Publisher Description

Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work.

Author Biography

Anthony Uhlmann is Senior Lecturer in the School of Humanities at the University of Western Sydney, Australia.

Table of Contents

Introduction; 1. Representation and presentation: Deleuze, Bergson, Peirce and 'the image'; 2. Beckett's aesthetic writings and 'the image'; 3. Relation and non-relation; 4. The philosophical imaginary; 5. Cogito Nescio; 6. Beckett, Berkeley, Bergson, film: the intuition image; 7. The ancient Stoics and the ontological image; Conclusion; Works cited.

Promotional

A revolutionary reading of Beckett's aesthetic and philosophical interests.

Promotional "Headline"

A revolutionary reading of Beckett's aesthetic and philosophical interests.

Description for Bookstore

A study examining Beckett's thought on image in detail, outlining how Beckett draws images from philosophy and aesthetics and how he uses them in his own works. Uhlmann's reading of Beckett's aesthetic and philosophical interests achieves a revolutionary reading of the importance of image in his work.

Description for Library

A study examining Beckett's thought on image in detail, outlining how Beckett draws images from philosophy and aesthetics and how he uses them in his own works. Uhlmann's reading of Beckett's aesthetic and philosophical interests achieves a revolutionary reading of the importance of image in his work.

Details