Genuine Handcrafted “South Dakota Black Hills” Solid Gold Ring Featuring Red and Green Colored Leaves and Three Genuine 19th Century Antique Handcrafted Siberian Pink Sapphire Precious Gemstones.
Not cheap gold electroplate! This is a high-quality, handcrafted ring. The ring itself is 10kt solid gold, the handcrafted leaves are 12kt solid gold. The pink sapphire precious gemstones were handcut in or near Yekaterinburg, Russia, in the late nineteen century.
Pink Sapphire Dimensions: Handcrafted 2 1/2mm rounds; combined weight approximately 0.25 carats.
NOTE: Size 8. Resizing is available (may incur nominal extra cost depending on size required).
DESCRIPTION: The ancient Greeks and their forbearers produced some of the ancient world’s finest goldsmiths. By about 2400BC the Minoans of Crete were producing diadems, hair ornaments, beads, bracelets, and complex chains. By 2000BC their designs were incorporating Near Eastern techniques of filigree and granulation and design elements from ancient Egypt. Minoan culture and its jewelry styles spread to the mainland of Greece, then dominated by the city-state of Mycenea, about 1550 B.C. Gold coinage was introduced by King Croesus of Lydia in the sixth century B.C., a revolutionary concept in international trade. Gold was plentiful in Greece during the Hellenistic Age (323-30 B.C.), and Greek jewelry of this period is characterized by its great variety of forms and fine workmanship. By 325 B.C. the Greeks were mining gold from Gibraltar to Asia Minor, and trading for gold with the Phoenician/Carthaginians, Scythians, and Dacians. After the conquest Roman conquest of Greece and the Hellenic world gold artisans of Greece migrated to early Rome where they produced Greek style jewelry. The chief centers of production were Alexandria, Antioch, and Rome.
In celebration of that heritage here is a gorgeous, high quality 10/12kt solid gold ring. Please do not confuse this with cheap gold electroplate. This is a high-quality, hand-made ring, crafted right here in the USA, and constructed to last a lifetime. The ring itself is constructed of 10kt solid gold, while the handmade red and green colored leaves are constructed of solid 12kt gold. This style of handcrafted multi-colored gold jewelry originated in the Black Hills of South Dakota. The leaf, rose (and frequently grape) designs incorporated into this style of gold jewelry was inspired by wild grape vines and wild roses that flourish in the region. You might note that there’s a single “grape” to be found between the two leaves. Set into the center of the ring are three very nice quality antique, handcrafted Siberian pink sapphires.
The three pink sapphire precious gemstones were hand crafted by a 19th century Russian artisan, part of an heritage renown for the production of the elaborate gemstones and jewelry of the Czars of Medieval, Renaissance, and Victorian Russia. Originally used in indigenous jewelry, these are these are exceptionally vibrant precious gemstones, crystal clear, brightly colored, almost neon pink sapphires, with fabulous sparkle and natural fire. The faceted cut is a coarse precursor to what eventually became known in the industry as a “brilliant cut” round, the contemporary finish generally given to round diamonds. Good quality sapphires are in high demand, and can be quite costly. Unfortunately most seemingly flawless, transparent “sapphires” sold even by the largest and most reputable retailers in the United States are synthetic (read the fine print; and the same is true of emeralds and rubies). However the Southern Ural Mountains of Russia have been producing good quality, natural sapphires for centuries.
As might be expected under magnification the gemstones show the unmistakable, hallmark characteristics of having been hand crafted. The coarseness of the 19th century finish is considered appealing to most gemstone aficionados, and is not considered a detriment, or detract from the value of such gemstones. These characteristics are not only expected of hand-finished gemstones, many believe that such antique hand-crafted gemstones possess much greater character and appeal than today's mass-produced, laser-cut gemstones. Unlike today’s computer controlled machine produced gemstones that approach flawlessness in a perfect finish, the cut and finish of handcrafted gemstones like these is the legacy of an artisan who lived two centuries ago.
Handcrafted though they may be these three gemstones have great luster and sparkle, and are transparent and to the unaided eye, seemingly without blemish. However that is not to suggest that they are entirely flawless. True, the blemishes they possess are not discernible with the naked eye, and the gemstones can be characterized, to use trade jargon, as "eye clean". However magnified as they are here in the accompanying photo enlargements you might be able to discern a minute blemish or two within the stones. Of course much the same may said about almost any natural gemstone. An absolutely flawless gemstone simply is not the rule in nature. Most absolutely flawless gemstones will upon close examination be revealed to be synthetic. You might also notice under magnification occasional irregularities in the cut and finish. Naturally these characteristics are not only expected of hand-finished gemstones, you must also consider that two centuries ago the mining techniques prevalent did not allow the ultra deep mining operations which are so common today.
Keep in mind that two centuries ago mankind was more or less limited to surface deposits or near surface deposits of semi-precious gemstones. Higher quality gemstones which today are routinely mined from beneath hundreds of meters, even kilometers beneath the earth's surface, were simply inaccessible. It is precisely for these reasons antique gemstones must be appreciated as antiques first, gemstones second. The relatively superlative quality of contemporary gemstones routinely mined from deep beneath the earth's surface today were simply not accessible two centuries ago, or at least, only rarely so. However for most, the unique nature and character of these antique gemstones more than makes up for the blemishes found within the gemstones, as well as the cutting irregularities common to handcrafted gemstones, all of which are by and large (if at all) are only visible under magnification.
HISTORY OF GOLD: From the earliest of times, gold was often held in awe as the symbol of divinity and was therefore the material of choice for religious objects. Gold was among the first metals to be mined because it commonly occurs in pure form (not combined with other elements), because it is beautiful and imperishable, and because exquisite objects can be made from it. Since gold is found uncombined in nature, early goldsmiths would collect small nuggets of gold from stream beds etc., and then weld them together by hammering. It was oftentimes discovered alloyed with 10%-20% silver, the mixture known as “electrum”. Gold was "discovered" well before 6,000 B.C., most likely in Mesopotamia, though some of the oldest gold objects made by mankind were discovered by archaeologists in present-day Bulgaria (ancient Thrace) and in the Balkans, such as at the Varna Necropolis.
In ancient Egypt all gold was the property of the pharaoh. Artifacts and jewelry of gold over 5,000 years old have been uncovered by archaeologists in Egyptian tombs. Around 3,600 B.C. Egyptian goldsmiths carried out the first smelting of ores using blowpipes made from fire-resistant clay to heat the smelting furnace. Ancient Egyptian hieroglyphs describe gold as the brilliance of the sun. In the Near East, by 2,500 B.C., Sumerian goldsmiths were using sophisticated metalworking techniques; cold hammering, casting, soldering, cloisonné, and particularly filigree (fine-wire ornamentation) and granulation (the use of minute drops of gold). The tomb of the Sumerian Queen Puabi, from the city of Ur in about the 26th century B.C., was one of the richest tombs ever uncovered by archaeologists.
Queen Puabi was buried with five soldiers and thirteen "ladies in waiting" who had apparently poisoned themselves (or been poisoned) to serve their mistress in the next world. The grave goods she was buried with included a magnificent, heavy, gold headdress made of golden leaves, rings, and plates; a superb lyre complete with a gold and lapis-lazuli encrusted bearded bulls head; a profusion of gold tablewear; cylindrical beads of gold, carnelian, and lapis lazuli woven into extravagant necklaces and belts; a chariot adorned with lioness' heads in silver, and an abundance of silver, lapis lazuli, and gold rings and bracelets.
Another of the most famous tombs uncovered by archaeologists was that of 14th century B.C. Tutankhamun. The pharaohs of Egypt insisted on being buried in gold, which they believed was the "flesh of the gods." The boy-king Tutankhamun was enshrined in three gold coffins. The third and final coffin was made of 243 pounds (110 kilograms) of solid gold. As well, gold artifacts and jewelry abounded, including the solid gold mask which weighed 10 kilos (24 pounds). It’s worth noting that Tutankhamun was a minor, almost unknown and forgotten pharaoh. One can only imagine the wealth of gold some of ancient Egypt’s more significant pharaohs (such as Ramses the Great) must have been buried with.
The art of fashioning gold jewelry reached the Mediterranean island of Crete (the ancient Minoans) about 2400 B.C. Diadems, hair ornaments, beads, bracelets, and complex chains have been found in Minoan tombs. Near Eastern techniques of filigree and granulation were introduced to Crete about 2000 B.C., and evidence also indicates that Egyptian styles influenced Minoan jewelry. Minoan culture and its jewelry styles spread to the mainland of Greece, then dominated by the city-state of Mycenea, about 1550 B.C. The graves of nobles at the ancient Citadel of Mycenae discovered by Heinrich Schliemann in 1876 likewise yielded a great variety of gold figurines, masks, cups, diadems, and jewelry, plus hundreds of decorated beads and buttons. These elegant works of art were created by skilled craftsmen more than 3,500 years ago.
Metalworking techniques reached northern Europe by about 2000 B.C., and the earliest jewelry found there dates from between 1800 and 1400 B.C. These artifacts include lunulae (spectacular, crescent-shaped neck ornaments of beaten gold), most of which were found in graves in Ireland, where gold was once plentiful. There is evidence that the Celtic and early British people were trading with the Eastern Mediterranean races by this time, exchanging gold for faience beads. By 1200 B.C. jewelry making was flourishing in Central and Western Europe, where bronze as well as gold was frequently used to make jewelry, and the spiral was the most common motif of decoration. The fibula-brooch seems to have been invented at about this time.
Twisted gold torcs, modeled on Scandinavian bronze prototypes, were made in the British Isles and northern France from the fifth to the first century B.C. These massive circlets for the necks and arms were the characteristic ornaments of the chiefs of the Celtic race, and were symbols of wealth, power and courage across Celtic Europe. Celtic craftsmen also used enamel and inlay to decorate jewelry. By the seventh century B.C. the Etruscans of Central Italy were also making fine gold jewelry. These people may have migrated from Anatolia (present-day Turkey), from where their metalworking skills seem to have been derived. The Etruscans brought to perfection the difficult technique of granulation, whereby the surface of the metal is covered with tiny gold grains.
Gold was plentiful in Greece during the Hellenistic Age (323-30 B.C.), and Greek jewelry of this period is characterized by its great variety of forms and fine workmanship. Naturalistic wreaths and diadems were made for the head, and a variety of miniature human, animal, and plant forms were made up into necklaces and earrings. The so-called Heracles-knot, of amuletic origin, was introduced, and remained a popular motif into Roman times. The ancient Mediterranean civilizations appear to have obtained most their supplies of gold from various deposits in the Middle East, as well as gold which came through the Middle East from Southern Africa, and perhaps a minor amount from the Ural Mountains of present-day Russia.
Mines in the region of the Upper Nile (south of Egypt) near the Red Sea and in the Nubian Desert area supplied much of the gold used by the Egyptian Pharaohs (the area was known to the ancient Egyptians as “Punt”, and to the ancient Christians as “Sheba” or “Saba”). When these mines could no longer meet Egypt’s demand for gold, deposits elsewhere were exploited, likely including deposits thousands of miles away in Southern Africa. Archaeological evidence indicates that most of the gold in Ancient Egypt and even in the ancient Mediterranean from perhaps 1700 B.C. onwards came from the Himyarites in present-day Yemen (across the Red Sea from Nubia), who in addition to exploiting their own deposits, may in turn have obtained much of the gold they exported to the ancient Egyptians from present day Rhodesia/Zimbabwe.
In fact the Himyarites likely controlled most of the east coast of Africa, including Rhodesia/Zimbabwe, and is most likely the area referred to as Monomotapa in ancient texts (known also as the Biblical city of Ophir, from which the Bible records that King Solomon received shipments of gold, silver, ivory, gemstones, and peacocks). Artisans in Mesopotamia and Palestine probably obtained their supplies either directly from the Himyarites or indirectly through (middleman) Egypt. As well, recent studies of the ancient mines in the present Kingdom of Saudi Arabia (directly to the north of Yemen) reveal that gold, silver, and copper were recovered from the Red Sea region, across the Red Sea from the Nubian deposits, during the reign of King Solomon (961-922 B.C.).
Around 1500 B.C. artisans of the ancient world developed the “lost wax” method of producing jewelry, allowing for the “mass production” of gold jewelry. At the same time, gold had already become the recognized medium of exchange for international trade. The sixth century B.C. saw the first use of gold in dentistry by the ancient Egyptians, and the introduction of the first gold coinage in Asia Minor by King Croesus of Lydia. By this time, much of the gold in the Classical Mediterranean cultures came from Spain, where extensive deposits of gold and silver were mined and then acquired by the ancient Phoenicians in trade, and then brought from the Western Mediterranean and traded through the ancient Mediterranean world.
Eventually the Phoenician colony of Carthage became the leading power of the Eastern Mediterranean, and gained control over these valuable Spanish deposits. In turn the Carthaginians engaged the Romans in three wars before Spain was lost to the Romans. Spanish gold and silver to a great extent allowed the Romans to expand their empire. The “other” great power of the Classical Mediterranean were the Hellenic Greeks, who by 325 B.C. were mining gold from Gibraltar to Asia Minor. When the gold in Spain began to play out, the Romans turned their attention toward the gold mines in Dacia (modern Romania). The Dacians had historically traded this gold to the Greeks for pottery and to the Scythians for amber. About 100 A.D. the Roman Emperor Trajan conquered Dacia, mainly in order to gain control of these gold mines.
The Romans also exploited smaller gold deposits found in the British Isles. The Romans used very sophisticated extraction and mining techniques as detailed by the first-century historian and naturalist Pliny the Elder. The Romans were also the first to mass-produce coinage on a monumental scale, the first truly monetized society. Between the second and fourth centuries A.D., the Romans produced millions of gold aureus coins, and billions of silver and bronze coins. At the height of the Roman Empire, there were over 400 mints producing coinage in locations scattered through their dominion. Gold was fashioned into Greek style jewelry during the early Roman Empire, when the chief centers of production were Alexandria, Antioch, and Rome, to which Greek craftsmen had migrated.
There was an increasing emphasis in producing gold jewelry on incorporating decorative stones; at first garnets, chalcedonies, and carnelians, but later uncut but polished hard gemstones such as diamonds, sapphires, and, notably, emeralds from “Cleopatra’s Mines” in Egypt. Colorful gemstone jewelry was common during the Early Middle Ages in the centuries immediately following the collapse of the Roman Empire. Mediterranean goldsmiths continued to produce jewelry of great refinement, but the jewelry of the European Celtic tribes dominated this period. They produced abstract styles of great splendor which were worked in enamels and inlaid stones. The fibula-brooch reached extremes of size and elaboration. During the High Middle Ages the technique of cloisonné enameling on gold was widespread, the finest pieces emanating from the workshops at Constantinople, the capital of the Byzantine Empire.
After the creation of Charlemagne's empire in 800 A.D. and the Holy Roman Empire in 962 A.D., a fusion of northern and Mediterranean cultures occurred. The principal patrons of the arts became the emperor and the church, and jewelers worked in courts and monasteries. Jewelry design was based on the setting in gold of precious stones and pearls in colorful patterns. Gold was used widely for crosses, altars, doors, chalices, and reliquaries. This association with divinity naturally developed into an association with royalty. Even in modern times the accoutrements of royalty are predominantly gold. However there was a critical shortage of gold which developed in the High Middle Ages. During the years 1370-1420 A.D. as various major mines around Europe become completely exhausted. Mining and production of gold declined sharply throughout the region in a period known as 'The Great Bullion Famine'.
However by about 1433 A.D. this spurred the Portuguese to start sailing to Ghana in Western Africa and thus enabling them to trade for gold without having to cross the Sahara Desert into Muslim northern Africa. By 1471 A.D., the Portuguese were even calling West Africa the "Gold Coast", and a reliable source of gold was again available to Western Europe. In the “New World”, archaeologists believe that the gold in the Aztec and Inca treasuries of Mexico and Peru came from Colombia, although some undoubtedly was obtained from other sources. The Aztecs regarded gold as literally the product of the gods, calling it "god excrement". The Conquistadores plundered the treasuries of these civilizations during their explorations of the New World, and many gold and silver objects were melted and re-cast into coins and bars, destroying the priceless artifacts of these MesoAmerican cultures.
Gold is widely dispersed through the earth's crust (and even in seawater) and is found in two types of deposits; lode deposits, which are found in solid rock and are mined using conventional mining techniques, and placer deposits which are gravelly deposits found in stream beds and are the products of eroding lode deposits. The largest gold nugget ever found was in 19th century Australia weighing over 70 kilograms (150 pounds). Gold is quite unique in its malleability. No other metal compares with it. A single ounce can be stretched into a wire 60 kilometers long (40 miles), or pounded into a sheet of 300 square feet (the size of two typical suburban bedrooms).
Because of its chemical inertness, gold retains its brilliant color even after centuries of exposure to corrosive elements. The most workable of all metals, gold has been forged, chased, embossed, engraved, inlayed, cast, and in the form of gold leaf, used to gild metals, woods, leather, and parchment. Gold wire has found wide uses in brocades and ornamentation of other materials. Throughout at least five millennia of recorded history it has been used to fashion sculpture, vessels, jewelry, ornamentation, and coinage. Throughout the history of the ancient world, gemstones were believed capable of curing illness, possessed of valuable metaphysical properties, and to provide protection.
Found in Egypt dated 1500 B. C., the "Papyrus Ebers" offered one of most complete therapeutic manuscripts containing prescriptions using gemstones and minerals. Gemstones were not only valued for their medicinal and protective properties, but also for educational and spiritual enhancement. In the ancient world, gold was regarded to symbolize power, strength, wealth, warmth, happiness, love, hope, optimism, intelligence, perfection, summer, harvest and the sun. Gold was also believed to possess curative and “magical” properties. During justice, balance, the Middle Ages it was believed that something as rare and beautiful as gold could not be anything but healthy, so gold was regarded as beneficial for health and was not only worn but also ingested.
In fact, some gold salts do have anti-inflammatory properties, and in modern times, injectable gold has been proven to help to reduce the pain and swelling of rheumatoid arthritis and tuberculosis. The isotope gold-198 is also used in some cancer treatments and for treating other diseases. Gold flake was used by the nobility in Medieval Europe as a decoration in food and drinks, in the form of leaf, flakes or dust, either to demonstrate the host's wealth or in the belief that something that valuable and rare must be beneficial for one's health. Even today gold leaf, flake or dust is used on and in some gourmet foods, notably sweets (particularly in India and the Middle East) and drinks as decorative ingredient.
SAPPHIRE HISTORY: Sapphires have been since ancient times one of the most highly valued of all gemstones, and references to the gemstone date back to about 800 B.C. In the ancient Mediterranean world (including the Greeks, Romans, Persians, Hebrews, and the various Indo-European Celtic tribes), priests and sorcerers honored the sapphire above all other gems. They believed that the sapphire enabled them to interpret oracles and foretell the future. Sapphire is also the original “true blue”, the gem of fidelity and of the soul. In the ancient world, a gift of a sapphire was a pledge of trust, honesty, purity, and loyalty.
The oldest sapphire jewelry unearthed by archaeologists has been of Etruscan origin, about sixth century B.C. The Greeks and Romans are known to have worn sapphires from Ceylon, as described by writers from those times. Though some argue that the name sapphire is derived from its association with the planet and ancient deity Saturn (the name can be roughly be translated to mean “dear to the planet Saturn” in many different languages), most linguists and scholars agree that the name "sapphire" comes from the Latin "sapphirus" and the Greek "sappheiros", which translates to "blue" in both languages. The name sapphire is also a derivative of the ancient Hebrew and Persian word for "blue" as well.
To the ancient Romans however, the word "sapphirus" actually referred to lapis lazuli, another blue gemstone. According to Pliny, the first century Roman naturalist, what the Romans called blue sapphire (“cyanus”, from the Greek “cyan”, or “blue”) translates to "hyacinth"; the green sapphire was "emerald", and the purple sapphire was "amethyst". However the “Saturn” origin theory is appealing in that in ancient Rome Saturn (“Kronos” to the ancient Greeks) was a major god presiding over agriculture and the harvest time. His reign was depicted as a Golden Age of abundance and peace by many Roman authors, a mythical age when Saturn was said to have ruled.
In remembrance and celebration of that age, a great (week-long) feast called Saturnalia was held throughout the Roman Empire during the winter months around the time of the winter solstice. During Saturnalia, roles of master and slave were reversed, moral restrictions loosened, and the rules of etiquette ignored. It is thought that the festivals of Saturnalia and Lupercalia were the roots of the carnival ("Mardi Gras" in the USA). Roman depictions of Saturn generally showed the god with a sickle in his left hand and a bundle of wheat in his right. In the medieval world Saturn was known as the Roman god of agriculture, justice and strength.
The ancient Persians believed that the Earth was imbedded into a gigantic blue Sapphire stone, and the sky reflected its beautiful color. They referred to the sapphire as "the gem of the heavens”. In ancient Persia, ground sapphire was used as an all purpose medicine. One ancient recipe to enhance eyesight was to powder the stone and mix it with vinegar. The same recipe was used to treat nosebleeds. Sapphires were also used to treat fevers and rheumatism. When treating boils and external ulcers, they were ground and mixed with milk. The paste was then applied to the afflicted area. Ancient Hebrew legends state that the tablets upon which the Ten Commandments were written were of blue sapphire, and biblical accounts record that King Solomon wore a great sapphire ring. Monarchs of the ancient world wore sapphires around their necks as a powerful talisman protecting them from harm and attracting divine favor.
Archaeological finds tell us that Ceylon is more than likely to be the source for sapphire in the classical world. In ancient Ceylon it was believed that star sapphire (a semi-opalescent gemstone extremely popular Victorian-era jewelry) served as a protective amulet and a guard against witchcraft. Celanese sapphire would have reached the classical Mediterranean cultures via the ancient trading routes that crossed present day Turkey, Iran, Afghanistan and Pakistan to India. Distribution within Europe was achieved using the extensive Roman road network which extended to all the corners of the Roman Empire. It is also possible that some of the sapphire traded in the classical Mediterranean originated in India.
As the centuries passed European royalty came to favor sapphire believing the stone would provide protection from harm. Throughout Medieval Europe, the sapphire was thought to give the wearer strengthened vision, including visions of the future. In particular during the 11th and 12th centuries, sorcerers honored the sapphire more than any other stone as it enabled them to hear and understand the most obscure oracles. Not only did sapphire help to get in touch with astral and psychic realms, but the stone also provided protection for those who took those journeys. Sapphire was regarded as an antidote to black magic and effects of evil spirits, and provided protection against sorcery. It was believed to banish evil spirits and send negative spells back to the sender.
Sapphires were also used as a talisman by medieval travelers, who believed that a sapphire would protect the wearer from poisonous creatures, kill snakes hiding nearby, and provide advance warning against hidden dangers. It was believed that if a sapphire were engraved with the figure of a man or a ram, that sapphire amulet would cure all illness and elevate the owner to a high position. Sapphire was also held to be a symbol of truth and constancy, and in the 12th century, the Bishop of Rennes and Pope Innocent III (who launched the infamous Fourth Crusade which sacked Constantinople) praised the blue of the sapphire as representing heaven, and initiated its use in ecclesiastical rings and other ecclesiastical jewelry as symbolic of the Pontific title and the Seal of Mysteries.
One of the most ancient and well-known sapphires belonged to the England’s Edward the Confessor. According to legend the king met a poor man begging alms. He did not have cash so he gave away his sapphire ring. Many years later, some pilgrims from Jerusalem came to him and gave him back his ring, saying that soon the King would meet the favored beggar in Heaven. It turned out to be true; Edward died soon after that meeting, and his sapphire was buried with him in his grave. Two centuries later his grave was opened, the sapphire recovered, and to everybody's astonishment, the King's body was still intact. After that, the miraculous sapphire was given a cross-shape cut and was placed in the Westminster Abbey where the miracles continued; the stone was known to cure the blind as well as paralytics and epileptics. The “Sapphire of St. Edward” now resides in the Crown of the British Empire next to another famous sapphire, the one of Charles II.
Another unique sapphire can be found among the state insignia of Russia. A 200-carat stone from the Ceylon is set in the top of the orb, which is now kept in the Kremlin Treasury. The Muslim world also has its own sacred sapphire, the “Eye of Allah,” a gemstone that once belonged to the famous 18th century Persian conqueror Nader Shah. Medieval European populations believed wearing a sapphire suppressed negative thoughts, and possessed curative powers over natural ailments. Sapphires were used as medicine for treatment of eye diseases and as an antidote for poison. When touched against the eye, it was believed to remove impurities and restored sight.
Ivan the Terrible, the (sixteenth century) first Tsar of all Russia and conqueror of Siberia, attributed to sapphire strength of the heart and muscles, endowing the wearer with courage. Sapphires are a member of the corundum family, and close relative to the ruby. In fact, a ruby is simply a red sapphire. The sapphire is considered one of the most valuable of precious stones. The most highly prized were the "cornflower blue" sapphires known as "Kashmir" sapphires, from Northern India. Unfortunately the deposits were exhausted in the late 1800’s. The principal contemporary sources of sapphire are Russia, Siam, Ceylon, Burma, Africa, and Australia. The Museum of Natural History in New York is home to the one of the most notorious sapphires in the world, the “Star of India,” a star sapphire of 563 carats.
Throughout the history of the ancient world, gemstones were believed capable of curing illness and providing protection. Found in Egypt dated 1500 B. C., the "Papyrus Ebers" offered one of most complete therapeutic manuscripts containing prescriptions using gemstones and minerals. Gemstones were not only valued for their medicinal and protective properties, but also for educational and spiritual enhancement. In these as well as other ancient cultures, it was believed that sapphires would aid in ridding oneself of unwanted thoughts, and that they would bring joy and peace of mind, opening the mind to beauty and intuition.
Medicinally sapphire was believed to promote general health, and was oftentimes ground up and consumed. Sapphire was believed to be effective in reducing fevers, protected against mental illness, and to sharpen eyesight. They were also believed to cure ulcers. Psychologically sapphire was believed to aid the maintenance of inner peace, a healthy mental state, to calm nerves, and to promote mental clarity, helping with focus and concentration. As such they were widely used as a remedy for mental and nervous disorders.
On the metaphysical side, sapphires were regarded as a stone of prosperity, sustaining the gifts of life, fulfilling the dreams and desires of the wearer, and eliminating frustration. The sapphire has historically been identified with chastity, piety, and repentance, and was believed to foster wisdom and truth, and to increase perception and the understanding of justice. It was believed conducive to finding peace of mind and serenity, and to promote a life of sincerity, helping preserve one’s innocence while learning life’s truths. Sapphires were also associated with romantic love, representing fidelity, romantic devotion, truth, compatibility, commitment, and mutual understanding.
Sapphire was also worn as a talisman with the belief that it would increase one’s faith, hope, and joy, and would keep thoughts pure and heavenly. Sapphires were also used as talismans for protection, to ward off diseases, and to bring peace, happiness, and intelligence. Sapphire was known as the stone of serenity, helping one to meditate by providing mental calming. As a tool for self improvement, sapphires were regarded to be a powerful and transformative gemstone which would help the wearer connect to the universe, opening the wearer’s internal and spiritual self to the powers of the universe. Sapphire was also thought to increase communication with, connection to, and awareness of spirit guides, or angels.
SHIPPING & RETURNS/REFUNDS: Your purchase will ordinarily be shipped within 48 hours of payment. We package as well as anyone in the business, with lots of protective padding and containers. All of our shipments are fully insured against loss, and our shipping rates include the cost of this coverage (through stamps.com, Shipsaver.com, the USPS, UPS, or Fed-Ex). International tracking is provided free by the USPS for certain countries, other countries are at additional cost. ADDITIONAL PURCHASES do receive a VERY LARGE discount, typically about $5 per item so as to reward you for the economies of combined shipping/insurance costs. We do offer U.S. Postal Service Priority Mail, Registered Mail, and Express Mail for both international and domestic shipments, as well United Parcel Service (UPS) and Federal Express (Fed-Ex). Please ask for a rate quotation. We will accept whatever payment method you are most comfortable with.
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ABOUT US: Prior to our retirement we used to travel to Eastern Europe and Central Asia several times a year seeking antique gemstones and jewelry from the globe’s most prolific gemstone producing and cutting centers. Most of the items we offer came from acquisitions we made in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) during these years from various institutions and dealers. Much of what we generate on Etsy, Amazon and Ebay goes to support worthy institutions in Europe and Asia connected with Anthropology and Archaeology. Though we have a collection of ancient coins numbering in the tens of thousands, our primary interests are ancient/antique jewelry and gemstones, a reflection of our academic backgrounds.
Though perhaps difficult to find in the USA, in Eastern Europe and Central Asia antique gemstones are commonly dismounted from old, broken settings – the gold reused – the gemstones recut and reset. Before these gorgeous antique gemstones are recut, we try to acquire the best of them in their original, antique, hand-finished state – most of them originally crafted a century or more ago. We believe that the work created by these long-gone master artisans is worth protecting and preserving rather than destroying this heritage of antique gemstones by recutting the original work out of existence. That by preserving their work, in a sense, we are preserving their lives and the legacy they left for modern times. Far better to appreciate their craft than to destroy it with modern cutting.
Not everyone agrees – fully 95% or more of the antique gemstones which come into these marketplaces are recut, and the heritage of the past lost. But if you agree with us that the past is worth protecting, and that past lives and the produce of those lives still matters today, consider buying an antique, hand cut, natural gemstone rather than one of the mass-produced machine cut (often synthetic or “lab produced”) gemstones which dominate the market today. We can set most any antique gemstone you purchase from us in your choice of styles and metals ranging from rings to pendants to earrings and bracelets; in sterling silver, 14kt solid gold, and 14kt gold fill. When you purchase from us, you can count on quick shipping and careful, secure packaging. We would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from us. There is a $3 fee for mailing under separate cover. I will always respond to every inquiry whether via email or eBay message, so please feel free to write.