street and went to Alaska. This only lasted for one month and they returned back to Jacksonville, North Carolina soon after.

From 1961 to 1963 Paul and his family lived in Camden, New Jersey where Paul tattooed with Sailor Eddie Evans. In 1963, he moved to Jacksonville, Florida and tattooed with Bill Williamson. The very next year Bill Williamson died and Paul inherited his shop. By 1970, Paul was back working in Jersey with Ernie Carafa on a part time basis.

In 1970 Paul and Helen Rogers bought a mobile home at 1200 Shetter Avenue #3 in Jacksonville, Florida. It was here that Paul brought his decades of experience together with what he had learned from the likes of Coleman, Bill Jones, Jack Wills, Charlie Barr and others, and built some of the best running tattoo machines in the business. In 1982 Helen, Paul's wife of 49 years, died. She was buried at the Greenlawn Cemetery in Portsmouth, Virginia. In 1983 Paul Rogers was admitted to the Tattoo Hall of Fame in San Francisco, California, which was part of the Tattoo Art Museum created by Lyle Tuttle.

Paul suffered a stroke at his home in Jacksonville in 1988 and never fully recovered. The next 2 years were spent in a nursing home in Jacksonville. Paul died in 1990, at the age of 84, after spending 56 years in the tattoo business. He was buried with his wife in Portsmouth, Virginia.Paul left his extensive tattoo collection to the Tattoo Archive. In 1993, C.W. Eldridge, Alan Govenar, D. E. Hardy and Henk Schiffmacher formed a California nonprofit corporation, The Paul Rogers Tattoo Research Center ("PRTRC") where they serve on the Board of Directors. The primary goal of the PRTRC is to preserve tattoo history.

Originally published by the Tattoo Archive © 2003
Updated 2017