Rare Book Palestinian embroidery, traditional Al-Falahi stitch التطريز الفلسطيني

🆕A new, expanded and revised edition of the book #Palestinian_Embroidery_Stitch_Al-Falahi by the authors #Widad_Kamel_Kawar and #Tania_Tamari_Nasser was recently published.

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The Palestinians have the right to be proud of the world for embroidering Palestinian dresses in a distinctive way that expresses a unique personality in its vision of shapes and colors as much as it is unique in its vision of the human experience.

This popular art, which has been inherited since the oldest eras of civilization, and which each village in Palestine developed in its own style, has a degree of delicacy, subtlety, and diversity that amazes us today with its originality. At the same time, it is derived from careful observation of nature and its forms, to modify it so that it fits with the stroke of a needle with what was accessible to women. Locally made of threads and dyes.

Taken as a whole, it represents joy in life, acceptance of it, and response to it, to the point that it almost seems as if it is the product of rituals that are fertility rituals, rejection of death, and rejoicing in the forces of resurrection in man, as in the seed and the udder.

Therefore, if one feels - while examining this beautiful photographic record - that something like a flame is always visible through the decorative documentation and its overlay, this is only because the Palestinian woman never engraved and embroidered a garment for herself or for others unless she was burning with a sense of the splendor and abundance of existence. This embroidery is an art created by an overwhelming love for everything living.

#Jabra_Ibrahim_Jabra

👈All the books we have available are #original

🆕صدر حديثاً  طبعة جديدة مزيدة ومنقحة من كتاب #التطريز_الفلسطيني_غرزة_الفلاحي للمؤلفتين #وداد_كامل_قعوار و #تانيا_تماري_ناصر 

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يحقّ للفلسطينيّين أن يفاخروا العالم بتطريز الأثواب الفلسطينيّة على نحوٍ متميّز يعبّر عن شخصيّةٍ متفرّدةٍ برؤيتها للأشكال والألوان بقدر ما هي متفرّدة برؤيتها للتجربة الإنسانيّة.

فهذا الفنّ الشعبيّ المتوارث منذ أقدم عصور الحضارة، الّذي طوّرته كلّ قرية في فلسطين على غرارها الخاصّ، فيه من الرقّة والرهافة والتنويع ما يدهشنا اليوم بأصالته، وهو في الوقت نفسه مستقًى من ملاحظة دقيقة للطبيعة وأشكالها، لتحويرها بحيث تتلاءم وغرزة الإبرة مع ما كان ميسّرًا للمرأة محلّيًّا من خيوط وأصباغ.

إنّه بمجموعه يمثّل فرحًا بالحياة وإقبالًا عليها وتجاوبًا معها، حتّى ليكاد يبدو وكأنّه وليد طقوس هي طقوس الخصب ورفض الموت والتهليل لقوى الانبعاث في الإنسان كما في الزرع والضرع.

ولذا، إذا ساور المرءَ الشعورُ ـ وهو يتفحّص هذا السجلّ المصوّر الجميل ـ بأنّ شيئًا كاللهيب يتبدّى دائمًا من خلال التوثيقات الزخرفيّة وتراكبها، فما ذلك إلّا لأنّ المرأة الفلسطينيّة ما نقشت وطرّزت ثوبًا لنفسها أو لغيرها إلّا وهي تحتدم حسًّا بروعة الوجود وغزارته. إنّ هذا التطريز فنّ أبدعه حبّ عارم لكلّ ما هو حيّ.

#جبرا_إبراهيم_جبرا  

👈جميع الكتب المتوفرة  لدينا  #أصلية 

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