Sound clips are not from the actual item for sale - they are provided for customers to investigate the music contained on the record.

Eagles - Outlaw Man - Voorburg 1973

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Eagles ‎– Desperado Label: Asylum Records ‎– K 53008, Asylum Records ‎– SD 5068 Series: Supercut –  Format: Vinyl, LP, Album, Reissue, Remastered  Country: UK Released:   Genre: Rock, Pop Style: Country Rock, Classic Rock Tracklist Hide Credits A1 Doolin-Dalton Written-By – Henley*, Frey*, Browne*, Souther* A2 Twenty-One Written-By – Leadon* A3 Out Of Control Written-By – Henley*, Frey*, Nixon* A4 Tequila Sunrise Written-By – Henley*, Frey* A5 Desperado Written-By – Henley*, Frey* B1 Certain Kind Of Fool Written-By – Henley*, Frey*, Meisner* B2 Doolin-Dalton (Instrumental) Written-By – Henley*, Frey*, Browne*, Souther* B3 Outlaw Man Written-By – Blue* B4 Saturday Night Written-By – Leadon*, Henley*, Frey*, Meisner* B5 Bitter Creek Written-By – Leadon* B6 Doolin-Dalton / Desperado (Reprise) Written-By – Henley*, Frey*, Browne*, Souther* Companies, etc. Lacquer Cut At – Nimbus Mastered At – Nimbus Records Pressed By – Nimbus Records Credits Lacquer Cut By – JWG*  Producer – Glyn Johns Notes ℗ © 1973 Elektra/Asylum Records  Early 1980's pressing specially mastered for (and available only by mail order to) readers of Hi-Fi Today and Practical Hi-Fi magazines. Limited to approximately 1000 copies. Barcode and Other Identifiers Matrix / Runout (Runout, side A, etched): K53008-A Matrix / Runout (Side A): NIMBUS ENGLAND K53008 - A1 M2 JWG 3 MPT V JH Matrix / Runout (Runout, side B, etched): K53008-B Matrix / Runout (Side B): NIMBUS ENGLAND K53008 - B1 M2 JWG 3 MPT V JH Matrix / Runout (Runout, both sides, stamped): NIMBUS ENGLAND    

UK LIMITED PRESSING NIMBUS SUPERCUT ON PREMIUM VINYL WITH ORIGINAL ANTI-STATIC INNER SLEEVE.

Nimbus Supercut LPs were released as a mail order only promotion to Practical Hi-Fi or Hi-Fi Today magazine readers during the early 1980s and were available in limited quantities of around 1000 pressings per title  All releases were mastered from the the original master tapes, through an all valve mastering process, using no limiting, to result in a high quality pressing which was as close as possible in sound to the original recording. Nimbus also had ICI produce an extremely pure vinyl for these cuts.  All titles have a sticker on the main sleeve and 'Nimbus England' stamped in the dead wax.

SLEEVE: EXCELLENT MINUS.   INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: EXCELLENT. NO MARKS OR SCRATCHES. DOES NOT LOOK PLAYED MORE THAN ONCE, IF THAT, THIS DISC CAME FROM A LARGE AUDIOPHILE COLLECTION AND MOST OF THEM REALLY NEVER LOOK PLAYED MUCH, IF AT ALL. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.



  • 1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.

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  • 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL IS $69.99 [EXCEPT CANADA, WHICH IS $59.99].  This is now the only reliable, tracked and insured way we can ship international packages.
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    Add $12.00 for each additional LP [$10 to Canada] purchased at the same time



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