Product Description:
Introducing a piece of photographic history - the Vintage Hugo Meyer & Co. Görlitz Kinon 50mm Lens. This classic lens has been professionally converted for modern full-frame mirrorless cameras, making it a unique and versatile addition to your photography gear.
Whether you're a collector, photographer, or both, this lens offers exceptional build quality and vintage charm, all in one package. Here are the key details:
- Vintage Charm: Experience the unique character and timeless look that Hugo Meyer & Co. lenses are known for. Create images with a distinctive touch.
- Full-Frame Mirrorless Conversion: This lens has been skillfully adapted for modern full-frame mirrorless cameras, offering compatibility with popular brands like Sony, Canon, and more.
- Timeless Optics: The Kinon 50mm lens delivers stunning image quality. It's an ideal choice for portrait photography
- Professional Conversion: The lens has been carefully modified to offer m39 mount, useful for use with mirrorless cameras.
- Artistic Swirly Bokeh: This lens is celebrated for its swirly bokeh effect, adding an artistic and dreamy element to your photographs. The effect is retained on full-frame sensors and apsc, much stronger than helios 44-2, this lens uses close formula to the petzval
FQA
Will this work on a Leica?
Adapter will connect to a Leica M39 camera or Leica M camera via an adapter but rangefinder coupling wont be possible.
Will this work on DSLR?
No the lens has too short flange distance, only Marco would be possible.
Will this work on Fuji X, Canon RF, Sony E, Lumix, Leica L etc?
Yes if you acquire adequate m39 to your camera brand adapter.
Does it accept filters?
Yes it accepts 52mm filters.
Does it have working Aperture?
No the lens works wide open, I can create aperture stops like in old brass petzval lenses that screw in at the front at additional cost, please get in touch if that interests you.
What F number is this lens?
F1.8 so very bright
What sensor this fits?
Lens covers full frame sensors with slight vignette in the corners, also works on apsc while still retaining its swirly bokeh