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Description
HAND SIGNED 3" x 5" INDEX CARD BY MITCH MILLER (1911-2010).
Producer/performer for Golden Records, a successful children's label, during the 1950s and early 1960s.
In 1956 Miller, then A&R director of Columbia Records, hosted a panel discussion show on CBS-TV on which he brought on two psychiatrists who warned parents about the "negative effects" rock music had on teenagers and gave a list of "signs" to watch out for.
Miller was the Midas of novelty music, storming the charts with records like Jimmy Boyd's "I Saw Mommy Kissing Santa Claus" and providing singers with unusual instrumental backing: a harpsichord for Rosemary Clooney, French horns for Guy Mitchell. One of Mitch Miller's earliest hits, "Mule Train," was recorded by the muscular-voiced Frankie Laine with three electric guitars, and Mitch himself using a wood block to simulate the snapping of a whip. Miller was a studio innovator. Along with the guitarist Les Paul and a few others, he helped pioneer overdubbing, the technique by which different tracks are laid over one another to produce a richer sound effect; he employed it memorably with Patti Page, whose close-harmony "duets" with herself became her signature. Miller also achieved what he called a sonic "halo" on numerous recordings by the use of what came to be called an echo chamber -- actually an effect an engineer produced by placing a speaker and a microphone in a tiled restroom.
By the time Mitch Miller's television "Sing Along With Mitch" show left the air, his era of popular music had largely ended with the emergence of rock. He was sympathetic to blues and folk music and had one of his biggest hits in 1951 with Johnnie Ray's "Cry," a histrionic performance often cited as a rock 'n' roll precursor. Miller had also tried to sign Elvis Presley for Columbia before being outbid by RCA. But he turned down an opportunity to sign Buddy Holly, and he was outspoken in his dislike of rock 'n' roll in general. "It's not music," he was quoted as saying, "its a disease." When Bob Dylan, soon to become one of rock's most influential artists, joined the Columbia roster in 1961, it was not Mitch Miller but another label executive, John Hammond, who signed him. Miller told Audio magazine in 1985 that his opposition to rock 'n' roll had been based more on principle than on taste. The so-called payola scandal, in which record companies were found to have paid disc jockeys to play rock 'n' roll records, had dismayed him, he said. He also complained about "British-accented youths ripping off black American artists and, because they're white, being accepted by the American audience" -- although that hardly explained his opposition to rock 'n' roll in the '50s, a decade before the advent of the Beatles and other British bands.
IN VERY GOOD CONDITION.
WE ARE A MEMBER OF U.A.C.C. (UNIVERSAL AUTOGRAPH COLLECTOR'S CLUB). I.D. RD331.
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PLEASE SEE MY SCAN OF MY CERTIFICATE OF AUTHENTICITY. BOTTOM PORTION OF THE CERTIFICATE WILL BE COMPLETED WHEN ITEM IS SOLD.
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WE ARE OFFERING AUTOGRAPHS OBTAINED OVER A 52 YEAR PERIOD. BEGINNING IN THE 1960'S, UPON MOVING TO CALIFORNIA MY PARENTS & I BEGAN VISITING THE HOLLYWOOD AREA ATTENDING A LOT OF HIGH PROFILE EVENTS SEEKING PHOTOS AND AUTOGRAPHS OF MOVIE, TV, AND MUSIC CELEBRITIES. WE ATTENDED THE ACADEMY AWARDS, EMMY AWARDS AND MOVIE PREMIERES. ALSO EVENTS SUCH AS THE "THALIANS BALL", THE "SHARE BOOMTOWN PARTY", AS WELL AS MANY CELEBRITY GOLF & TENNIS TOURNAMENTS IN THE LOS ANGELES AND PALM SPRINGS AREAS. WE ALSO ATTENDED THE TAPINGS OF MANY T.V. SHOWS OF THE TIME SUCH AS THE HOLLYWOOD PALACE, HULLABALOO, HOLLYWOOD SQUARES, THE RED SKELTON SHOW, THE ANDY WILLIAMS SHOW & MORE WHERE MOST CELEBRITIES WERE AVAILABLE FOR AUTOGRAPHS BEFORE AND AFTER TAPINGS. IT WAS A TIME WHEN ACCESS TO THE STARS WAS EASY. BASICALLY THERE WAS NO SECURITY AT THE EMMY AWARDS AND VERY LITTLE AT THE ACADEMY AWARDS & MOVIE PREMIERES. |
IN THE 1980'S WE OPENED A RECORD STORE WHICH GAVE ME ACCESS TO MANY RECORD SIGNING EVENTS AT MY DISTRIBUTORS' LOCATIONS AND SOME EVENTS SPONSORED BY DISTRIBUTORS. WE ATTENDED HUNDREDS OF CONCERTS AND WERE ABLE TO MAKE OUR WAY BACKSTAGE AT MANY OF THEM WITH RECORD & CD COVERS IN HAND TO BE SIGNED.
ABOUT THIS TIME WE ALSO BEGAN TO ATTEND MANY CELEBRITY SHOWS AND AMASSED A GREAT COLLECTION OF SIGNED PHOTOS FROM MANY CELEBRITIES OF A BY-GONE AREA, MANY WHO HAVE SINCE PASSED ON.
WE ALSO HAVE HAD THE PRIVILEGE OF BUYING COLLECTIONS OF AUTOGRAPHS FROM INDIVIDUALS WHO EITHER WORKED IN THE ENTERTAINMENT BUSINESS (SOME AS EARLY AS THE 1920'S) AND OTHERS WHO HAD A BUSINESS IN THE HOLLYWOOD AREA WHICH WAS FREQUENTED BY CELEBRITIES. SOME OF THESE FOLKS KEPT THEIR AUTOGRAPH BOOKS AT THE FRONT COUNTER AND WERE READY TO ASK FOR A SIGNATURE WHEN A CELEBRITY CAME INTO THEIR SHOP.
THANKS FOR LOOKING. WE WILL LISTING MORE AUTOGRAPHS FROM MY COLLECTION IN THE NEAR FUTURE.
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ALL PACKAGES ARE SHIPPED VIA U.S. POSTAL SERVICE (USPS).
Terms of SaleInternational customers may have to pay Customs Fees when buying from a U.S. seller. We have no control over this. Customs fees are the responsibility of the buyer and are not calculated by the seller, not included in the shipping fees (postage). Please check with your local post office with any questions about customs fees.
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