RARE January 11,  1911 NEW YORK DRAMATIC MIRROR with Margaret Anglin cover. FEATURES on The Censorship Absurdity; 
Theodore Roberts: A Genial Aborigine with photo of Roberts; Theatre Managers’ Dinner; with John Kendrick Bangs address; About Becky Sharp with Winthrop Ames, Harrison Grey Fiske; 

PHOTOS of Lina Abarbanell; Alma Gluck; Geo Howard; Blanche Walsh; Nellie Butler; “The Spring Maid” with Christie MacDonald, Lawrence Rea; 
Katherine Kaelred with 13 lines of text; Julia Dean House Party with Wm Abingdon, John Daly Murphy, Fred Truesdale, Phil Nash, Margaret Smith, Mrs. Arnold Daly, Julia James,  Nance O’Neil, Mrs. Nash, Minnette Barrett, Julia Caldara, Bijou Abingdon with 16 lines of text; “Overnight” scene; “Pomander Walk” with Sybil Carlisle, Dorothy Parker, Edgar Kent, Yorke Stephens; “Suzanne” with Geo Anson, Billie Burke, Rosa Rand; Dustin Farmun with 7 lines; Mrs. Sam Sothern with 5 lines; Anna Hollinger with 2 lines; Lillian Mortimer with 6 lines; “The Sweetest Girl in Paris” with Alice Yorke; Starr King Walker with 4 paragraphs of text; John W. Corbett; Edward Phillips plus 16 lines; 

PLAYS OF THE WEEK on “The Deep Purple” by Paul Armstrong and Wilson Wizner at Lyric…Armstrong turns out Broadway hits…vivid play, creditable cast with Richard Bennett, Emmett Corrigan, Jameson Lee Finney, W. J. Ferguson, Ada Dwyer…Bennett in fine fettle…Corrigan convincing in all his scenes…Finney a villain to admire…Ada Dwyer took her place in this constellation; Catherine Calvert’s voice runs a thin rivulet but she makes the impossible heroine almost human…Rosamond O’Kane should train her enunciation into clearer tone; “The Havoc” by H. S. Sheldon at Bijou…advanced thought and Ibsenism…author evaded his task…Henry Miller plays with surety as do Laura Hope Crews, Francis Byrne…Miss Crews grows better in every role, holds herself well under control, a splendid performance…Francis Byrne destined for bad men parts…an excellent villain; “Vanity Fair” from Thackeray novel by Robert Hichens, Cosmo Gordon-Lennox at New Theatre…successful in maintaining color of novel…Marie Tempest lacked brilliancy and verve but at least interesting…Olive Wyndham particular credit…Elsie Herndon Kearns marked advance in her work…Mrs. Dellenbaugh animated…Helen Reimer sturdy hard headedness…Leila Repton hypersensitive…Frank Gillmore does not get away from self-conciousness…Graham Browne not alluring as role called for; “The Right Princess” by Clara Louise Burnham at Bijou, produced by Robert Dempster…on Christian Science…Robert Dempster marked by force and realism, Maude Gilbert pursued quiet methods successfully…Evelyn Varden effective; Marie Cahill strong attraction in “Judy Forgot” at West End…Maud Meredith played most satisfactorily; Henry Ellsworth Oberammergan pictorial lecture at Circle;  

NEWS ITEMS on 15 lines on Fred Whitney; 13lines on Adeline Genee; 10 lines on John Westley; 6 lines on Alice Fischer; 10 lines on Lilian Herlein; 4 paragraphs on Emmy Whelen; Mrs. B. F. Keith’s Bequests; Wm Faversham presented “The Faun” at Erie Majestic with Julie Opp; first presentation of Edward Sheldon’s “The Boss” at Detroit Garrick with Holbrook Blinn, Emily Stevens; Bertha Kalich in Kreutzer Sonata under Shuberts; ellen Terry Farewell Lecture; Beatrice Herford’s Monologues; Dr. Genthe to locate in NY; “Ysobel” production abandoned, disagreement between Pietro Mascagni and Lieblers; 5 lines on Rose Tapley; 16 lines on Beulah Poynter; 5 lines on Isadora Duncan; Olive Vail ill; Mrs. Raymond Hubbell death; Claude Gillingwater accepted with demonstrations in Chicago; Marie La Salle debut in Chicago; large Washington audiences for John Drew in “Smith,” Montgomery and Stone strong houses at National; May Irwin pronounced success in “Getting a Polish,” Joe Howard excellent Topeka business; Clara Blandick now with Crescent Stock; Vic Brown added to laurels in Brooklyn; big advance sale for Mrs. Fiske in Louisville; Vera Know only woman orchestra leader in theatre in America; Joe Sheehan popular in Springfield; Sarah Burnhardt return most conspicuous Boston event; Dorothy Donnolly skill in “Madame X,”  Fola La Follette joins cast of “The Scarecrow” in Boston; Fannie Ward strong drawing card in Milwaukee; packed holiday opening for Grace George in Montreal; Tetrazzini immense San Fran greeting’ Lillian Russell made many new friends in LA; Blanche Walsh entertained capacity Denver business; Edna Wallace Hopper well received in Indianapolis; Saenger Bros Shreveport theatre under construction; Blanche Ring carried New Bedford audience by storm; Anna Eva Fay draw big KC crowds nightly; Harry Beaumont well presented and Flo Heston ably seconded in Omaha; Irma Lerner deserves mention in Keene, NH; Rose Stahl and Edna May Spooner divided honors in Jersey City; Henry Kolker genuine success in Albany; James Gresham won prompt Portland favor; John Barrymore natural and finished portrayal in Pittsburgh; Wright Kramer and Fay Wheeler excellent in Scranton;  Grace Huff hit in Scranton; Doug Fairbanks commands attention at all time in Providence; Bessie Abbott appreciated in Dallas; Dalias Talbot winsome in Salt Lake; Emma Bunting clever and skillful in Seattle; E. H. Montague now with Selig; 

DATES AHEAD for Beatrice Ingram, Adeline Genee, Adele Ritchie, Blanche Bates; Wm Hodge, Nazimova, Olga Nethersole, Ruth St. Denis and hundreds more; 

MOTION PICTURE FIELD SECTION items on Bioscope criticism of motion pictures; FILM REVIEWS, FILM RELEASES LISTINGS: 

ADS for ½ page Vitagraph with Ralph Ince sketch; Charles Klein; Vaughan Glaser Attractions; ½ page Biograph with scene from The Italian Barber,” 
Essanay with scene from “His Master’s Son,” Lubin with scene from “Will It Ever Come to This?” 

CONDITION: COMPLETE 36 pages filled with early stage, theatre and motion picture productions, actors, actresses, producer, authors, industry news. WAS PART OF BOUND VOLUME therefore bare spine, restapled, edge wear, edge tears/chips, some upper water damage; lower right corner chips; decent condition for age.