This beautiful 7" x 6.25" Bowl features a seal in the foreground amongst a green and golden artic sky. The gold reflects naturally to light creating a stunning shimmer effect.
Condition: This piece is in great vintage condition with no chips, cracks, fading colours/discolouration. Slight signs of wear / use are present, and there is one maker imperfection on the underside of bowl near rim. The piece shows well for its age. Please refer to the pictures.
HISTORY: Sascha Brastoff (1917-1993) was a performer, designer, and the founder of a successful production ceramics factory and line that operated in Los Angeles, California, from c.1946 – 1962.
Born Samuel Brostofsky in Cleveland, Ohio in 1917, Sascha Brastoff immersed himself in the arts from a young age. Ballet classes, performing arts school, ceramics, and later jobs such as the window display creator for Macy’s in New York City served as creative outlets for Brastoff. It was not surprising that while serving in the U.S. Air Force during WWII, Brastoff worked as a designer and entertainer, conceiving his famous drag performance identity “GI Carmen Miranda.”
After returning from his service in the Air Force, Brastoff did brief stint for 20th Century Fox Studios as a costume designer, working with stars such as Betty Grabel and yes, Carmen Miranda. Despite his success, he left his contract to focus on his ceramics business. As a child in Cleveland, Brastoff had taken an interest in ceramics at a young age, painting his family’s own dinner plates. In New York City while creating window displays, Brastoff had belonged to a ceramic studio in Greenwich Village called the Clay Club. Forming his own company with the support of his life partner Howard Shoup and the backing of Winthrope B. Rockafeller was a natural decision to make. As the company grew, a massive factory and showroom designed by A. Quincy Jones and Frederick Emmons was built on West Olympic Boulevard in West Los Angeles in 1953. At its height, Brastoff had around 100 ceramicists and decorators working for him.
The productionware lines included dinnerware sets, vases, decorative plates, figurines and more. The wide range of series show Brastoff’s influences: theater and performance, futurism and abstraction, and the stylistic tastes of a midcentury Los Angeles. As I’ve transitioned to interning in AMOCA’s collections department, I have been able to handle several of Brastoff’s vases from his Original Abstract series, which features a horizontal stripe pattern of white, black, and various types of brown, overlaid with a crazing effect.
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