LEGEND TO THE ILLUSTRATIONS IN THE PRINT BELOW

Print Specifics:

  • Type of print: Lithograph - Original French antique print.
  • Year of printing: not indicated in the print - actual 1888
  • Publisher: Albert Racinet, Imp. Firmin Didot
  • Condition: 2 (1. Excellent - 2. Very good - 3. Good - 4. Fair). The print was originally folded in half by the publisher, resulting in a hard fold/crease (see last photo of the back side of the print)+two very light hairline creases along the fold. I smoothed out the fold a little bit and applied artist's tape on back to prevent it from reoccurring. Although it is not possible to completely eliminate the fold/crease, it is much less pronounced than before.
  • Dimensions: 8.5 x 14 inches (22 x 36 cm) including blank margins around the image.
  • Paper weight: 2 (1. Thick - 2. Heavier - 3. Medium heavy - 4. Slightly heavier - 5. Thin)
  • Reverse side: Blank
  • Notes:  (1) Green color around the print in the photo is a contrasting background on which the print was photographed. (2) The print detail is sharper than the photo of the print.
Legend:

THE ANCIENT JAPANESE MILITARY COSTUME appears at first sight to bear a strong resemblance to that of Europe - the principal elements of European armor ail appear to be present. However, on closer scrutiny, this similarity can be seen to be no more than superficial. With the possible exception of chain mail, the construction of this armor has little in common with its European equivalent. Japanese weapons are light and are made of leather or lacquered papier-mâché. Where armor plating is used, the metal in question is in fact light steel.

The sequence of pictures below shows an archer preparing for battle.  First he  washes  ritually, shaving the front and crown of his head and leaving the characteristic spiky tuft at the very top. 1 He dons a silk loincloth. 2 Next is an under robe of light wool, or even silk, which takes the place of the shirt. This is held in place by a knotted belt. 3 He ties up the short, wide trousers in the same manner. 4 He secures his black felt cap with the aid of a silk ribbon. 5 He protects his hands with leather gauntlets, tied on tightly at the wrist with ribbons. 6 He puts on a half robe or lined jacket  with  wide  sleeves.  The sleeves are separate from the jacket below the armpits. 7 He now puts on a second, longer pair of trousers. 8 Silk coverings are worn over the lower legs. This helps to secure the greaves to them. 9 When the greaves are in place, the archer lifts up his trousers and inner robe until they are thigh high and fastens them with cords. Then he lets the material fall back down, so that the trousers, which previously looked like a skirt, now look like culottes. 10 He fastens the leather greaves with cords. 11  He puts on shoes made of leather with the hair on the outside.

12 He puts on the first part of the braconniére,  that  is,  the  part  of European armor that covers the hips, stomach and the thighs. 13 The archer attaches armor to his right hand the same way he fastened his leg-armour: by means of a lining of stitched material. 14 He raises the sleeves of his robe arm to the shoulder and ties them with the cords. 15 He adds on the mobile plates that cover his shoulder and arm. 16 For maximum protection he ties the  sections  of  the  braconniére together using string cords. 17 & 18 The archer from both front and back, wearing ail the defensive elements of his armor. 19 & 20 The armor does not prevent movement, since the archer is able to sit on the ground. 21 & 22 The fully armed soldier, ready for combat, carrying a 6 ft longbow.


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