What Are Their Names?

                              Living with War -- Theme

                              After the Garden

                              Military Madness

                              Let's Impeach the President

                              Déjà Vu

                              Shock and Awe

                              Families

                              Wooden Ships

                              Looking for a Leader

                              For What It's Worth

                              Living with War

                              Roger and Out

                              Find the Cost of Freedom

                              Teach Your Children

                              Living with War -- Theme

ADDITIONAL BONUS SUPER SESSION 180 GRAM LP - WITH STEPHEN STILLS - ORIGINAL 1st 180 gram pressing ever of this title FROM THE ORIGINAL COLUMBIA RECORDS LABEL PRESSED DECADES AGO. - THESE COLUMBIA RECORDS TITLES NEVER CAME WITH BARCODES AND WERE MAINLY ONLY SOLD TO AUDIOPHILE DEALERS. SO EVERY JACKET IS PRISTINE WITHOUT BARCODES JUST LIKE THEY WERE ORIGINALLY PRESSED.

To understand this SUPER SESSION, you must understand that Mike Bloomfield was the premiere guitarist in the United States in the late sixties.

When Eric Clapton and Cream came to the United States, the only person who really impressed them was Mike Bloomfield (who was playing lead guitar for the Paul Butterfield Blues Band.

Al Kooper, who created The Blues Project and established Blood, Sweat & Tears with their debut album,CHILD IS FATHER TO THE MAN, and also was the main contributer to Bob Dylan’s classic album, BLONDE ON BLONDE and was one of the best producers in the business.

Steven Stills was in between playing with The Buffalo Sprinfield and was just in the evolution of starting Crosby, Stills, Nash & Young. SUPER SESSION has Mike Bloomfield ripping on his Gibson guitar laying down some of the most instrumentals you have ever heard with Al Kooper. On the second side with Al Kooper, Steven Stills does an eleven-minute rendition of “Season Of The Witch” which will blow you away.

As the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967) had done a year earlier, Super Session (1968) initially ushered in several new phases in rock & roll's concurrent transformation. In the space of mere months, the soundscape of rock shifted radically from two- and three-minute danceable pop songs to comparatively longer works with more attention to technical and musical subtleties. Enter the unlikely all-star triumvirate of Al Kooper (piano/organ/ondioline/vocals/guitars), Mike Bloomfield (guitar), and Stephen Stills (guitar) — all of whom were concurrently "on hiatus" from their most recent engagements. Kooper had just split after masterminding the definitive and groundbreaking Child Is Father of the Man (1968) version of Blood, Sweat & Tears. Bloomfield was fresh from a brief stint with the likewise brass-driven Electric Flag, while Stills was late of Buffalo Springfield and still a few weeks away from a more or less full-time commitment to David Crosby and Graham Nash. Although the trio never actually performed together, the long-player was notable for idiosyncratically featuring one side led by the team of Kooper/Bloomfield and the other by Kooper/Stills. The band is ably fleshed out with the powerful rhythm section of Harvey Brooks (bass) and Eddie Hoh (drums) as well as Barry Goldberg (electric piano) on "Albert's Shuffle" and "Stop." The heavy Chicago blues contingency of Bloomfield, Brooks, and Goldberg provide a perfect outlet for the three Kooper/Bloomfield originals — the first of which commences the project with the languid and groovy "Albert's Shuffle." The guitarist's thin tone cascades with empathetic fluidity over the propelling rhythms. Kooper's frisky organ solo alternately bops and scats along as he nudges the melody forward. The same can be said of the funky interpretation of "Stop," which had originally been a minor R&B hit for Howard Tate. Curtis Mayfield's "Man's Temptation" is given a brass-fuelled soulful reading that might have worked equally well as a Blood, Sweat & Tears cover. At over nine minutes in spin time, "His Holy Modal Majesty" is a fun trippy waltz and includes one of the most extended jams on the Kooper/Bloomfield side. The track also features the distinct hurdy-gurdy and Eastern-influenced sound of Kooper's small electric keyboard-manipulated ondioline, which has a slightly atonal and reedy timbre much like that of John Coltrane's tenor sax. Because of some physical health issues, Bloomfield was unable to complete the recording sessions and Kooper contacted Stills. Immediately his decidedly West Coast sound — which alternated from a chiming Rickenbacker intonation to a faux pedal steel — can be heard on the upbeat version of Bob Dylan's "It Takes a Lot to Laugh, It Takes a Train to Cry." One of the album's highlights is the churning and scintillating cover of "Season of the Witch." There is an undeniable synergy between Kooper and Stills, whose energies seems to aurally drive the other into providing some inspired interaction. Updating the blues standard "You Don't Love Me" allows Stills to sport some heavily amplified and distorted licks, which come off sounding like Jimi Hendrix. This is one of those albums that seems to get better with age and that gets the full reissue treatment every time a new audio format comes out. This is a super session indeed. 

 Musicians:

9. Harvey’s Tune

ALL OF THE LATTER 5 TITLES AS A SET WOULD SELL FOR WELL OVER A $1000 ALONE. IT'S LIKE YOUR ALMOST GETTING THE REST OF THESE NEXT TITLES FOR FREE

 THESE OTHER CSN TITLES

Crosby, Stills & Nash Daylight Again 180 GRAM LIMITED EDITION LP  Cut From The Original Analog Masters by Chris Bellman!

As members of one of rock’s first supergroups, David Crosby, Stephen Stills, and Graham Nash helped define the Woodstock generation through their peerless harmonies, resonant songwriting and deep commitment to political and social causes.

Daylight Again is a 1982 studio album by the band Crosby, Stills & Nash, their fourth of completely original material, and seventh in total. It peaked at #8 on the Billboard Top Pop Albums chart, the final time the band has made the top ten to date. Three singles were released from the album, all making the Billboard Hot 100: "Wasted on the Way" peaked at #9, "Southern Cross" at #18, and "Too Much Love to Hide" at #69.

The genesis of the album lies in recordings made by Stephen Stills and Graham Nash at intervals in 1980 and 1981, the album slated to be a Stills-Nash project. They employed Art Garfunkel, Timothy B. Schmit, and others to sing in place of where David Crosby might have been.

Executives at Atlantic Records, however, had little interest in anything but CSN product from any member of the group, and held out for the presence of Crosby, forcing Nash and Stills to start paying for the sessions out-of-pocket. They began to turn toward the company's point of view, however, and decided to invite Crosby to participate at the eleventh hour. He brought two of his own tracks to the album, "Delta," where Stephen and Graham squeezed their vocals into David's already-taped multi-tracked harmonies, and "Might As Well Have A Good Time," which received the bona fide CSN treatment. Most of the recording, however, features other voices in addition to the main trio, a first for any CSNY record, as is the number of outside writers. The song "Daylight Again" evolved out of Stills' guitar-picking to accompany on-stage stories regarding the south in the Civil War, segueing into "Find the Cost of Freedom," which had been the b-side of the "Ohio" single in 1970.

As the first album by the band in the video age, music videos were filmed to accompany the two lead singles, "Southern Cross," featuring the band and shots of one of their favorite metaphors, a sailing vessel, receiving a fair amount of rotation on MTV in 1982 and 1983.

Features:
• 180g Vinyl 
• Cut from original analog masters by Chris Bellman at Bernie Grundman Mastering

Selections:
Side One:
1. Turn Your Back On Love
2. Wasted On The Way
3. Southern Cross
4. Into The Darkness
5. Delta
Side Two:
1. Since I Met You
2. Too Much Love To Hide
3. Song For Susan
4. You Are Alive
5. Might As Well Have A Good Time
6. Daylight Again

CROSBY STILLS & NASH - DEMOS - -  Remastered from the Original Master Tapes & Cut by Bernie Grundman! 

17. Hungry Heart

Crosby, Stills, Nash & Young So Far 180 GRAM LIMITED LP

Crosby, Stills, Nash & Young

Compilation Album Remastered On 180g Vinyl LP!

Crosby, Stills, Nash & Young's multi-platinum 1974 greatest hits compilation, featuring "Our House", "Ohio", "Suite: Judy Blue Eyes", "Teach Your Children", "Woodstock" and more, is reissued on 180g vinyl LP. The album went Gold immediately and peaked at #1 on the Billboard Top Pop Albums chart and was the group's third chart-topping album in a row.

Features

180g Vinyl

2018 Remaster

Cover art by Joni Mitchell

Made in Germany

Selections

Side A:

Deja Vu

Helplessly Hoping

Wooden Ships

Teach Your Children

Ohio

Find The Cost Of Freedom

Side B:

Woodstock

Our House

Helpless

Guinevere

Suite: Judy Blue Eyes

NOW WE HAVE THESE INDIVIDUAL SOLO WORKS OF CSN

Steven Stills/Manassas DOUBLE 180 GRAM AUDIOPHILE LIMITED EDITION LP SET   - After stops in The Buffalo Springfield, CSN(&Y) and a few solo albums for the Atlantic label, Stills recruited musical kindred-spirits including the likes of Chris Hillman (The Byrds) to form Manassas. The resulting debut, a 2-LP set from 1972, has been a perennial favorite since its' release. It's a big bubbling cauldron of country-rock-blue(s)-grass with blue eyed soul mixings plus Stills' penchant for Latin riffs (Suite: Judy Blue Eyes) thrown in for flavor. This collection not only showcases Stills' trademark voice and song writing, but finally lets his fiery guitar playing blaze through.

 DAVID CROSBY - IF YOU COULD REMEMBER MY NAME 180 GRAM LIMITED EDITION AUDIOPHILE GATEFOLD  LP 

GRAHAM NASH SONGS FOR BEGINNERS 180 GRAM LIMITED EDITION AUDIOPHILE LP - "...a surprisingly restrained and beautiful production." - Rolling Stone, 1971

Singer-songwriter and Rock and Roll Hall of Famer Graham Nash first rose to fame with British Invasion hit makers The Hollies. He went on to co-found the legendary rock super groups Crosby, Stills & Nash and CSN&Y, and remains active with both configurations. Throughout it all, Nash has also pursued an acclaimed solo career, beginning with the 1971 gem Songs For Beginners

Selections:
1. Military Madness
2. Better Days
3. Wounded Bird
4. I Used To Be A King
5. Be Yourself
6. Simple Man
7. Man In The Mirror
8. There's Only One
9. Sleep Song
10. Chicago/ We Can Change The World

THE RIDES CAN'T GET ENOUGH 180 GRAM LIMITED EDITION LP 

 New Supergroup Releases New Album!
Stephen Stills, Barry Goldberg, Kenny Wayne Shepherd - The Sky's The Limit!!!
180g Vinyl Mastered at Bernie Grundman Mastering! Pressed at URP!

New Album Featuring "Don't Want Lies" & "Search & Destroy"!

"A diesel-fueled jam!" - Rolling Stone

From a chance meeting at a Super Bowl jam session, Stephen Stills invited Kenny Wayne Shepherd to join him for an homage to his legendary "Super Session" Album. Musically, it was close to love at first sight, or perhaps first riff! What started as a fun idea turned into a year-long project, with songwriting wood shedding and of course, explosive guitar playing by two of the all time greats with production by Talking Heads alumna Jerry Harrison.

Stephen has not sounded so good since his CSN&Y glory days with "Don't Want Lies" and "Only Teardrops Fall". He also contributes "Word Game" - a vintage Buffalo Springfield politico anthem. Kenny Wayne who entered the scene as a great white hope of the blues at age 15, almost 20 years go, has matured into the best player of his generation. He even sings and sounds fantastic. Check out the guitar interplay on "Honey Bee" (with Barry Goldberg's fabulous piano) on "Talk To Me Baby" and Neil Young's classic "Rockin' In the Free World". With Stills, Shepherd and Goldberg joining forces to create the supergroup The Rides, the sky's the limit!

Features:
• 180 Gram Vinyl

Selections:
Side One:
1. Roadhouse
2. That's A Pretty Good Love
3. Don't Want Lies
6. Honey Bee
7. Rockin' In The Free World
Side Two:
1. Search and Destroy
2. Can't Get Enough
3. Only Teardrops Fall
4. Talk To Me Baby
5. Word Game

The Rides Pierced Arrow LIMITED EDITION LP - Supergroup of Stephen Stills, Barry Goldberg, Kenny Wayne Shepherd Release Second Album!

Mastered by Bernie Grundman at Bernie Grundman Mastering!

Rock icons Stephen Stills, Kenny Wayne Shepherd and Barry Goldberg release their second album "Pierced Arrow". Produced by the trio along with bassist Kevin McCormick and drummer Chris Layton, the album follows in the very successful style and texture set of their chart topping debut album "Can't Get Enough" but with even more original material from Stills, Shepherd and Goldberg and the sound of a band that has really spent some productive time together.

Features:

• Vinyl LP

• Mastered by Bernie Grundman at Bernie Grundman Mastering

Musicians:

Stephen Stills, vocals, guitar

Kenny Wayne Shepherd, vocals, guitar

Barry Goldberg, keyboards

Chris Layton, drums

Kevin McCormick, bass

Stephanie Spruill, backing vocals

Raven Johnson, backing vocals

Kim Wilson, harmonica

Selections:

Side A:

1. Kick Out Of It

2. Riva Diva

3. Virtual World

4. By My Side

5. I've Got To Use My Imagination

Side B:

1. Game On

2. Mr. Policeman

3. I Need Your Lovin'

4. There Was A Place

5. My Babe

Stephen Stills & Judy Collins Everybody Knows LIMITED EDITION GATEFOLD JACKET LP-

Vinyl LP!

Two Of America's Most Loved Music Legends... Together At Last!

Judy Collins and Stephen Stills together at last! Two folk legends of Laurel Canyon's countercultural music scene join forces on this gorgeous album of all new recordings. Features captivating versions of classic tunes by fellow folk icons Bob Dylan and Leonard Cohen plus a few of their own compositions. It was easy for Judy Collins to put a little something extra into her performance of Leonard Cohen's song "Everybody Knows" on the album. After all, it was Judy's encouragement and her recordings of Cohen songs like "Suzanne" and "Bird on a Wire" that helped get Cohen's career off the ground in the '60s. It was also in the '60s that Collins first met Stephen Stills (remember "Suite: Judy Blue Eyes"?) and first collaborated with him on a cover of the Sandy Denny classic "Who Knows Where The Time Goes", a song which is revisited here. Also here is "Judy," a duet version of a late-'60s Stills demo. Judy and Stephen's harmonies are just heavenly all across this recording, which also features a new spin on CSNY's "Carry On" and the new Collins composition "River of Gold".

Vinyl LP pressing in a gorgeous gatefold jacket with poster.

Features:

• Vinyl LP

• Poster

• Gatefold jacket

Musicians:

Stephen Stills

Judy Collins

Selections:

1. Handle With Care

2. So Begins The Task

3. River Of Gold

4. Judy

5. Everybody Knows

6. Houses

7. Reason To Believe

8. Girl From The North Country

9. Who Knows Where The Time Goes

10. Questions

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