Africae tabula nova / Africa, Lybia, Morenlandt, mit allen Königreichen so jetziger zeit darumb gefunden werden

Cartographer : - Munster, Sebastian 1489 – 1552

  • Date: - 1588
  • Size: - 16 1/2in x 13 1/2in (420mm x 340mm)
  • Ref#: - 93334
  • Condition: - (A+) Fine Condition

Description:
A great example of the original wood-block engraved antique map of the whole continent of Africa published by Sebastian Munster in the 1588 edition of Cosmographia.
This is Munsters 2nd map of Africa, after the Abraham Ortelius continental map of 1574. The woodblock map is elegantly engraved in the style of copper engravings. It depicts the continent with a jagged coastline with several prominent bays. In the interior there are several large lakes, including the twin lakes source of the Nile. The coast of Brazil appears in the lower left corner. Two small ships, a sea monster and a block-style title cartouche decorate the map. German text and illustration on verso.

The Cosmographia or Cosmography was first published in 1544 and is the earliest German-language description of the world.
It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628. The Cosmographia was one of the most successful and popular books of the 16th century and passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Die Newe Welt oder Inseln, which is credited as the first map to show the American continents as geographically unique.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia, with numerous illustrations.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16 1/2in x 13 1/2in (420mm x 340mm)
Plate size: - 16 1/2in x 13 1/2in (420mm x 340mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Small extension to bottom right corner margin, repair to bottom centerfold, not affecting image. 
Plate area: - 2 very small worm holes
Verso: - Repairs as noted

Background:
The first separately printed map of Africa (as with the other known continents) appeared in Munster\'s Geographia from 1540 onwards and the first atlas devoted to Africa only was published in 1588 in Venice by Livio Sanuto, but the finest individual map of the century was that engraved on 8 sheets by Gastaldi, published in Venice in 1564. Apart from maps in sixteenth-century atlases generally there were also magnificent marine maps of 1596 by Jan van Linschoten (engraved by van Langrens) of the southern half of the continent with highly imaginative and decorative detail in the interior. In the next century there were many attractive maps including those of Mercator/Hondius (1606), Speed (1627), Blaeu (1 630), Visscher (1636), de Wit (c. 1670), all embellished with vignettes of harbours and principal towns and bordered with elaborate and colourful figures of their inhabitants, but the interior remained uncharted with the exception of that part of the continent known as Ethiopia, the name which was applied to a wide area including present-day Abyssinia. Here the legends of Prester John lingered on and, as so often happened in other remote parts of the world, the only certain knowledge of the region was provided by Jesuit missionaries. Among these was Father Geronimo Lobo (1595-1678), whose work A Voyage to Abyssinia was used as the basis for a remarkably accurate map published by a German scholar, Hiob Ludolf in 1683. Despite the formidable problems which faced them, the French cartographers G. Delisle(c. 1700-22), J. B. B. d\'Anville (1727-49) and N. Bellin (1754) greatly improved the standards of mapping of the continent, improvements which were usually, although not always, maintained by Homann, Seutter, de Ia Rochette, Bowen, Faden and many others in the later years of the century.
Sebastian Petri re-release of Cosomgraphia in 1588 produced some fine woodcut maps in the \"copperplate style\". The maps in this release were more sophisticated than with earlier publications of Cosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum. (Ref: M&B;Tooley)
Munster, Sebastian 1489 – 1552
German cartographer, cosmographer, and Hebrew scholar whose work Cosmographia (1544; \\\"Cosmography\\\") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. It had numerous editions in different languages including Latin, French, Italian, English, and even Czech. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628 and was one of the most successful and popular books of the 16th century. Münster was a major influence in popular thinking in Europe for the next 200 years.
This success was due not only to the level of descriptive detail but also to the fascinating full page maps & views as well as smaller woodcuts that were included in the text. Many of the woodcuts were executed by famous engravers of the time including Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel.
Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time.
Münster acquired the material for his book in three ways. Firstly he researched all available literary sources across Germany, Switzerland and other parts of Europe. Secondly he obtained original manuscript material from locals all over Europe for description of the countryside, cities, villages, towns, rivers and local history. Finally, he obtained further material first hand on his travels (primarily in south-west Germany, Switzerland, and Alsace).

In 1588 Sebastian Petri re-released Cosomgraphia and re-issued many of Munsters maps and views in the \\\"copperplate style\\\". The maps in this release were more sophisticated than with earlier publications of Cosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum.(Ref: Tooley; M&B)

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