PAUL HORN ORIGINAL LABEL COLUMBIA/SONY RECORDS - LIMITED EDITION LONG OUT OF PRINT VINYL 3 LP SET - WERE RELEASED DECADES AGO BEFORE BARCODES WERE PLACED ON LP'S. IMPOSSIBLE TO FIND ON VINYL STILL SEALED.
FACTORY SEALED LP - The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard.
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You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.
THE SOUNDS OF COLUMBIA RECORDS CS - 8477 STEREO ISSUE Features two classic jazz releases from altoist and flutist Paul Horn. The first, originally released in 1961, features vibraphonist Emil Richards, pianist Paul Moer, bassist Jimmy Bond and drummer Milt Turner. Mirage For Miles takes this sound into a longer stronger outing, using a series of four minor seventh chords (or dorian scales) into a modal musical soundscape. Solos pass effortlessly from flute to vibes to piano to bass, and via interchanges with Maurice Miller on drums, back to a repeat of the head. Short Politician remains in a dorian mode, but fitted to a blues format. Another exploration by the quintet using their special styling. Bass and flute walk through My Funny Valentine, with the band in exemplary ballad mode. Here, a fine vibes solo from Richards. Making more use of a modal approach, Blue On Blue also builds from shifting meters, and results in another enjoyable track by composer Horn.
1. Bennys Buns
2. Without A Song
3. Yazz Per Favore
4. Mirage For Miles
5. Short Politician
6. My Funny
Valentine
7. Blue On Blue
8. Moer Or Less
PROFILE OF A JAZZ MUSICIAN COLUMBIA CS-8722 STEREO ISSUE -
Now Hear This has Horn's flute in 7/4, up-tempo, hot and strong. Then it's a bass flute outing, Lazy Afternoon. What Now? An original fro pianist Paul Moer cutely modifies the blues with some 6/4 passages, but still swings solidly. A burning Straight Ahead on alto sax marks the midway track, followed by another fleet alto outing on Fun Time, which combines 5/4 and ¾ into an effortless groove for the quintet.
Alto flute is featured on the ballad Just Because We're Kids, with delicate offerings from flute, piano, and vibes. Abstractions, the closing track, is a twelve minute suite, and has many many fine moments as all players use contrasting moods, tempi,, and tonalities to build solos and develop ideas into an attention-holding concert performance.
LP has Horn's alto sax cooking on Count Your Change, which features in a tv film The Story Of A Jazz Musician. Check it out:
1. Count Your Change
2. Now Hear This
3. Lazy Afternoon
4. What Now
5. Straight Ahead
6. Fun Time
7. Because Were Kids
8. Abstraction
PLUS WE ARE ADDING PAUL HORN IMPRESSIONS OF CLEOPATRA - COLUMBIA RECORDS CS-8850
Impressions of Cleopatra is an album by flautist Paul Horn
featuring a jazz interpretation of Alex North's musical score for the 1963 film,
Cleopatra which was originally released on the Columbia label.
Paul Horn – Impressions Of Cleopatra
Label: Columbia – CS 8850,
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1963 - 1990'S RE-ISSUE
Genre: Jazz
Style: Modal
Tracklist
A1 Caesar And Cleopatra Theme
A2 Cleopatra's Palace Music
A3 Love And Hate
A4 Grant Me An Honorable Way To Die
B1 Antony And Cleopatra Theme
B2 Cleopatra Enters Rome
B3 My Love Is My Master
B4 A Gift For Caesar
Credits
Bass – Chuck Israels
Drums – Colin Bailey
Flute – Paul Horn
Percussion – Larry Bunker
Piano – Victor Feldman
Vibraphone – Emil Richards
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On Sep-26-08 at 20:47:42 PDT, seller added the following information:
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