Throbbing Gristle released several studio and live albums—including D.o.A: The Third and Final Report of Throbbing Gristle (1978), 20 Jazz Funk Greats (1979), and Heathen Earth (1980)—on their own record label Industrial Records, building a reputation with their transgressive and confrontational aesthetics; they included the extensive use of disturbing visual imagery, such as ironic fascist and Nazisymbolism and pornography, as well as that of noise and sound manipulation influenced by the works of Burroughs and Brion Gysin.