D-1 Compressor
Based on the reliable Dyna Compressor, the mixture range of the Level and compression controls can vary the sound from heavy compression to just a tiny hint. Having this pedal as part of your board will give an impressive tight signal and a richness to your overall sound. Low level noise.
D-2 FUZZ
Those of you familiar with the "Dunlop Silicon Fuzz Face" will be very interested in this little gem. If you're looking for an inexpensive good quality moderate fuzz to add to your board then this effect pedal is the ideal one. The 3 controls can produce anything from virtually clean to a moderate Fuzz with Crunch type effect at lower levels.
D-3 Super Chorus
This is as simple to use as it gets. This Chorus Effect Pedal is designed with just 2 controls: Rate and Depth. From this it's possible to create some amazing tonal effects as a stand alone or on board application. Using a shallow depth setting and a slower rate trill, the unit can produce a dreamy and pure choral tone with a near acoustic warmth. When increased to a wider depth setting a fast trill rate it can reach the sound of a crazy frenzy of voices. These are the extremes but it's possible to create every desired chorus effect in between. Perfect for beginners and professional players.
D-4 Distortion
Reproducing the high gain distortion of the 70's and 80's rock era which is high on the list of many guitarists. Based on the sound of the Plexitone with a good simulation of the British Marshall Amp, it gives out bucket loads of Gain and Distortion.
D-5 Distortion
A sounding distortion effect pedal which is heavily influenced by the sound of the Mesa boogie Mark Amp. Featuring two gain controls to control high and low levels of distortion. To get the results from this pedal, it should be used with a Tube Amp.
D-6 Clear Boost
A transparent boost / overdrive with a simple but effective Level and Gain control layout.It does exactly what it says, Clear Boost!
D-7 Professional
This Active direct injection box is perfect for recording. There is an XLR output to connect to the sound console and a Parallel Out for connecting to other audio equipment or amplifiers.
D-8 Overdrive
Influenced by the Xotic RC Booster, this is an incredibly dynamic Overdrive guitar effect pedal which responds well to your picking strength. By adjusting the controls you can get a range of tones from boost to overdrive with a hint of distortion. Perfect for rhythm guitar tones on the clean channel.
D-9 Distortion
This is a very versatile Effect Pedal, with Presence and Distortion control it's possible to go from a clean boost to classic rock crunch and modern heavier distortion. The versatility comes from the 4 control knobs which give a huge range of tones, overdrive and distortion.
D-10 Mixing Boost
Influenced by the DOD 250 Classic Overdrive Preamp this is a simple but effective transparent boost pedal with a nice rich gain sound at the high setting. At the lower setting it provides a subtle and very transparent boost.
D-11 Vintage Distortion
This is not just a standard Distortion Pedal, it has the ability to give you a much dirtier sound than usual and with lots of bite. The pedal has a Volume, Filter and Distortion controls and a 3 way selector switch with Solo, Turbo and Normal modes. This switch adjusts the frequencies in a subtle way to give an impressive variation of volume and tone, which is perfect for the Classic Rock Style.
D-12 Overdrive
This great effect pedal gives you a classic Overdrive / Distortion and an excellent transparent smooth tone. Heavily influenced by the Tube Screamer with the RC4558 chip, it goes from a mild boost at the lower Gain setting, to a strong and transparent overdrive when cranked up high.
D-13 Tremolo
This is an easy to use Vintage style Tremolo Pedal with a wide rang e of Rate and Intensity. It's 2 controls give you all the access you need to dial up anything from a wildly insane Trem to a gentle and shallow wave, and all points in between.
D-14 Delay
This is a simple but very effective Delay Pedal which provides a good range for experimentation. Delay lengths of 25ms~1000ms allows plenty of variation when building up your sound depth and ambient tones.
Miwayer Brand
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