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  • ORIGINAL 1967 FIRST PRESS
  • MOST BEAUTIFUL TOP COPY ..|/\|...............................................|/\|..
  • MINT 1967 SHRINK ~ DAVIE ALLAN & ARROWS ~ BLUES THEME ~ FUZZED GARAGE RUMBLE LP - Picture 1 of 3
  • = Davie Allen & the Arrows =
  • "Blues Theme"
  • ..|/\|...............................................|/\|..
  • USA - TOWER RECORDS - DT3078 (stereo)
  • ..............................................................................................................
  • 1967 ORIGINAL (((STEREO))) KING FUZZ GARAGE BUZZER !
  1. MINT SOLID COLLECTION COPY
  2. STILL IN FACTORY SHRINK WRAPPER!

    Thee original 1967 first pressing of the tough, gritty biker garage cooker led by the fuzz-tone guitar action by Davie Allan ..."Blues Theme" scored a big soundtrack hit when it was included in a cult favorite drive in movie, 'The Wild Angles' ... The whole album's a gas with fuzz guitar rockers all over the place -- and because it is the greatest motorcycle riding song anyone has ever produced! The kick-start Harley starting up and revving into the introduction, then blasting past you a couple times as you experience the fuzzed-up guitar riffs that will put you on an imaginery Harley of your own!

    Davie Allan was an innovator as well as a gifted guitar genius whose fusings of melody into an effortless outpouring of countless fuzz guitar-directed anthems, many of which graced many notorious American biker/drug exploitation films of the sixties, Allan was backed by a three-piece group who performed as Davie Allan & The Arrows from 1965 to 1968. Allan’s incredible guitar jams were like a monoxide-mainlining version of The Ventures if they encompassed everything from psychedelia to slash and burn surf running amok to the gentlest of melodic themes. As one would guess by their titles, “King Fuzz” and “Fuzz Theme” have even more fuzztone use per square second than The Electric Prunes’ first three albums, and they’re total gaga grooves complete with Allan’s trademark disorientating ‘speed tremolo’; a technique he developed which bent the pitch of fuzz-played chords into oblivion. “William Tell 1967” isn’t exactly as fast as the version of “The William Tell Overture” that graced the soundtrack of “A Clockwork Orange” but it’s certainly fast enough to dispel all thoughts of the Lone Ranger forever AND it’s a rendition of the trippiest levity. The cover of “Theme From Thunderball” is about as sensual as a guitar instrumental can be: graceful, lithe and rhythmically smooth as the lines of a woman’s figure outlined in zero gravity silk. But even when Allan turns his Mosrite Fuzzrite fuzz pedal almost imperceptibly down for the lightly fuzzed pop approach on the sub-“96 Tears” jams of “Sorry ‘Bout That” it still maintains that undeniable presence of total class which Davie Allan, a true gentleman and guitarist, has always displayed in abundance.
  3.   Blues Theme

    King Fuzz

    Theme From Thunderball

    William Tell 1967

    Action On tHe Street

    B:

    Theme From The Wild Angels

    Theme From The Unknown

    Fuzz Theme

    Sorry 'bout That

    Ghost riders In The sky
  4.         
     
    CONDITION:

  5. The cover: rated: MINT STILL IN ORIGINAL FACTORY SHRINK WRAPPER - rather TOP FLIGHT LEVEL final collection copy - this clean! There are no delete marks, no split seams, no bends, and no writing ....still with original 1967 store price sticker on outer shrink wrapper  ... 
  6. 1967 first pressing

  1. The vinyl: Rated: M- very clean,looks clear and smooth, while audio playback is terrific, and both TOWER labels are perfect !
MINT 1967 SHRINK ~ DAVIE ALLAN & ARROWS ~ BLUES THEME ~ FUZZED GARAGE RUMBLE LP - Picture 1 of 3


A cool addition to anyone's music library! 

SEE: SELLERS OTHER ITEMS (((similar grooves for "head" people...)))


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 GRADING SYSTEM:

All imperfections are noted both cover & record

 
GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG-
M    Completely clean, no marks, plays clean

M-   Carefully used, looks clean, plays clean, shiny gloss, plays clean

EX   Faint scuff or superficial mark, near M-, high gloss, plays clean
VG++ Glossy with minimal scuffing or light mark playing very nice, enjoyable

VG+ a bit more scuff or marks still plays well with very minimal surface at worse
VG   more marks/scratches only minor, nothing deep, no loud clicks or pops
        this grade is abused by many, VG here does not mean "trashed"
VG-  surface noise present, will not have skips or jumps
 
 
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