Further Details

Title: The Militant Song Movement in Latin America
Condition: New
Subtitle: Chile, Uruguay, and Argentina
Author: Abril Trigo
Contributor: Carlos Molinero (Contributions by), Nancy Morris (Contributions by), Eileen Karmy Bolton (Contributions by), Pablo Vila (Contributions by), Abril Trigo (Contributions by), Pablo Vila (Edited by), Laura Jordán González (Contributions by), Camila Juárez (Contributions by), Illa Carrillo Rodríguez (Contributions by), María L. Figueredo (Contributions by)
Format: Paperback
ISBN-10: 1498532179
EAN: 9781498532174
ISBN: 9781498532174
Publisher: Lexington Books
Genre: Music Dance & Theatre
Topic: Law & Politics
Release Date: 13/11/2015
Language: English
Country/Region of Manufacture: US
Item Height: 229mm
Item Length: 152mm
Description: Latin America in the 1960s and 1970s underwent a profound and often violent process of social change. From the Cuban Revolution to the massive guerrilla movements in Argentina, Uruguay, Peru, Colombia, and most of Central America, to the democratic socialist experiment of Allende in Chile, to the increased popularity of socialist-oriented parties in Uruguay, or para-socialist movements, such as the Juventud Peronista in Argentina, the idea of social change was in the air. Although this topic has been explored from a political and social point of view, there is an aspect that has remained fairly unexplored. The cultural—and especially musical—dimension of this movement, so vital in order to comprehend the extent of its emotional appeal, has not been fully documented. Without an account of how music was pervasively used in the construction of the emotional components that always accompany political action, any explanation of what occurred in Latin America during that period will be always partial. This book is an initial attempt to overcome this deficit. In this collection of essays, we examine the history of the militant song movement in Chile, Uruguay, and Argentina at the peak of its popularity (from the mid-1960s to the coup d’états in the mid-1970s), considering their different political stances and musical deportments. Throughout the book, the contribution of the most important musicians of the movement (Violeta Parra, Víctor Jara, Patricio Manns, Quilapayún, Inti-Illimani, etc., in Chile; Daniel Viglietti, Alfredo Zitarrosa, Los Olimareños, etc., in Uruguay; Atahualpa Yupanqui, Horacio Guarany, Mercedes Sosa, Marian Farías Gómez, Armando Tejada Gómez, César Isella, Víctor Heredia, Los Trovadores, etc., in Argentina) are highlighted; and some of the most important conceptual extended oeuvres of the period (called “cantatas”) are analyzed (such as “La Cantata Popular Santa María de Iquique” in the Chilean case and “Montoneros” in the Argentine case). The contributors to the collection deal with the complex relationship that the aesthetic of the movement established between the political content of the lyrics and the musical and performative aspects of the most popular songs of the period.
Release Year: 2015

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