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16th C. Manuscript Ornaments
  Another Fine Quality Print from Martin2001

Print Specifics:
  • Type of print: Lithograph - Original French antique print
  • Publisher: Librairie de Firmin Didot, Paris, Rue Jacob 56, 1885-1887.
  • Condition: 1 (1. Excellent - 2. Very good - 3. Good - 4. Fair)
  • Dimensions: 11 x 15.5 inches (28 x 40 cm), including blank margins (borders) around the image.
  • Paper weight: 2 (1. Thick - 2. Heavier - 3. Medium heavy - 4. Slightly heavier - 5. Thin)
  • Reverse side: Blank
  • Notes: 1. Green color 'border' around the print in the photo is a contrasting background on which the print was photographed. 2. Detail of  the print is sharper than the photo of the print.

Legend to the illustrations:
The old Slavic Manuscripts handed down to us, which reach back as far as the X. century, are rather aaumerous, thanks to the almost complete state of preservation of the  libraries and treasuries of the many old cloisters in Russia. Besides there is an important collection of manuscripts at the Imperial Public library of St. Petersburgh and at   the library of the Synodal printing works of Moscow. The illustrations represent a considerable number of characteristic examples from the XVI.  centurie, during which  the  style  of Russian manuscript-painting  was  most  flourishing.   This period is marked by the assertion on the one side of braided work  displayed on a geometrical base and  the  other  side of  more  unconstrained  motives combined  with animal forms  which  remind  us  of Celtic ornaments.  The few pigments used of these occasions are as arule confined to blue, red, yellow jand green. This simplicity of colour, together with a symmetrical order of forms, confers a most  agreeable calm on the manuscript-paintings in question; the motives of that time are still employed for coloured letter-press, Enamels and similar technics. Figs. 9 and 11. were taken from the "Synodicon of Princes and Bojars", 16th Century, Imperial Library in St. Petersburg, 2,12,14. from an Evangelist hymnal, the Pogodine collection, same library, the remaining figures were taken from an Evangelist hymnal from 1530, same library.

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