Out of Print Out of print Songshan Shaolin Martial Arts Kung Fu Series by Wu Nanfang 14DVDs
Songshan Shaolin Learning Boxing and Elucidating by Wu Nanfang 2DVDs - No.099
Lecturer: Wu Nanfang
Songshan Shaolin Xinyi Arhat Pound by Wu Nanfang DVD - No.100
Shaolin Xinyi Arhat Pound belongs to one of the traditional Wushu series it is passed by the famous warrior monk Jiqin in the late Qing Dynasty. its The characteristics are simple and unadorned well with fighting capabilitywith strong attacking and defensing skills, attackAttacking and defend defense echo with each other and taking in and sending out coincide with each otherbreath in and out are combined together the strong and the weak mutually assist each other tempered toughness with gentleness, mixture of truth and deceitreal and cheating moves can not be recognized, every trick and skill not attacking but defendingevery actions are either attack or defend like a hungry tiger pouncing on its prey powerful and valiancy at the mean time, its fighting sound like the tiger's whistle fist The style and manner of the boxing like having root on the groundactions goes very steadily, like spring-water has no wave when quiet stand like a quiet spring pool and overturn the river and upset the sea when attackingacts like a terrific ocean and overturn the river and upset the sea when attackingthe fist like a stone which can pouch a hole.
Songshan Shaolin Wrapping and Circling Fist by Wu Nanfang DVD- No.101
Shaolin Wrapping and Circling Fist Belongs to one of the Boxing series of Songshan Mountain Shaolin Temple. Passed over by Jiqin Master of the Qing Dynasty. The characteristics of it are When practicing the boxing, Quiet like spring-water having no wave Kinetic like overturn the river and upset the sea. Fist attacking like it can break through the rocks in cave Feet dropping to ground like having root on the earth, the movement is simple and unadorned, there is force in grace, temper force with grace.
Songshan Shaolin Jingang Arhat Boxing by Wu Nanfang DVD- No.102
Shaolin Jingang Arhat Boxing belongs to one series of the essential Chinese Boxing of Shaolin Temple handed down by Jiqin Master of the Qing Dynasty. the characteristics are: simple and unadorned, strong attacking and defending abilities attacking and defending echo with each other and taking in and sending out coincide with each other, the strong and the weak mutually assist each other, mixture of truth and deceit, every trick and skill not attacking but defending. the style and manner of the boxing, like spring-water has no wave when quiet and overturn the river and upset the sea when attacking, the fist attacking like it can break through the rocks in the cave, the feet falling down like having root on the earth.
Songshan Shaolin Xinyi fist by Wu Nanfang DVD - No.103
Shaolin Xinyi Fist is one of traditional martial art series of Shaolin Temple, Songshan Mountain. It is passed down by famous Martial Monk, Master Jiqin at the end of Qing dynasty. Its styles are: direct Qi with intention. Stimulate strength with Qi. Intention combines with heart, Qi combines with strength. When acting, Qi comes from Dantian. Once acting, it can tackle anything. Action is unsophisticated and earthy. Attacking and defending are rigorous. And taking in and sending out coincide with each other. The strong and the weak mutually assist each other.
Songshan Shaolin Cannon Boxing by Wu Nanfang 2DVDs - No.104
Shaolin Boxing sources and features According to the record of Shaolin Boxing Manual: Monk Fuju in Song dynasty composed Shaolin Cannon Boxing after inviting eighteen Wulin experts to exchange information and performance in Song Mountain Shaolin Temple. It is one of Shaolin elite boxing routines. When being passed down to the Qing Dynasty, through Monk Zhanju's drawing from the essence of Shaolin Arhat Eighteen Routine, Arhat Boxing, Gig and small Hong Boxing, Back-through Boxing and so on which are all excellent traditional Shaoling boxing and combining with his several decades of combat experiences it developes into a more perfect one after repeated thoughtful scrutiny. It is said that it has series in practising technique. It includes the technique of Shaolin Xinyi Holder, so it is unique in style and characteristics, especially in technique, which is fierce and swift changeable, mysterious falsehood and reality and strong actual combat and has no empty posture. It has been treated as stunt which not reaches out by Monks after Qing dynasty.
Songshan Shaolin meteor broadsword by Wu Nanfang DVD - No.105
Shaolin meteor broadsword belongs to one of the traditional martial art series of Shaolin Temple, Song Mountain. It was composed by the famous martial monk Jile in the later Qing dynasty. Its characteristics are simple and unadorned, strong practical combat and with precise series playing fully the wonderful methods of hacking, hanging, chopping, cutting, thrusting, pricking and blocking. and the body movement of flashing, turning and jumping. The higher middle andlower plates have such excellent skills: stepping forward without quit, Pretending defeat with weapon out, pointing up and beating downside, looking one way and rowing another and so on. Just like the feral tiger, thoroughly show its characteristics by using the broadsword in a cruel way.
Songshan Shaolin Dragon style sword by Wu Nanfang DVD - No.106
According to the record of Shaolin Sword Manual. Dragon-style sword is created by the Abbot of monk Fu Yu in Yuan dynasty. its characteristics are: terse and forceful, precise structure, attacking swiftly with sudden posture, piercing directly in series, changing like high wind, applying posture like lightning, vigor like mythical flood dragon coming out of sea, powerful and unstrained like a heavenly steed soaring across the skies. So it is called dragon-style sword. its techniques are mainly piercing, hacking, thrusting, lifting, sweeping, smearing and fleeting with circling, the ring of waving sword is large, round, swift step forward swiftly and leap far, follow step closely, like dragon jumping, fine horse running on plain, sword, technique, step and body cooperate well, the posture has produced when eyes move the posture has come when eyes arrive, wisdom, technique, force, mind and will integrate to one the whole body move if one moves. Even troops from heaven, can not resist the posture, Shaolin dragon-style sword, passed over by master FuYu, wave silver sword in heaven and earth, the commencing posture like breaking barrier, the shape of body like long dragon, every posture like lightning, swinging, hacking and piercing, circling with shape disappearing, turning around like meteor, leaping like shooting, no enemy in hundreds of weapons, only dragon-style sword.
Songshan Shaolin Eighteen Eyebrow Stick by Wu Nanfang 2DVDs - No.107
Shaolin Eighteen Eyebrow Stick According to records of Shaolin Stick, Eighteen Eyebrow Stick was compiled by Chaoshui Master, Monk of Southern Temple of Shaolin Temple of the Ming Dynasty. When it passed to the Qing Dynasty. After common practicing and compiling by Zhanju and Protégé Jipao and had spreaded until now. Masters Degen and Wu Shanlin of Recent period are master-hand of practicing this stick. The technical characteristics of Shaolin Eighteen Eyebrow Stick are Action contracted Not advocating tricks. The characteristics are using force smoothly, exerting force fiercely. Attacking in link. Chasing vigorously and attacking fiercely. Moving straight in swing, hacking and trusting vertically. Turning around, circling the stick to protect the body. Beat left and right together with hacking and smashing When encountered with withstanding attacing the waist immediately. Clearly seeing the opportunity and taking the chance of duration. Firm before your enemy attacking and gently after he attacking. Waiting quietly when your enemy is busy, not afraid of opponent, Your breath, the stick and your body will assort with each other. The commencing and holdering forces are clearly
Songshan Shaolin Spring and Autumn broadsword by Wu Nanfang DVD - No.108
Shaolin Spring and Autumn broadsword, It is said that it was created, By the martial saint Guan Yunchang,the famous general in the Three Kingdoms period, and passed into Shaolin Temple in Song dynasty, Combining with Zen martical culture, the martical monk in Shaolin Temple. Developed it into Shaolin Spring and Autumn broadsword This kind of Sring and Autumn broadsword Was passed by Wu Gulun(the religious name is Ji Qin) There are few practicers until now Its characteristics close rhythm Realistic form. Fierce and quick attack,special characteristics, Its skills are chopping, cutting, hacking, Thrusting, paring and plundering etc. Most of the turnings of body and changing. Are filled with circling and waving overhead, Which makes it coordinate and tight, This artistry of wielding the broadsword emphasizes, That there is defending in attacking, Put it far away and attack far. There is the way to throw the broadsword out. Established in actual combat. Simple without empty posture. The skill of Shaolin Spring and Autumn broadsword is forceful. And the content is rich, Every posture is consistent and changeful. This artistry of wielding the broadsword has: Hack, chop，thrust，grind. Pierce, cut, chop, attack. Touch prick,stir, poke. Ward off are and block etc.
Songshan Shaolin Double Grass Sickles by Wu Nanfang DVD - No.109
According to the record of "Score of Shaolin Arms" : Shaolin Double Grass Sickles was introcduced Shaolin Temple in Song dynasty and added into the Score of Shaolin Arms by Fuju Monk, After it was passed down to Qing dynasty, it was passed out by Jiqin master. And it is passed down and preserved till today. This series has the characteristics of simple, compact and real form. The practitioner defeats the opponent by skill and makes it interesting by forms. it can not only build body, But also improve the defending skill. the masters of past generations were Wulei, Hongrong, Guangyuan, Qinglun, Qingzhen, Jingliang, Haishen, Zhanhua, Jiqin, Zhenjun, Henglin, Yongxiang, and Sufa etc. Shaolin Grass Sickle is passed down by monks, Rolling body and sweeping sickle to the separate side, Change with dragon step and tiger leap, It is difficult for spear to insert by parrying leftward and rightward, Holding, hacking and blocking and intercepting the waist, Thrust leftward and rightward in the phoenix spreading its wings posture, Turning around and chopping over the head into cross hug, Support forward and backward in sparrow hawk turning over the mountain posture, Spear is difficult to change in double division and double hanging, In the posture white crane spreads its wings and crouch to the ground brocade, it is difficult to resist hooking sickle, ward-off and blocking, When the Grass Sickle technique is very proficient, Dantian Qi is enough and footwork is excellent, Dodging, spreading, jumping and rolling body to move forward, The boxing and sickle is excellent and the spear is hard to distinguish, The body is flexible and sickle is more proficient.
GreatMaster, Wu Nanfang of Shaolin
Master Wu Nanfang is the great, great grandson of Master Wu Gulun. He was born and brought up in Bai Yu Gou, the village of his ancestors. From an early age he studied Wugulun Kung fu -- firstly with his great grandfather, the second Grandmaster, Wu Shanlin, later after he died, with his granduncles, Wu You De and Qiao Hei Bao, and lastly with Zhang Qing He. Master Wu Nanfang has thus inherited the original Shaolin culture and traditions – Gu-Lun Sect that include Buddism, the original Shaolin Wugulun Kung fu, Medicine, and the secrets of XinYiBa -- which have been passed down through the generations of the Wu family lineage. Sadly, Master Wu Nanfang’s father died when the Master was a young child so, as the only son of the family, he took on the role of caring for his mother and sisters and later his own family. Never for a minute, however, did he forget his heritage and he continued to practice Wugulun Kung fu at every available opportunity. He tells the touching story of how he would visit Master Zhang Qing He, who was a doctor, to study kung fu with him. He would practice quietly by himself while the Master was attending to patients and then, in short intervals between patients, he would quickly have a lesson. With the Master he discussed the lack of time available to him to practice and learned a valuable lesson: Zhang Qing He told him that everything he did, every minute of each day, was an opportunity to practice – even riding his bicycle back home! Master Wu Nanfang travelled in Henan teaching his Wugulun Kung fu to many students but in about 1988 he needed to return to his home to take care of his family. Many of his students followed him there and he continued to work and teach in the area. In 1990 Master Zhang Qing He requested that Wu Nanfang come to the Shaolin Temple and introduce him to Dejian. Dejian was Wu Nanfang’s elder brother, not by blood, but because they are fellow students of the same master. This was an important event for two reasons: Master Wu Nanfang became a Buddhist disciple of the then Shaolin Abbot, Master Suxi, who gave him his Buddhist name of She Defang, and he met Dejian for the first time, thus beginning a friendship that exists to this day. As time went on, Master Wu Nanfang and Master Shi Dejian became increasingly frustrated with the noise and chaos of the Temple and its focus on tourism, financial gain and the promotion of the ‘wushu’ style of Kung fu with its obvious money-making potential. They could no longer find a quiet space to practice or teach. In 2003 they both left. Master Dejian went to San Huang Zhai, then just a tiny temple inhabited by two nuns and, with the nuns’ happy agreement, embarked on an ambitious project to build a large monastery and healing center there to further the traditions of ChanWuYi, with an emphasis on herbal medicines and healing. Master Wu Nanfang had already opened his school at the foot of the mountain to teach ChanWuYi and Wugulun Kung fu and to continue to pass on his family’s heritage. Both Masters, in their different ways, are dedicated to the teaching, preservation and promotion of the ancient Shaolin traditions of ChanWuYi and Wugulun Kung fu. In the past few years, due in part to greater internet coverage, in part to word of, and possibly in part to the BBC documentary ‘Extreme Pilgrim’, more and more people, both western and Chinese, are finding their way to Song Mountain to experience for themselves the origins of the Shaolin Kung fu tradition. |
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