You can stick the patch by iron on but but if you stick the patch by sewing (just only critical area it such as corner or angle), it will be stick on you fabric for long life 

Size: Diameter 2 15/16"  or  7.5 cm.

Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Godflesh, Marilyn Manson, Rammstein, Fear Factory and Nine Inch Nails.

Industrial metal developed in the late 1980s, as industrial and metal began to fuse into a common genre. Industrial metal did well in the early 1990s, particularly in North America, with the success of groups such as Nine Inch Nails and Pitchshifter, but its popularity began to fade in the latter half of the 1990s.

Though electric guitars had been used by industrial artists since the early days of the genre, archetypal industrial groups such as Throbbing Gristle displayed a strong anti-rock stance. British post-punk band Killing Joke pioneered the crossing over between styles and, along with Canadian industrial band Skinny Puppy, was an influence on major acts associated with industrial metal such as Ministry, Godflesh, and Nine Inch Nails. Another pioneer industrial rock group, Big Black, also impacted some later groups.

By the late 1980s industrial and heavy metal began to fuse into a common genre, with Godflesh's self-titled EP and Ministry's The Land of Rape and Honey at the forefront. Godflesh was founded by former Napalm Death guitarist Justin Broadrick. Drawing from a wide array of influences—power electronics forefathers Whitehouse, noise rock band Swans, ambient music creator Brian Eno and fellow Birmingham hard rockers Black Sabbath—the Godflesh sound was once described as "Pornography-era The Cure on Quaaludes". Though not a top seller, Godflesh nonetheless became an influential act, their name mentioned by Korn, Metallica, Danzig, Faith No More and Fear Factory.

Ministry emerged from the scene surrounding Wax Trax! Records, a Chicago indie label dedicated to industrial music. Ministry's initial foray into guitar rock happened during a recording session of The Land of Rape and Honey on Southern Studios, in London. The band's frontman, the Cuban-born Al Jourgensen, explained this transition:

Rediscovering the guitar on this record was almost like the first day I got my Fairlight. The possibilities just seemed endless on something that had seemed so limiting before. That's really funny. I started out as a guitarist, but I hadn't really touched a guitar in five years. Then I heard that first feedback come out of the Marshall stack and all of a sudden it was like there was a whole new parameter within guitar playing itself – especially in combination with sounds that you get out of a keyboard.

Jourgensen seemed particularly fond of thrash metal. After the release of Land, he recruited guitarist Mike Scaccia from Texas thrashers Rigor Mortis. On one occasion, Jourgensen told the press that Sepultura was his favorite band. He also expressed the desire to produce a Metallica album. Jourgensen's interest in dance-oriented electronic music did not entirely fade, however; he also formed the side-project Revolting Cocks, a more electronic body music-inflected collaboration with Richard23 of Front 242.

German band KMFDM was another seminal industrial metal group. Although not a metal fan, KMFDM leader Sascha Konietzko's "infatuation with ripping off metal licks" stemmed from his experiments with E-mu's Emax sampler in late 1986. He told Guitar World that,

It was just interesting to use it as a kind of white noise reinforcement for our music. All of a sudden heavy metal was free from all those tempo changes and boring attitudes it always had. What I always hated most about heavy metal was that the best riffs came only once and were never repeated. So the fascination, actually, was to sample a great riff, loop it, and play it over and over again.

A Swiss trio, The Young Gods, brushed with the style on their second album, L'Eau Rouge (1989). Prior to its release, singer Franz Treichler declared:

We just wanted to hear guitars. We missed the attack of 'Envoyé'. That's what we want to hear right now, pure power. A metal sound that isn't revivalist, isn't biker style, speed metal style, any style, just WHAP!

Canadian thrash metal band Malhavoc became one of the earlier acts of the genre when they began to mix extreme metal with industrial music in the late 1980s.

Pigface, formed by Martin Atkins and including Ministry drummer Bill Rieflin, emerged as an industrial metal collective of sorts, participating with many figures from the noise rock and industrial worlds. Nine Inch Nails, the "one-man-band" formed by Trent Reznor, brought the genre to mainstream audiences with albums such as the Grammy-winning Broken and the best-selling The Downward Spiral, accompanied by their groundbreaking performance at Woodstock '94. The rivethead subculture also developed at this time, along with the so-called "coldwave" subgenre, which encompassed Chemlab, 16 Volt, and Acumen Nation. Some electro-industrial groups adopted industrial metal techniques in this period, including Skinny Puppy (on their Rabies, co-produced by Jourgensen), and Front Line Assembly.

British band Pitchshifter, formed in 1989 by brothers Jon and Mark Clayden, also started as an industrial metal band. The band later included elements of drum and bass. Frontman JS mentions:

Credit by Wikipedia 

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