Career
Music
Boone began his career by performing in Nashville's Centennial Park.[11] He began recording in April 1953 for Republic Records (not to be confused with the current label with that name), and by 1955, for Dot Records. His 1955 version of Fats Domino's "Ain't That a Shame" was a hit. This set the stage for the early part of Boone's career, which focused on covering R&B songs by Black artists for a white American market.[12] Randy Wood, the owner of Dot, had issued an R&B single by the Griffin Brothers in 1951 called "Tra La La-a"—a different song from the later LaVern Baker one—and he was keen to put out another version after the original had failed. This became the B-side of the first Boone single "Two Hearts Two Kisses", originally by the Charms – whose "Hearts Of Stone" had been covered by the label's Fontane Sisters.
A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song "I Almost Lost My Mind", by Ivory Joe Hunter, which was originally covered by another Black star, Nat King Cole. According to an opinion poll of high-school students in 1957, the singer was nearly the "two-to-one favorite over Elvis Presley among boys and preferred almost three-to-one by girls ..."[13] During the late 1950s, he made regular appearances on ABC-TV's Ozark Jubilee, hosted by his father-in-law. He cultivated a safe, wholesome, advertiser-friendly image that won him a long-term product endorsement contract from General Motors during the late 1950s, lasting through the 1960s. He succeeded Dinah Shore singing the praises of the GM product: "See the USA in your Chevrolet ... drive your Chevrolet through the USA, America's the greatest land of all!" GM had also sponsored The Pat Boone Chevy Showroom.
Many of Boone's hit singles were covers of hits from Black Rock and Roll artists. These included: "Ain't That a Shame" by Fats Domino; "Tutti Frutti" and "Long Tall Sally" by Little Richard;[14] "At My Front Door (Crazy Little Mama)" by The El Dorados; and the blues ballads "I Almost Lost My Mind" by Ivory Joe Hunter, "I'll be Home" by the Flamingos and "Don't Forbid Me" by Charles Singleton. Boone has been highlighted as an example of whitewashing by taking songs by black artists and sanitizing them to make them more palatable for a white audience, denying exposure to these black artists.[15]
Boone also wrote the lyrics for the instrumental theme song for the movie Exodus, which he titled "This Land Is Mine". (Ernest Gold had composed the music.)
As a conservative Christian, Boone declined certain songs and movie roles that he felt might compromise his beliefs—including a role with sex symbol Marilyn Monroe. In one of his first films, April Love, the director, Henry Levin, wanted him to give co-star Shirley Jones a kiss (which was not in the script). Since this would be his first onscreen kiss, Boone said that he wanted to talk to his wife first, to make sure it was all right with her.[16] He had his own film production company, Cooga Mooga Productions.[17]
He appeared as a regular performer on Arthur Godfrey and His Friends from 1955 through 1957, and later hosted his own The Pat Boone Chevy Showroom, on Thursday evenings. In 1959, Boone's likeness was licensed to DC Comics, first appearing in Superman's Girl Friend, Lois Lane No. 9 (May 1959) before starring in his own series from the publisher, which lasted for five issues from September 1959 to May 1960.[18][19] In the early 1960s, he began writing a series of self-help books for adolescents, including 'Twixt Twelve and Twenty. The British Invasion ended Boone's career as a hitmaker, though he continued recording throughout the 1960s. In 1966, he participated in the Sanremo Music Festival in Italy, performing the songs Mai mai mai Valentina alongside Giorgio Gaber and Se tu non fossi qui with Peppino Gagliardi. During his trip to Italy, he visited the headquarters of Ferrari in Maranello, near Modena, with the intention of buying a Superamerica Sports Car, but Enzo Ferrari dissuaded him from purchasing that model by saying that there would not have been enough room for Boone's four daughters, and sold him a four-door Ferrari 2+2 instead. In a 2021 interview, Boone admitted having later sold the "Ferrari he didn't like" to Tom Smothers of the comedic duo Smothers Brothers.[20]
In the 1970s, he switched to gospel and country, and continued performing in other media as well. In the 1960s and 1970s the Boone family toured as gospel singers and made gospel albums, such as The Pat Boone Family and The Family Who Prays.[21]
In the early 1970s, Boone founded the record label Lamb & Lion Records. It featured artists such as Pat, the Pat Boone Family, Debby Boone, Dan Peek, DeGarmo and Key, and Dogwood.[22] In 1974, Boone was signed to the Motown country subsidiary Melodyland.[23]
In 1978, Boone became the first target in the Federal Trade Commission's crackdown on false-claim product endorsements by celebrities. He had appeared with his daughter Debby in a commercial to claim that all four of his daughters had found a preparation named Acne-Statin a "real help" in keeping their skin clear. The FTC filed a complaint against the manufacturer, contending that the product did not really keep skin free of blemishes. Boone eventually signed a consent order in which he promised not only to stop appearing in the ads, but also to pay about 2.5% of any money that the FTC or the courts might eventually order the manufacturer to refund to consumers. Boone said, through a lawyer, that his daughters actually did use Acne-Statin, and that he was "dismayed to learn that the product's efficacy had not been scientifically established as he believed."[24]
Film
In 1956, Boone was one of the biggest recording stars in the US. Several film studios pursued him for movies; he decided to go with 20th Century Fox, which had made Elvis Presley's first movie.[25] Fox reworked a play he had bought, Bernardine, into a vehicle for Boone. The resulting film was a solid hit, earning $3.75 million in the US.[26]
Even more popular was April Love (1957), a remake of Home in Indiana. Boone regards it as one of his favourites, "the kind of movie I wish I could have made 20 more of: a musical, appealing characters, some drama, a good storyline, a happy ending, it's the kind of film which makes you feel good. I never wanted to make a depressing or immoral film."[27]
Less popular was a musical comedy Mardi Gras (1958), which was the last movie of Edmund Goulding. However, Journey to the Center of the Earth (1959), a science fiction adventure tale, was a huge hit. Boone had been reluctant to do it, and needed to be persuaded by being offered the chance to sing several songs and given a percentage of the profits, but was glad he did.[28]
He produced and starred in a documentary, Salute to the Teenagers (1960), but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy, All Hands on Deck (1961), a mild hit.[29]
He was one of several names in another remake, State Fair (1962), a box office disappointment. Musicals were becoming less fashionable in Hollywood, so Boone decided to take on a dramatic role in the Metro-Goldwyn-Mayer-distributed movie The Main Attraction (1962) for Seven Arts Productions, his first movie outside Fox. It was an unhappy experience for Boone as he disliked the implication his character had sex with Nancy Kwan's and he got into several public fights with the producers.[30] He had a deal with Fox to make three films at $200,000 a film with his production company. This was meant to start with a thriller, The Yellow Canary (1963), in which Boone would play an unsympathetic character. New management came in at the studio, which was unenthusiastic about the picture but because Boone had a pay or play deal, they decided to make it anyway, only with a much shorter budget. Boone even paid some money out of his own pocket to help complete it.[31]
Boone's next movie for Fox was another low-budget effort, The Horror of It All (1963), shot in England. He made a comedy in Ireland, Never Put It in Writing (1964), for Allied Artists. Boone's third film for Fox was an "A" production, Goodbye Charlie (1964), but Boone was in support of Debbie Reynolds and Tony Curtis. He was one of the many names in The Greatest Story Ever Told (1965). He appeared in The Perils of Pauline (1967), a pilot for a TV series that did not eventuate, which was screened in some theatres. Boone's last film of note was The Cross and the Switchblade (1970).
Later work
In 1994, Pat Boone played the title role in The Will Rogers Follies in Branson, Missouri.[32]
In 1997, Boone released In a Metal Mood: No More Mr. Nice Guy, a collection of heavy metal covers.[21] To promote the album, he appeared at the American Music Awards in black leather. He was then dismissed from Gospel America, a TV show on the Trinity Broadcasting Network. After making a special appearance on TBN with the president of the network, Paul Crouch, and his pastor, Jack Hayford, many fans accepted his explanation of the leather outfit being a "parody of himself". Trinity Broadcasting then reinstated him, and Gospel America was brought back.[33]
In 2003, the Nashville Gospel Music Association recognized his gospel recording work by inducting him into its Gospel Music Hall of Fame. In September 2006, Boone released We Are Family: R&B Classics, featuring cover versions of 11 R&B hits, including the title track, plus "Papa's Got A Brand New Bag", "Soul Man", "Get Down Tonight", "A Woman Needs Love", and six other classics.[34]
In 2010, plans were announced for the Pat Boone Family Theater at Broadway at the Beach in Myrtle Beach, South Carolina.[35] The attraction was never built.[36]
In 2011, Boone acted as a spokesperson for Security One Lending, a reverse mortgage company.[37] Since at least 2007[38] Boone has acted as a spokesperson for Swiss America Trading Corporation, a broker of gold and silver coins that warns of "America's Economic Collapse".[39]
In 2023 Boone, at 89, is one of the guest vocalists on Born to be Wild, an album by Ann-Margret. Together they perform the song Teach me Tonight on the album.[40]