Issues and Contents:

1. The Burlington Magazine for Connoisseurs Illustrated, February 1928, Volume LII, No. CCXCIX, edited by R. R. Tatlock, published by The Burlington Magazine Ltd., London, UK, 1928 — 102 pages — illustrated.

Contents:

• The Turner Drawings at Millbank, by R. R. Tatlock
• A Bronze Dedicated to the Grand Guardian, by W. Perceval Yetts
• Cracks in Flemish Primitives, by Emile Renders
• Marks and Decorative Inscriptions on Chinese Porcelain, by Friedrich Perzynski (From the Chinese of Hsu Chih Heng)
• Unknown Works by Antonio Puga, by A. L. Mayer
• Notes on Hubert Le Sueur, II. by Geoffrey Webb
• A Byzantine Steatite Relief, by Stanley Casson
• Notes on Pictures at Drayton House, by C. H. Collins Baker
• The Cluny Museum
• The National Portrait Gallery
• The Chenil Galleries
• The Doughty House Fire
• The British Antique Dealers' Association
• Charles Lambert Rutherston
• New Appointments
• Pantheon
• The Literature of Art
• Art in America, by Ella S. Siple
• A Stained Glass Panel from Canterbury, by Bernard Rackham
• A Minoan Statuette in the Fitz-William Museum, by E. J. Forsdyke
• Vermeer's Guitar Player, by Paul Ettinger

2. The Burlington Magazine for Connoisseurs Illustrated, December 1928, Volume LIII, No. CCCIX, by R. R. Tatlock, published by The Burlington Magazine Ltd., London, UK, 1928 — 126 pages — illustrated.

Contents:

• Baron von Hadeln
• On a Group of Early Enamels, possibly English, by Tancred Borenius and M. Chamot
  
• An English Tapestry Panel, by A. F. Kendrick
• The Cividale Reliquary, by Giuseppe Gerola
• A Pair of Tudor Snuffers, by C. C. Oman
• Additions to the Work of Pierino Da Vinci, by Ulrich Middeldorf
• A Set of George I Furniture, by Herbert Cescinsky
• A Stained-Glass Panel from Milan Cathedral, by H. Read
• A Delft and a Chinese Vase Marked -AK-, by Minke de Visser
• A Mennecy Porcelain Figure, by W. B. Honey
• An English Ivory for South Kensington, by M. H. Longhurst
• Sir Hercules Read's Gothic Tapestry, by S. Reinach; Sir Hercules Read
• The Durer Exhibition in Nuremberg, by Michel Benisovitch
• The Literature of Art