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There are few fictional characters who have entrenched themselves so thoroughly in the popular imagination as Count Dracula. Although legends of vampires and other blood-thirsty creatures existed long before him, Dracula has become the ultimate apotheosis of the vampiric monster. He has spawned an entire industry of books, films, television shows, and other forms of media devoted to the vampire.

Dracula, as portrayed in the eponymous novel by Bram Stoker published in 1897, is an aristocratic monster—both seductive and terrifying in equal measure. Though the novel Dracula was only a modest success when it was first published, it has proven to be one of British literature’s most enduring classics. It continues to tap into our deepest anxieties and forbidden desires, just as it did for its original Victorian audience. And while Stoker’s novel is perhaps the most famous vampire story, legends of the creature have existed in various forms for centuries. So, why have we been telling stories about vampires for hundreds of years … and why do these stories still matter today?

In the 10 episodes of The Real History of Dracula, folklorists Dr. Sara Cleto and Dr. Brittany Warman, of The Carterhaugh School of Folklore and the Fantastic, will shine a light into the dark recesses of our cultural obsession with vampires. Using folklore, literature, history, television, film, and more, Sara and Brittany will show you how—and why—vampires are a potent metaphor for what matters most about the human condition.


Sara Cleto

Sara Cleto, Folklorist

Dracula and other vampire stories are touchstones—ways to talk about big concepts like sex, race, globalization, disease, and death while pretending you’re talking about something totally different.

InstitutionThe Carterhaugh School of Folklore and the Fantastic

Sara Cleto and Brittany Warman are folklorists, teachers, and writers who cofounded The Carterhaugh School of Folklore and the Fantastic, where they show creative souls how to reenchant their lives through folklore and fairy tales. They both earned PhDs in English and Folklore from The Ohio State University. They have authored more than four dozen publications and lectured at venues such as the Library of Congress, the Smithsonian Institution, and the Maryland Renaissance Festival. The Carterhaugh School won the Dorothy Howard Prize from the American Folklore Society.
















Condition: Perfect - played only once. The Course Guidebook is pristine.

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