This listing is for Krystof Krawczyk – Don't Leave Me Vinyl LP Record Album IMPORT SX-2305.

Label: Pronit – SX 2305

Format: Vinyl, LP, Album

Country: Poland

Released: 1983

Genre: Rock, Funk / Soul, Pop

Style: Rock & Roll, Europop, Rhythm & Blues   

Condition:   Jacket:     Good (slight edge wear)         Vinyl:  Very Good

Tracklist:

A1 A Rocker An' Roller / Halina

A2 Don't Wake Up Yet / Pogrążone We Śnie - Natalia

A3 Forgive Me, Love Is Blind / Kochać Cię Nie Przestanę

A4 Lovers / Trochę Po Sezonie

A5 There's No Use / Z Taką, Jak Magda

B1 The Ashes Of Love / Dla Mojej Dziewczyny

B2 Say Babe, Will You Love Me / Barbara I Bezsenność

B3 Woman / Z Tobą Ireno

B4 Fighters And Hearthaches / Nuty Dla Danuty

B5 Letters / U Zofii

B6 Don't Leave Me / Pamiętam Ciebie Z Tamtych Lat

Krzysztof January Krawczyk (8 September 1946 – 5 April 2021) was a Polish baritone pop singer, guitarist and composer. He was the vocalist of a popular Polish band, Trubadurzy ("the Troubadours"), from 1963 to 1973 when he started his solo career. His creative activity in the area of music was characterized by a combination of various music genres such as rock and roll, country music and rhythm & blues. His album To co w życiu ważne (lit. 'What's important in life') reached number one on the Polish Music Charts. Krawczyk learned to play the guitar on his own, whereas his vocal abilities were practised when he attended secondary school of music in Łódź. However, he had to quit his musical studies and become an errand-boy, because his father, an actor, died and his mother suffered from depression. He was the only member of the family to earn a living. In 1963 he founded, together with Ryszard Poznakowski, Marian Lichtman, Sławomir Kowalewski and Halina Żytkowiak, one of the best known Polish beat music bands of the 1960s, Trubadurzy, which combined elements of rock with Polish folk music.

Solo career

Ten years after that band's establishment, Krawczyk started his solo career. In the 1970s he recorded several successful songs such as Parostatek (The steamship), Pokochaj moje marzenia (Love my dreams), Pamiętam Ciebie z tamtych lat (I remember you from those years) or Ostatni raz zatańczysz ze mną (You'll dance with me that last time). He had numerous performances at festivals in Opole, Sopot and Kołobrzeg. He also toured in all the countries of the Warsaw Pact as well as in Sweden, Greece, Belgium, the Netherlands and Ireland. His work of the 1970s was considered to be kitsch by some critics. Nevertheless, his songs of that time have been genuinely popular to this day. He collaborated with a famous cabaret performer, Bohdan Smoleń. They released several humoristic songs around 1985, e.g. Mężczyzna po czterdziestce (The man in his forties) and Dziewczyny, które mam na myśli that borrowed melodies from Willie Nelson and Julio Iglesias' To all the girls I loved before (1984). All these songs were very different from what he had performed before. In 1981 Krawczyk moved to the U.S. to perform and to record an album in Indianapolis for TRC Records. The 1982 LP, "From a Different Place", was distributed nationally; a single, "Solidarity", received heavy airplay in several cities, especially Chicago. John Cascella, later to become John Mellencamp's keyboardist, composed many of the songs on the album, which was produced by Gary Schatzlein. For U.S. audiences, Krawczyk's name was shortened and anglicized to "Krystof".

While in the U.S., Krawczyk's wife Ewa helped him overcome addictions to alcohol and drugs. After a return to Poland in the mid 1980s, he underwent tonsil surgery and spent a year living in Kołobrzeg to recover his voice. In 1988, he was driving his family and fell asleep behind the wheel. As a result, he suffered numerous injuries that required long months of therapy. In the 1990s, he was in the US again. He returned to Poland in 1994. When he encountered lack of interest from esteemed music producers, he got involved in the disco polo business. He later admitted that this decision helped him to survive the "hard times", because the albums he made at that time were very successful. However, this did not protect him against constant criticism. In the late 1990s Krawczyk changed his image from a "discotheque playboy" to a mature middle-aged artist who propagated family values. In this way, he successfully came back on stage with such hits like Jestem sobą (I'm myself), Wiarygodny (The credible) or Bo jesteś Ty (Because you are). He sang with other artists, such as Andrzej Piaseczny, Edyta Bartosiewicz, Muniek Staszczyk, Goran Bregović and Rod Stewart. In 2000, Krzysztof Krawczyk performed for Pope John Paul II in Saint Peter's Square in Vatican City.

CONDITION Descriptions:

I base the condition of each of my Records off of Ebay's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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