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Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington D.C. and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics."

Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C., Boston, and New York, as well as in Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its associated sub-movements, hardline, and youth crew. Hardcore was heavily involved in the rise of independent record labels in the 1980s and with the DIY ethics in underground music scenes. It has also influenced various music genres that have experienced widespread commercial success, including grunge and thrash metal.

Although the music genre started in English-speaking Western countries, notable hardcore scenes have existed in Italy and Japan.

History

Late 1970s and early 1980s

United States

Los Angeles

Mike Watt, formerly the bassist for the Minutemen in a 2013 show.

Michael Azerrad states that "[by] 1979 the original punk scene [in Southern California] had almost completely died out" and was replaced by punk music boiled down to its essence, but with faster tempos, which became known as "hardcore". Steven Blush states that the first hardcore record to come out of the West Coast was Out of Vogue by the Santa Ana band Middle Class. The band pioneered a shouted, fast version of punk rock which would shape the hardcore sound that would soon emerge. In terms of impact upon the hardcore scene, Black Flag has been deemed the most influential group. Azerrad calls Black Flag the "godfathers" of hardcore punk and states that even "...more than the flagship band of American hardcore", they were "...required listening for anyone who was interested in underground music."Blush states that Black Flag were to hardcore what the Sex Pistols and Ramones were to punk. Formed in Hermosa Beach, California by guitarist and primary songwriter Greg Ginn, they played their first show in December 1977. Originally called Panic, they changed their name to Black Flag in 1978.

By 1979, Black Flag were joined by another South Bay hardcore band, the Minutemen, who they shared a practice space with until both bands were evicted, as well as the Circle Jerks (which featured Black Flag's original singer, Keith Morris). From Hollywood, two other bands playing hardcore punk, Fear and the Germs, were featured with Black Flag and the Circle Jerks in Penelope Spheeris' 1981 documentary The Decline of Western Civilization. By the time the film was released, other hardcore bands from Los Angeles County were also making a name for themselves including Bad Religion, Descendents, Red Kross, Rhino 39, Suicidal Tendencies, Wasted Youth, Youth Brigade, and Youth Gone Mad. Neighboring Orange County had the Adolescents, Agent Orange, China White, Social Distortion, Shattered Faith, T.S.O.L., and Uniform Choice, while north of Los Angeles, around Oxnard, California, a hardcore scene known as "nardcore" developed with bands like Agression, Ill Repute, Dr. Know, and Rich Kids on LSD.

Whilst popular traditional punk bands such as the Clash, Ramones, and Sex Pistols were signed to major record labels, the hardcore punk bands were generally not. Black Flag, however, was briefly signed to MCA subsidiary Unicorn Records, but were dropped because an executive considered their music to be "anti-parent". Instead of trying to be courted by the major labels, hardcore bands started their own independent record labels and distributed their records themselves. Ginn started SST Records, which released Black Flag's debut EP Nervous Breakdown in 1979. SST went on to release a number of albums by other hardcore artists, and was described by Azerrad as "easily the most influential and popular underground indie of the Eighties." SST was followed by a number of other successful artist-run labels—including BYO Records (started by Shawn and Mark Stern of Youth Brigade), Epitaph Records (started by Brett Gurewitz of Bad Religion), New Alliance Records (started by the Minutemen's D. Boon and Mike Watt), as well as fan-run labels like Frontier Records and Slash Records.

Bands also funded and organized their own tours. Black Flag's tours in 1980 and 1981 brought them in contact with developing hardcore scenes in many parts of North America, and blazed trails that were followed by other touring bands. Concerts in the early Los Angeles hardcore scene increasingly became sites of violent battles between police and concertgoers. Another source of violence in LA was tension created by what one writer calls the invasion of "antagonistic suburban poseurs" into hardcore venues. Violence at hardcore concerts was portrayed in episodes of the popular television shows CHiPs and Quincy, M.E..

In the pre-Internet era, fanzines, commonly called zines, enabled hardcore scene members to learn about bands, clubs, and record labels. Zines typically included reviews of shows and records, interviews with bands, letters, ads for records and labels, and were DIY products, "proudly amateur, usually handmade. A zine called We Got Power described the Los Angeles scene from 1981 to 1984, and it included show reviews and band interviews with groups including D.O.A., the Misfits, Black Flag, Suicidal Tendencies and the Circle Jerks.

Canada

Main article: Canadian hardcore punk

D.O.A. formed in Vancouver, British Columbia in 1978 and were one of the first bands to refer to its style as "hardcore", with the release of their album Hardcore '81. Other early hardcore bands from British Columbia included Dayglo Abortions who formed in 1979, the Subhumans and the Skulls.

Nomeansno is a hardcore band originally from Victoria, British Columbia and now located in Vancouver. SNFU formed in Edmonton in 1981 and also later relocated to Vancouver. Bunchofuckingoofs, from the Kensington Market neighbourhood of Toronto, Ontario, formed in November 1983 as a response to "a local war with glue huffing Nazi skinheads." In Montreal, The Asexuals helped fertilize a scene that became a necessary tour stop for punk and hardcore bands headed to the Northeast.

United Kingdom

Main article: Hardcore punk in the United Kingdom

The UK anarcho-punk and D-beat band Antisect playing in Brighton in 1985.

In the United Kingdom a fertile hardcore scene took root early on. Referred to under a number of names including "U.K. Hardcore", "UK 82", "second wave punk", "real punk", and "No Future punk", it took the previous punk sound and added the incessant, heavy drumbeats and heavily distorted guitar sound of new wave of British heavy metal bands, especially Motörhead. Formed in 1977 in Stoke-on-Trent, Discharge played a large role in influencing other European hardcore bands. AllMusic calls the band's sound a "high-speed noise overload" characterized by "ferocious noise blasts." Their style of hardcore punk was coined as D-beat, a term referring to a distinctive drum beat that a number of 1980s imitators of Discharge are associated with.

Another UK band, the Varukers, were one of the original D-beat bands, Scottish band the Exploited were also influential, with the term "UK 82" (used to refer to UK hardcore in the early 1980s) being taken from one of their songs. They contrasted with early American hardcore bands by placing an emphasis on appearance. Frontman Walter "Wattie" Buchan had a giant red mohawk and the band continued to wear swastikas, an approach influenced by the wearing of this symbol by 1970s punks such as Sid Vicious. Because of this, the Exploited were labeled by others in the scene as "cartoon punks". Other influential UK hardcore bands from this period included GBH, Anti-Establishment, Antisect, Broken Bones, Chaos UK, Conflict, Dogsflesh, English Dogs, and grindcore innovators Napalm Death.

Credit by Wikipedia 

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