Publisher Description

There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself.Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change.

Author Biography

Adam Geczy is an artist and writer who is Senior Lecturer at Sydney College of the Arts, the University of Sydney, AustraliaVicki Karaminas is Professor of Fashion and Deputy Director of Doctoral Research at the College of Creative Arts, Massey University, New Zealand

Table of Contents

Introduction: From Subculture to High Culture1. Vivienne Westwood's Unruly Resistance2. Rei Kawakubo's Deconstructive Silhouette3. Gareth Pugh's Corporeal Uncommensurabilities4. Miuccia Prada's Industrial Materialism5. Aitor Throup's Anatomical Narratives6. Viktor and Rolf's Conceptual Immaterialities7. Rad Hourani's Queer Agnostics8. Rick Owens' Gender Performativities9. Walter Van Beirendock's Hybrid Science FictionsConclusion: How Fashion Conquered ArtBibliographyIndex

Review

Geczy and Karaminas have again written an essential book that pries open the critical context of contemporary fashion. Using clear language, they dive deeply into cultural and fashion theory to soundly shore up their research and interpretation on the modernity of male and female fashion and its relationship to the body, gender, art and design. Importantly, this book links history and theory with an understanding and acknowledgement of the craft and industry of making clothes. Read it and think. -- Alexandra Palmer, Senior Curator, Royal Ontario Museum, Toronto, Canada
Thinking through the work of key contemporary practitioners from Vivienne Westwood, Miuccia Prada and Rick Owens, this book looks beyond the image to present new frames of reference to both the fashion enthusiast and informed scholar. Richly textured and resourced, this incisive and penetrating read presents fashion as a philosophy, provocation and cultural touchstone. Critical Fashion Practice is a cerebral tour de force and a must for anyone who has ever suspected there is more to fashion than meets the eye. -- Nilgin Yusuf, Creative Director, School of Media & Communication, London College of Fashion, UK
Focusing on a handful of contemporary fashion designers whose collections in many ways challenge and critique societal norms, Critical Fashion Practice will prove indispensable for anyone teaching and/or studying fashion – or for anyone seriously interested in fashion, for that matter. Just as in their previous book on art and fashion, Geczy and Karaminas again have managed to write about fashion in a most refreshing and engaging manner, here offering nine theoretically astute yet surprisingly accessible case studies that will appeal to a large and varied audience. -- Louise Wallenberg, Centre for Fashion Studies, Stockholm University, Sweden
This superbly crafted, diligently researched and provocatively analysed study is essential reading for all students of fashion and those of the many other disciplines that reveal our culture: art, social sciences, anthropology, media studies, gender studies and philosophy. I award its authors a standing ovation as they soundly reinforce fashion's place in the sphere of serious academic study. * Fashion, Style and Popular Culture *
Geczy's and Karaminas' approach to contemporary fashion is highly refreshing. Their book sheds a new light on the work of some of the most iconic and intriguing designers of the past decade, and adds to the emancipation of fashion as a serious field of academic study. It is a must have for anyone working within the field of fashion theory and fashion writing. -- Kaat Debo, Director MoMu-Fashion Museum, Antwerp
Scholarly yet accessible, Critical Fashion Practice offers a close critical and contextual reading of key, late 20th-century designers' oeuvres; its innovative theoretical analysis and in-depth case studies make this an original addition to the field. -- Emmanuelle Dirix, Manchester Metropolitan University, UK and Antwerp Fashion Academy, Belgium

Promotional

Bringing together a range of contemporary fashion designers whose conceptual collections challenge, critique and comment on society, this book argues that, today, there is an emerging space for social criticism within the fashion system itself.

Review Quote

This superbly crafted, diligently researched and provocatively analysed study is essential reading for all students of fashion and those of the many other disciplines that reveal our culture: art, social sciences, anthropology, media studies, gender studies and philosophy. I award its authors a standing ovation as they soundly reinforce fashion's place in the sphere of serious academic study.

Promotional "Headline"

Bringing together a range of contemporary fashion designers whose conceptual collections challenge, critique and comment on society, this book argues that, today, there is an emerging space for social criticism within the fashion system itself.

Feature

Each chapter takes a key designer as a springboard into discussion, including influential designers such as Vivienne Westwood, Rei Kawakubo, Gareth Pugh and Viktor & Rolf

Details