K-Movie MD [ Moving On ] Photo Essay (DBOOK352)

Photographs and actual product colors may vary slightly

๐Ÿ“ฆ Safely packed with Tracking Number
โœ” 100% Original Brand New Product
โ˜…This book is written in Korean



โ–  Type : K-Drama Merchandise

โ–  Release Date : 2020-09-10
โ–  Page & Size : 219p | 6.0 x 8.3 in

โ–  Author(s) : Yundanbi, Kim Ki -Hyun, Kim Hye -Ri, Dr., Wonjun Choi
โ–  Publisher : Plain
โ–  KJCstar ID : DBOOK352



โ–  Details

Korean Title : ๋‚จ๋งค์˜ ์—ฌ๋ฆ„๋ฐค
English Title : Moving On

This book is written in Korean.



โ–  Description

Director Yoon Dan-bi's "Moving On," which has received acclaim from both critics and audiences, is making a splash in the Korean film industry with its screenplay book release. Following in the footsteps of directors Kim Bora with "House of Hummingbird" and Yoon Ga-eun with "The World of Us," Yoon Dan-bi, an emerging talent in the industry, draws a vivid portrait of childhood's fleeting sadness, nostalgic joy, and unforgettable loss in her film "Moving On." This screenplay book delves deeper into "Moving On," featuring the complete screenplay as well as Yoon Dan-bi's photo commentary, capturing the new scenes that emerged as words transitioned into visuals. It also includes reflections from cinematographer Kim Ki-hyun, handwritten letters from actors Choi Jung-woon and Park Seung-jun, who played Ok-ju and Dong-ju, respectively. Readers can also expect insightful essays from various contributors, guiding them to enjoy "Moving On" beyond the screen. Writer Lee Isla, a woman born in the 1990s and a real-life sibling like the characters in the film, shares her memories of childhood with her brother after watching the movie. Professor Choi Won-jun from Soongsil University's Department of Architecture offers architectural and cinephile insights into the old two-story tile-roofed house, another protagonist in the film, and the family that makes it their refuge. Additionally, an interview with Director Yoon Dan-bi by Kim Hye-ri, a cine21 journalist widely recognized for her interviews with global directors like Bong Joon-ho and Park Chan-wook, highlights the reasons to pay attention to "Moving On" and anticipate the unfolding world of Director Yoon Dan-bi's works.

ํ‰๋‹จ๊ณผ ๊ด€๊ฐ ๋ชจ๋‘์˜ ๊ทน์ฐฌ์„ ๋ฐ›์œผ๋ฉฐ ํ•œ๊ตญ ์˜ํ™”๊ณ„์— ํž˜์ฐฌ ํŒŒ์žฅ์„ ์ผ์œผํ‚ค๊ณ  ์žˆ๋Š” ์œค๋‹จ๋น„ ๊ฐ๋…์˜ โ€˜๋‚จ๋งค์˜ ์—ฌ๋ฆ„๋ฐคโ€™์ด ๊ฐ๋ณธ์ง‘์œผ๋กœ ์ „๊ฒฉ ์ถœ๊ฐ„๋œ๋‹ค. โ€˜๋ฒŒ์ƒˆโ€™ ๊น€๋ณด๋ผ ๊ฐ๋…, โ€˜์šฐ๋ฆฌ์ง‘โ€™ ์œค๊ฐ€์€ ๊ฐ๋…์„ ์ž‡๋Š” ๋†€๋ผ์šด ์žฌ๋Šฅ์˜ ์‹ ์˜ˆ๋กœ ์ฃผ๋ชฉ ๋ฐ›๊ณ  ์žˆ๋Š” ์œค๋‹จ๋น„ ๊ฐ๋…์˜ ์˜ํ™” โ€˜๋‚จ๋งค์˜ ์—ฌ๋ฆ„๋ฐคโ€™์€ ๋ˆ„๊ตฌ๋‚˜ ํ•œ๋ฒˆ์ฏค ๊ฒช์–ด๋ณด๋Š” ์œ ๋…„๊ธฐ์˜ ๋ฐ˜์ง์ด๋Š” ์Šฌํ””๊ณผ ์•„๋ จํ•œ ๊ธฐ์จ, ์žŠ์„ ์ˆ˜ ์—†๋Š” ์ƒ์‹ค์„ ๊ทธ๋ฆฌ๊ณ  ์žˆ๋Š” ์˜ํ™”๋‹ค.์ด๋ฒˆ ๊ฐ๋ณธ์ง‘์—๋Š” โ€˜๋‚จ๋งค์˜ ์—ฌ๋ฆ„๋ฐคโ€™์„ ์ข€ ๋” ๊นŠ์ด ์žˆ๊ฒŒ ๋œฏ์–ด๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ฐ๋ณธ ์ „๋ฌธ์€ ๋ฌผ๋ก  ์œค๋‹จ๋น„ ๊ฐ๋…์ด ๋ฌธ์žฅ์ด ์˜์ƒ์œผ๋กœ ๋ฐ”๋€Œ๋ฉด์„œ ์ƒˆ๋กญ๊ฒŒ ํ”ผ์–ด์˜ค๋ฅธ ์žฅ๋ฉด์„ ์—์„ธ์ด๋กœ ํ’€์–ด๋‚ธ ํฌํ†  ์ฝ”๋ฉ˜ํ„ฐ๋ฆฌ, ๊น€๊ธฐํ˜„ ์ดฌ์˜๊ฐ๋…์˜ ๋‹จ์ƒ, ์˜ฅ์ฃผ์™€ ๋™์ฃผ ์—ญ์„ ๋งก์€ ๋‘ ๋ฐฐ์šฐ ์ตœ์ •์šด๊ณผ ๋ฐ•์Šน์ค€์˜ ์žํ•„ ํŽธ์ง€๊ฐ€ ๋‹ด๊ฒจ ์žˆ๋‹ค. ์˜ํ™” ๋ฐ”๊นฅ์—์„œ โ€˜๋‚จ๋งค์˜ ์—ฌ๋ฆ„๋ฐคโ€™์„ ๋”์šฑ ๊นŠ์ด ์žˆ๊ฒŒ ์ฆ๊ธธ ์ˆ˜ ์žˆ๋Š” ์•ˆ๋‚ด์ž๊ฐ€ ๋˜์–ด ์ฃผ๋Š” ํ•„์ž๋“ค์˜ ๊ธ€๋„ ์ฃผ๋ชฉํ•  ๋งŒํ•˜๋‹ค.์œค๋‹จ๋น„ ๊ฐ๋…๊ณผ ๊ฐ™์€ 90๋…„๋Œ€์ƒ ์—ฌ์„ฑ ์ž‘๊ฐ€์ด์ž ์‹ค์ œ ๋‚จ๋งค์ด๊ธฐ๋„ ํ•œ โ€˜์ผ๊ฐ„ ์ด์Šฌ์•„โ€™์˜ ์ด์Šฌ์•„ ์ž‘๊ฐ€๋Š” ์ด ์˜ํ™”๋ฅผ ๋ณด๊ณ  ๋‚จ๋™์ƒ๊ณผ ๋ณด๋‚ธ ์œ ๋…„ ์‹œ์ ˆ์˜ ํ•œ ์กฐ๊ฐ์„ ๋– ์˜ฌ๋ฆฌ๊ฒŒ ๋œ ๊ด€๊ฐ์œผ๋กœ์„œ ์จ ๋‚ด๋ ค๊ฐ„ ์—์„ธ์ด๋ฅผ ์‹ค์—ˆ๋‹ค. ์ตœ์›์ค€ ์ˆญ์‹ค๋Œ€ ๊ฑด์ถ•ํ•™๋ถ€ ๊ต์ˆ˜๋Š” ์ด ์˜ํ™”์˜ ๋˜ ๋‹ค๋ฅธ ์ฃผ์ธ๊ณต์ด๊ธฐ๋„ ํ•œ ์˜ค๋ž˜๋œ 2์ธต ์–‘์˜ฅ์ง‘๊ณผ ๊ทธ ์–‘์˜ฅ์ง‘์„ ๋ณด๊ธˆ์ž๋ฆฌ๋กœ ์‚ผ๋Š” ๊ฐ€์กฑ์˜ ๋ชจ์Šต์„ ๊ฑด์ถ•๊ฐ€์ด์ž ์‹œ๋„คํ•„์˜ ์‹œ๊ฐ์œผ๋กœ ํ•ด์„คํ•ด์ค€๋‹ค.์˜ํ™”ํŒฌ๋“ค์˜ ์ ˆ๋Œ€์ ์ธ ์ง€์ง€๋ฅผ ๋ฐ›๊ณ  ์žˆ๋Š” ๊น€ํ˜œ๋ฆฌ ์”จ๋„ค21 ๊ธฐ์ž์˜ ์œค๋‹จ๋น„ ๊ฐ๋… ์ธํ„ฐ๋ทฐ๋„ ๋น ๋œจ๋ฆด ์ˆ˜ ์—†๋‹ค. ๋ด‰์ค€ํ˜ธ, ๋ฐ•์ฐฌ์šฑ ๊ฐ๋… ๋“ฑ ์„ธ๊ณ„์  ๊ฐ๋…๋“ค์„ ์ธํ„ฐ๋ทฐ ํ•ด ์˜จ ๊น€ํ˜œ๋ฆฌ ๊ธฐ์ž๋Š” ์ด๋ฒˆ ์ธํ„ฐ๋ทฐ๋ฅผ ํ†ตํ•ด โ€˜๋‚จ๋งค์˜ ์—ฌ๋ฆ„๋ฐคโ€™์„ ์ฃผ๋ชฉํ•ด์•ผ ํ•˜๋Š” ์ด์œ , ์ด์ œ ์‹œ์ž‘ํ•˜๋Š” ์œค๋‹จ๋น„ ๊ฐ๋…์˜ ์ž‘ํ’ˆ ์„ธ๊ณ„๋ฅผ ๋”์šฑ ๊ธฐ๋Œ€ํ•ด์•ผ ํ•˜๋Š” ์ด์œ ๋ฅผ ๊ทธ๋งŒ์˜ ๋ฌธ์žฅ์œผ๋กœ ์ฑ…์— ์˜ฎ๊ฒผ๋‹ค.




โ–  Table of Contents

1. ๊ฐ๋…์˜ ๋ง
2. ๋‚จ๋งค์˜ ์—ฌ๋ฆ„๋ฐค ๊ฐ๋ณธ
3. ์Šคํฌ๋ฆฐ ์œ„๋กœ ํ”ผ์–ด๋‚œ ์ˆœ๊ฐ„๋“ค
: ์œค๋‹จ๋น„ ๊ฐ๋… ํฌํ†  ์ฝ”๋ฉ˜ํ„ฐ๋ฆฌ
4. ๊ธฐ์–ต๊ณผ ์˜ํ™”์˜ ๊ต์ฐจ๋กœ
: ๊น€๊ธฐํ˜„ ์ดฌ์˜๊ฐ๋…์˜ ์žฅ๋ฉด, ๋‹จ์ƒ
5. ๋‚จ๋งค๊ฐ€ ๋“ค๋ ค์ฃผ๋Š” ์—ฌ๋ฆ„๋ฐค ์ด์•ผ๊ธฐ
: ์ตœ์ •์šด, ๋ฐ•์Šน์ค€ ๋ฐฐ์šฐ์˜ ํŽธ์ง€
6. ๊ธฐ์˜๊ณ  ์Šฌํ”ˆ ์—ฌ๋ฆ„
: ์ด์Šฌ์•„ ์˜ํ™” ์—์„ธ์ด
7. ์‚ฌ๋ผ์ ธ๊ฐ€๋Š” ์ฃผ๊ฑฐ์˜ ํ˜•์‹, ๊ทธ๋ฆฌ๊ณ  ๊ทธ ์•ˆ์˜ ๊ฐ€์กฑ
: ์ตœ์›์ค€ ๊ฑด์ถ• ์—์„ธ์ด
8. ๊ทธํ•ด ์—ฌ๋ฆ„ ์šฐ๋ฆฌ๋Š”
: ๊น€ํ˜œ๋ฆฌ ์”จ๋„ค21 ๊ธฐ์ž์˜ ์œค๋‹จ๋น„ ๊ฐ๋… ์ธํ„ฐ๋ทฐ

 

 

 







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