Halls Harbour, Nova Scotia C. 1915- Intaglio- John Neville (1952- ).

This is a 5 3/4 by 9 3/4 inch (image size) intaglio (45 of 75) of Halls Harbour, Nova Scotia on paper measuring 8 1/2 by 13 1/4. It depicts what the Halls harbors and what it would have looked like around 1911. It was done by listed Nova Scotia artist John Neville (born 1952). The print itself is in excellent condition, there is moisture damage to the right upper corner of the matting. This will need to have new matting, there is no damage to the print 

John Neville (b. 1952) paints nostalgic portrays of bygone days which chronicle the folklore and daily lives of the local fishermen and their women from his childhood village. This popular Canadian artist, who splits his time between Nova Scotia and Maine, is a painter, printmaker, and story teller, who has engaged collectors throughout his long career with his exceptional etchings, and for the past twenty years the bold palette and modern compositions of his impressive oil paintings.

A native of Nova Scotia, Neville was born in Halls Harbour, on the Bay of Fundy, to a family of boat builders and fishermen where hard work was taken for granted. He grew up fishing with his father, building boats, and listening to the tales of men and women in the local villages. There were stories about bootlegging, bad luck, record catches, rivalries, and drunken husbands—all of which became the basis for his rich pictorial language.

At a young age, Neville began drawing boats and other subjects on the backs of advertisement broadsheets given to him by his grandfather, the village postmaster. In 1972, Neville left Halls Harbor to attend the Nova Scotia College of Art and Design in Halifax where he studied photography and printmaking. After graduating with a BFA in 1976 from the Centre Gravure de Contempo Raine in Geneva, Switzerland, he returned to Halls Harbour to set up a printmaking studio.

In the 1990s, Neville began painting exclusively with oils after an adverse reaction to the printmaking chemicals. His narrative oil paintings are instantly recognizable by his vibrant use of color and abstract overtones, and most notably his overhead bird’s-eye view of a dory loaded with pollock.