Illuminated Manuscript Book of Hours Leaf, France, c. 1425-50
Test from PSALM 142 (KJ 143) and KYRIE
IM-13560: Original leaf from a French medieval illuminated manuscript Book
of Hours. 17 lines of hand-ruled text written in Latin with black ink
in fine bold gothic textura script on animal vellum with
rubrics in red.
One two-line illuminated gold initial and
fifteen one-line illuminated initials alternating in burnished gold with blue
penwork and blue with red penwork – many extending into the margins.
Origin: Paris,
France circa 1425-1450
Size : 6.1 x 4.5 inches, (155 x
114mm)
The one-line illuminated “M” begins Psalm 142 (King James
143) 5-12:
“Memor…” (I remembered the days of
old, I meditated on all thy works: I meditated upon the works of thy hands…Thy
good spirit shall lead me into the right land: for thy name’s sake, O Lord,
thou wilt quicken me in thy justice. Thou wilt bring my soul out of trouble:
and in thy mercy thou wilt destroy my enemies.
And thou wilt cut off all them that afflict my soul: for I am thy servant).
The
two-line illuminated “K” begins the Litany of the Saints (first
prescribed by Pope Gregory in 590 for a public thanksgiving following a plague
that ravaged Rome): “Kyrie…” (Lord have mercy on us,
Christ have mercy on us. Lord have mercy on us. Christ hear us. God the Father
of heaven, have mercy on us. God the Son redeemer of the world, have mercy upon
us.
Provenance: Written for the Use of Paris – Rare
inclusion of St. Bruno in the Litany indicates possible ownership by a monk of
the Carthusian Monastery of Vauvert (Order of St Bruno), Paris
(established 1257, dissolved 1792).
This Book of Hours leaf was scribed circa 1425-1450. This is a beautiful and highly ornamental original, about 575 years old, not a reproduction. It is in exceptionally nice antiquarian condition as shown in the photos. The colors and gold are fresh and bright. It comes with a Certificate of Authenticity.
Books of Hours are personal prayer books of a devout and status-conscious society and are not only works of art, but cultural documents of their time. They reveal a unique combination of sacred and secular imagery - made of the finest materials, by the best craftsmen, for a small audience that could both appreciate and afford them. | ||