Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world's most memorable and acclaimed works of contemporary art, reaching an audience of millions. The way artists have interpreted this vast industrial space has revolutionised public perceptions of contemporary art in the twenty-first century. The annual Hyundai Commission, now in its fourth year, gives artists an opportunity to create new work for this unique context. In 2018 the Hyundai Commission will be undertaken by a Cuban installation and performance artist, Tania Bruguera (b.1968), who is world-renowned for her complex and absorbing performance pieces. Bruguera's work often pivots around issues of authority, power and control, and several of her past works have interrogated and re-presented events in Cuban history. For this new installation Bruguera will be exploring the vitally contemporary issue of immigration and examining how that expands into notions of community and `the neighbourly'.

Catherine Wood is Director of Programme at Tate Modern, and curator of contemporary art and performance. At Tate she has co-curated numerous exhibitions including The World as a Stage (2007), Pop Life (2010) and A Bigger Splash: Painting after Performance (2012), as well as co-directing the opening programme for the Tate Tanks in 2012 titled, Art in Action. She has programmed numerous performance works at Tate since 2003, including works by Mark Leckey, Joan Jonas, Guy de Cointet, Jiri Kovanda and Sturtevant, and initiated the online project, Performance Room in 2011. Wood is author of Yvonne Rainer: The Mind is a Muscle (2007, Afterall/MIT Press). A regular contributor to Afterall, Artforum and Mousse magazines, she has also written numerous catalogue essays, recently on Joachim Koester, Piotr Uklanski and Sung Hwan Kim.