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Features :
RES : resonance : a rather subtle control, kind of simulates the room settings, like you can control the reverb with absorbing panels, turning this control up gives a more boingy, more splashy type reverb with a longer reverb roll off.
CFR : center frequency : is an effective tone control, goes from dark sounding reverb all the way up to bright and sparkly sounding reverb that cuts through nicely.
LPF : low pass filter : a fairly uncommon control to have on a reverb, but quite useful and it adds a lot of flavor to the effect, it also is a kind of tone control based on reducing highs, this control lets you add warmth to the reverb effect and it goes all the way up to cold and sterile reverb sounds.
PRD : pre delay : to set the time between your signal and the reverb effect. The Snake Bite indeed has an ultra short delay effect, about 50 msecs of delay, just enough to get a short slapback echo type effect if you turn down the reverb, but it is actually meant to be used in conjunction with the reverb, adds a lot of ambience if you play chords
MIX : to adjust the amount of the reverb effect with your signal
DECAY : to adjust the length reverb before it fades out. Now the Snake Bite has plenty of reverb on tap, there’s about 6 seconds of reverb.
Specifications :
