BILL EVANS SUNDAY AT VILLAGE VANGUARD SET – OUR LAST COPIES OF THESE RARE PRESSINGS WITH JAPAN AUDIOPHILE 1ST EDITION EVER ON 200 GRAM VINYL OBI LP PLUS FOR THE COLLECTOR WHO WANTS EVERYTHING THE TWO 180 GRAM 1ST ASCOUSTIC SOUNDS MASTERED VINYL MASTERPIECE ALL OF THESE OUT OF PRINT LIMITED EDITION'S ARE GONE FOREVER IN PRISTINE SEALED CONDITION LIKE WE ARE OFFERING HERE. DON'T MISS OUT.
ALL TITLES NEVER HAD STORE PRICE STICKERS ATTACHED TO THE PLASTIC WRAP AND COMPLETE WITH THEIR VERIFYING COLLECTORS ORIGINAL RELEASE 1ST EDITION MARKETING/HYPE STICKERS PROVING THAT THESE LPS ARE THE ORIGINAL ISSUES OF THESE EDITIONS AND THAT THESE ISSUES WERE pressed ON 200 GRAM OR 180 GRAM PREMIUM REMASTERED VINYL AND THAT THOSE STICKERS ARE STILL ATTACHED TO THE SEALED PLASTIC WRAP PROTECTING THE LP JACKET & VINYL INSIDE. IF YOU DON'T SEE THESE STICKERS ATTACHED YOU ARE NOT PURCHASING AN ORIGINAL ISSUE OF THESE RELEASES.
1ST BILL EVANS – MONTREUX JAZZ FESTIVAL - PRISTINE NEW COLLECTORS TREMENDOUSLY RARE COLLECTORS OUT OF PRINT VERIFIED VERVE UCJU-9069 RELEASE FROM JAPAN WITH OBI AND 1ST EDITION EVER PRESSED ON 200 GRAM AUDIOPHILE VINYL 2007 RELEASE AND WAS ONLY PRESSED ON FUTURES ORDERS. THIS IS A COLLECTORS DREAM PRESSING BECAUSE IT WENT IMMEDIATELY OUT OF PRINT IN 2007 AND IF YOU DIDN'T DO THE PRE ORDER THEN YOU DON'T RECEIVE THIS PRESSING FOR YOUR CUSTOMERS.
MONTREUX JAZZ FESTIVAL - The brooding, introspective side of Bill Evans is well represented on his records. The bright side has been too little heard, but it's here in this album.
Track Listings 1. One for Helen 2. A Sleepin' Bee 3. Mother of Earl 4. Nardis 5. I Loves You Porgy 6. The Touch of Your Lips 7. Embraceable You 8. Someday My Prince Will Come 9. Walkin' Up |
Special VERY RARE LIMITED EDITION ONLY PRODUCED ON FUTURES FOR THIS ONE TIME PRESSING -- were only available in Japan.-
Bill Evans Sunday At The Village Vanguard - VERIFIED ACOUSTIC SOUNDS 180 GRAM MARKETING/HYPE STICKER LIMITED EDITION PRESSED AT RTI AND THIS ORIGINAL MARKETING STICKER ATTACHED PROVES THIS WAS THE 1ST TIME EVER THIS TITLE WAS PRESSED ON AUDIOPHILE 180 GRAM VINYL - THIS IS THE 1ST EDITION OF THIS 180 GRAM MASTERPIECE.
Comes
in a loose fitting outer plastic bag with a perforated opening affixed with a
sticker that says "180-gram virgin vinyl pressed at RTI marketed by
Acoustic Sounds." The LP is housed in a plain white paper sleeve with a
protective clear plastic inner lining. It also includes an Acoustic Sounds Inc.
postcard for a free catalog.
[Information
which is not credited on the release itself: The "GI" written on both
sides of the deadwax is the etching originally inscribed by the Columbia
Records Pressing Plant, Carrollton, GA for the Original Jazz Classics stamper
of this album. The Original Jazz Classics release from 1990 was pressed there,
but not this release. This was pressed using the Original Jazz Classics stamper
provided by Fantasy, Inc. to Acoustic Sounds.]
PLUS ACOUSTIC SOUNDS IN THE YEARS THEY WERE PRESSING THESE AUDIOPHILE MASTERPIECES NEVER PUT BARCODES ON THE JACKETS. THEY WANTED THE COLLECTOR TO HAVE PRISTINE CLEAN JACKETS EXACT TO HOW THE ORIGINAL WAS RELEASED.
OUT OF PRINT - last copy forever
VINYL LP re-mastered with THE FINEST AUDIOPHILE QUALITY.
Few albums in the history of contemporary American music can
be more deserving than this one of the designation Original Jazz Classic. It is
the first of two Riverside albums derived from the legendary final appearance
of the first Bill Evans trio - taped during the last day of a Village Vanguard
engagement, barely ten days before the tragic death of bassist Scott LaFaro.
The recordings have long been recognized as capturing the essence of the unique
three-way interaction that characterized the trio. This album is further
distinguished by its emphasis on the solo work and compositions of the
innovative LaFaro.
Track Listings
1. Gloria's
Step
2. My
Man's Gone Now
3. Solar
4. Alice
in Wonderland
5. All
Of You
6. Jade
Visions
Oliver Nelson The Blues And Abstract Truth FEATURING BILL EVANS (Verve Acoustic Sounds Series) 180g LP WITH VERIFYING COLLECTORS ORIGINAL RELEASE 1ST EDITION ACOUSTIC SOUND VERVE SERIES MARKETING/HYPE STICKER PROVING THAT THIS LP IS THE ORIGINAL ISSUE OF THIS EDITION AND THAT THIS ISSUE WAS pressed ON 180 GRAM PREMIUM REMASTERED VINYL AND THAT STICKER IS STILL ATTACHED TO THE SEALED PLASTIC WRAP PROTECTING THE LP JACKET & VINYL INSIDE. IF YOU DON'T SEE THIS STICKER ATTACHED YOU ARE NOT PURCHASING AN ORIGINAL ISSUE OF THIS RELEASE. All-Analog 180g Vinyl LP! Remastered & Pressed at Quality Record Pressings! Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes! Acoustic Sounds Series reissue from Verve/Universal Music Enterprises 180g Vinyl LP All-Analog Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes Pressed at Quality Record Pressings Stoughton Printing gatefold old-style tip-on jacket Musicians Oliver Nelson alto saxophone, tenor saxophone George Barrow baritone saxophone Paul Chambers bass Eric Dolphy flute, alto saxophone Bill Evans piano Roy Haynes drums Freddie Hubbard trumpet Selections Side A: Stolen Moments Hoe-Down Cascades Side B: Yearnin' Butch And Butch Teenie's Blues The Bill Evans Trio Bill Evans At Town Hall
Volume One (Verve Acoustic Sounds Series) 180 GRAM LP - All-Analog 180g Vinyl LP! Remastered & Pressed at Quality Record Pressings! Mastered by Ryan K. Smith at Sterling Sound from Original
Analog Tapes! Of pianist Bill Evans' many live albums, At Town Hall ...
Vol. 1 has always been among his most delicate and elegant, writes Marc Myers
for JazzWax. Evans' playing is taut and graceful, with lovely long
improvisational lines and a snappy, fluid attack on the keyboard. The mix of
standards and two originals — one was a suite in memory of his' father, who
died just three days earlier — also were neatly selected and assembled. Despite playing New York club dates for 10 years, the Town
Hall recording on February 21, 1966 was Evans' first New York concert
appearance. Evans played the first half of the Town Hall concert with just
bassist Chuck Israels and drummer Arnie Wise, and the second half with an
orchestra. The orchestra performed four Al Cohn-arranged tunes: "Willow
Weep for Me" and "What Kind of Fool Am I" as well as Evans'
originals "Funkallero" and "Waltz for Debby." Seeking to offer definitive audiophile grade versions of
some of the most historic and best jazz records ever recorded, Verve Label
Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue
series utilizes the skills of top mastering engineers and the unsurpassed
production craft of Quality Record Pressings. All titles are mastered from the
original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton
Printing Co. in high-quality gatefold sleeves with tip-on jackets. This LP is a superior effort by Bill Evans and his trio in
early 1966. The last recording by longtime bassist Chuck Israels (who had
joined the Trio in 1962) with Evans (the tastefully supportive drummer Arnold
Wise completes the group), this live set features the group mostly performing
lyrical and thoughtful standards. Highlights include 'I Should Care,' 'Who Can
I Turn To,' and 'My Foolish Heart.' The most memorable piece, however, is the
13-and-a-half-minute 'Solo: In Memory of His Father,' an extensive
unaccompanied exploration by Evans that partly uses a theme that became 'Turn
Out the Stars.' -Scott Yanow, AllMusic Features Acoustic Sounds Series Reissue from Verve/Universal Music
Enterprises 180g Vinyl LP All-Analog Mastered by Ryan K. Smith at Sterling Sound from Original
Analog Tapes Pressed at Quality Record Pressings Stoughton Printing Gatefold Old-Style Tip-On Jacket Musicians Bill Evans piano Chuck Israels bass Arnold Wise drums Selections Side One: I Should Care Spring Is Here Who Can I Turn To Side Two: Make Someone Happy Solo - In Memory of His Father, Harry L. Evans, 1891-1966
> Prologue > Improvisation on Two Themes: Story Line - Turn Out The Stars
> Epilogue Bill Evans Trio 64 (Verve Acoustic Sounds Series) 180 GRAM
LP - All-Analog 180g Vinyl LP! Remastered & Pressed at Quality Record Pressings! Mastered by Ryan K. Smith at Sterling Sound From Original
Analog Tapes! Michael Fremer Rated 9/11 Music, 9/11 Sonics! "Joining Bill Evans (piano) on Trio '64 - his initial
three-piece recording for Verve - is the compact rhythm section of Gary Peacock
(bass) and Paul Motian (drums). The effort spotlights their communal and
intuitive musical discourse, hinging on an uncanny ability of the musicians to
simultaneously hear and respond. All the more interesting, Evans had not
interacted in this setting before, having most recently worked with Chuck
Israels (bass) and Larry Bunker (drums). The personable opener, 'Little Lulu,' features
the aggregate melodically molding individual and distinct sonic
characteristics. Evans' nimble and emphatic syncopation is not only ably
supported, but framed by Peacock's expressive runs and Motian's acute sense of
timing. 'A Sleeping Bee' is one of the collection's most endearing selections
as the groove playfully scintillates surrounding some hauntingly poignant chord
changes. Evans bandies back and forth with Peacock, the latter likewise
providing a stellar solo. 'Always' captures a similar effervescence as the
instrumentalists ebb and flow in synchronicity. Since the December 18 session
was held the week before Christmas 1963, they fittingly tote out 'Santa Claus
Is Coming to Town,' creating a minor masterpiece of post-bop from what could
easily have started as a spontaneous seasonal suggestion. Noël Coward's 'I'll
See You Again' bears a brisk waltz persona, enabling the unit to fluently weave
its offerings without obstructing the otherwise affective tune. Concluding Trio
'64 is Rodgers & Hart's standard 'Everything Happens to Me,' with an
unhurried tempo lingering just long enough to embrace the familiar refrain.
Evans sparkles, gliding around Peacock's full-bodied basslines and Motian's
solid yet restrained beat." - Lindsay Planer, AllMusic Seeking to offer definitive audiophile grade versions of
some of the most historic and best jazz records ever recorded, Verve Label
Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue
series utilizes the skills of top mastering engineers and the unsurpassed
production craft of Quality Record Pressings. All titles are mastered from the
original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton
Printing Co. in high-quality gatefold sleeves with tip-on jackets. The relatively short program approximately 15 minutes to a
side allowed mastering engineer Ryan K. Smith to put all of what's on the tape
into the grooves without going anywhere close to the label. The QRP pressing
was dead silent and the Stoughton laminated Tip-on jacket is as pleasing to
look at as it is satisfying to the touch. This reissue wins compared to an
oft-played, finely produced Japanese Polydor reissue (23MJ 3033), though that
one is also very good. This reissue is as good as any to explain in sound what
AAA vinyl is all about, plus of course the performance will every play elevate
your mood and get your toes tapping. How these guys brought that lighthearted a
mood to a session recorded a month after the Kennedy assassination remains
difficult to understand, but it was just what the jazz record buying public
needed. -Michael Fremer, Analog Planet, Music 9/11, Sound 9/11 Features Acoustic Sounds Series reissue from Verve/Universal Music
Enterprises 180g Vinyl LP All-Analog Mastered by Ryan K. Smith at Sterling Sound From Original
Analog Tapes Pressed at Quality Record Pressings Stoughton Printing gatefold old-style tip-on jacket Musicians Bill Evans piano Gary Peacock bass Paul Motian drums Selections Side A: Little Lulu A Sleeping Bee Always Santa Claus Is Coming To Town Side B: I'll See You Again For Heaven's Sake Dancing In The Dark
Everything Happens To Me | |
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OF Sep-26-2008 per USPS policy, seller added the following information:
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