Whole sound G-1A BRESSAN Baroque ABS resin alto recorder from Japan
Description
ZEN-ON Alto Recorder Bressan
Bressan dialect, the best baroque instrument, is revived by modern master craftsmen Shigeharu Hirao and Hiroyuki Takeyama.
An epoch-making recorder jointly designed and supervised by Mr. Shigeharu Yamaoka and Mr. Hiroyuki Takeyama, we thoroughly pursued the feeling of blowing with the tone and pitch just like an original instrument.
Commitment to inner diameter
The inner diameter of the recorder is not simply a shape that connects both ends with a straight line, but is configured with small changes.
This allows a recorder with only eight holes to play a range of two octaves or more with the correct pitch, including the chromatic scale.
In other words, it can be said that reproducing this complicated inner diameter is the key to manufacturing even for plastic recorders.
Eliminates the straight state of the windway
Many recorder windways made during the Baroque period expand vertically immediately after the entrance and gradually narrow to reach the exit.
The tongued breath enters the instrument without any resistance, and the pronunciation feels easy.
After that, by narrowing, resistance naturally occurs and a stable sound can be maintained.
In other words, it is in a favorable state that the reaction is good but there is resistance.
However, conventional plastic recorder windways have not been able to reproduce the continuous curve from the entrance to the exit required for floors and ceilings.
In this product, the floor and ceiling of the windway are integrally formed, and the floor and ceiling are molded as a surface with a continuous curve to achieve the recorder's original sounding performance.
This item is sold in Japan. All instructions are in Japanese.
The product specification area is Japan.
Please feel free to contact us.
We will reply within 2 days.
Bressan dialect, the best baroque instrument, is revived by modern master craftsmen Shigeharu Hirao and Hiroyuki Takeyama.
An epoch-making recorder jointly designed and supervised by Mr. Shigeharu Yamaoka and Mr. Hiroyuki Takeyama, we thoroughly pursued the feeling of blowing with the tone and pitch just like an original instrument.
Commitment to inner diameter
The inner diameter of the recorder is not simply a shape that connects both ends with a straight line, but is configured with small changes.
This allows a recorder with only eight holes to play a range of two octaves or more with the correct pitch, including the chromatic scale.
In other words, it can be said that reproducing this complicated inner diameter is the key to manufacturing even for plastic recorders.
Eliminates the straight state of the windway
Many recorder windways made during the Baroque period expand vertically immediately after the entrance and gradually narrow to reach the exit.
The tongued breath enters the instrument without any resistance, and the pronunciation feels easy.
After that, by narrowing, resistance naturally occurs and a stable sound can be maintained.
In other words, it is in a favorable state that the reaction is good but there is resistance.
However, conventional plastic recorder windways have not been able to reproduce the continuous curve from the entrance to the exit required for floors and ceilings.
In this product, the floor and ceiling of the windway are integrally formed, and the floor and ceiling are molded as a surface with a continuous curve to achieve the recorder's original sounding performance.
This item is sold in Japan. All instructions are in Japanese.
The product specification area is Japan.
Please feel free to contact us.
We will reply within 2 days.
