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DESCRIPTION: EXTREMELY RARE & REMARKABLE - FIRST TIME EVER OFFERED! Original vintage 2 1/4 in. x 2 1/4 in. camera negative of BETTIE PAGE in a breathtaking portrait seen posing on a beach for the photographer BUNNY YEAGER in 1954, during the legendary pin-up model's year-long collaboration with the photographer. This is one of the finest beach portraits of Bettie that we've seen in the archive! This negative comes from the photographer's personal archive. This negative was cut from the original film strip stored by Bunny for decades. (We are displaying a positive view of this negative so you can see what it looks like).

- SIZE: 2 1/4" X 2 1/4"

- TONE: B&W

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- Includes USPS "Delivery Confirmation" tracking.
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BETTIE PAGE BIO

(April 22, 1923 ? December 11, 2008) was an American model who became famous in the 1950s for her pin-up photos. Often referred to as the "Queen of Pinups", her jet black hair, blue eyes, and trademark bangs have influenced artists for generations.

Page was "Miss January 1955", one of the earliest Playmates of the Month for Playboy magazine. "I think that she was a remarkable lady, an iconic figure in pop culture who influenced sexuality, taste in fashion, someone who had a tremendous impact on our society," Playboy founder Hugh Hefner told the Associated Press.

In 1959, Page converted to evangelical Christianity and went on to work for Billy Graham. The latter part of her life was marked by depression, violent mood swings, and several years in a state psychiatric hospital. After years of obscurity, she experienced a resurgence of popularity in the 1980s.

In late-1940s America, "camera clubs" were formed to circumvent laws restricting the production of nude photos. These clubs existed, ostensibly, to promote artistic photography; but in reality, many were merely fronts for the making of pornography. Page entered the field of "glamour photography" as a popular camera club model, working initially with photographer Cass Carr. Her lack of inhibition in posing made her a hit. Her name and image became quickly known in the erotic photography industry; in 1951, her image appeared in men's magazines such as Wink, Titter, Eyefull and Beauty Parade.

From 1952 through 1957, she posed for photographer Irving Klaw for mail-order photographs with pin-up, bondage or sadomasochistic themes, making her the first famous bondage model. Klaw also used Page in dozens of short, black-and-white 8mm and 16mm "specialty" films, which catered to specific requests from his clientele. These silent featurettes showed women clad in lingerie and high heels, acting out fetishistic scenarios of abduction, domination, and slave-training; bondage, spanking, and elaborate leather costumes and restraints were included periodically. Page alternated between playing a stern dominatrix, and a helpless victim bound hand and foot. Klaw also produced a line of still photos taken during these sessions. Some have become iconic images, such as his highest-selling photo of Page?shown gagged and bound in a web of ropes, from the film Leopard Bikini Bound. Although these "underground" features had the same crude style and clandestine distribution as the pornographic "stag" films of the time, Klaw's all-female films (and still photos) never featured any nudity or explicit sexual content.

In 1953, Page took acting classes at the Herbert Berghof Studio, which led to several roles on stage and television. She appeared on The United States Steel Hour and The Jackie Gleason Show. Her Off-Broadway productions included Time is a Thief and Sunday Costs Five Pesos. Page acted and danced in the feature-length burlesque revue film Striporama by Jerald Intrator. She was given a brief speaking role, the only time her voice has been captured on film. She then appeared in two more burlesque films by Irving Klaw (Teaserama and Varietease). These featured exotic dance routines and vignettes by Page and well-known striptease artists Lili St. Cyr and Tempest Storm. All three films were mildly risque, but none showed any nudity or overtly sexual content.

In 1954, during one of her annual vacations to Miami, Florida, Page met photographers Jan Caldwell, H. W. Hannau and Bunny Yeager. At that time, Page was the top pin-up model in New York. Yeager, a former model and aspiring photographer, signed Page for a photo session at the now-closed wildlife park Africa USA in Boca Raton, Florida. The Jungle Bettie photographs from this shoot are among her most celebrated. They include nude shots with a pair of cheetahs named Mojah and Mbili. The leopard skin patterned Jungle Girl outfit she wore was made, along with much of her lingerie, by Page herself. A large collection of the Yeager photos, and Klaw's, were published in the book Bettie Page Confidential (St. Martin's Press, 1994).

After Yeager sent shots of Page to Playboy founder Hugh Hefner, he selected one to use as the Playmate of the Month centerfold in the January 1955 issue of the two-year-old magazine. The famous photo shows Page, wearing only a Santa hat, kneeling before a Christmas tree holding an ornament and playfully winking at the camera.

In 1955, Page won the title "Miss Pinup Girl of the World". She also became known as "The Queen of Curves" and "The Dark Angel". While pin-up and glamour models frequently have careers measured in months, Page was in demand for several years, continuing to model until 1957. Although she frequently posed nude, she never appeared in scenes with explicit sexual content.

In 1957, Page gave "expert guidance" to the FBI regarding the production of "flagellation and bondage pictures" in Harlem.

The reasons reported for her departure from modeling vary. Some reports mention the Kefauver Hearings of the United States Senate Special Committee to Investigate Crime in Interstate Commerce (after a young man apparently died during a session of bondage which was rumored to be inspired by bondage images featuring Page). However, the most obvious reason for ending her modeling career and severing all contact with her prior life was her conversion to born-again Christianity while living in Key West, Florida. in 1959.

Photographer Sam Menning was the last person to photograph a pin-up of Page before her retirement.

On New Year's Eve 1958, during one of her regular visits to Key West, Florida Page attended a service at what is now the Key West Temple Baptist Church. She found herself drawn to the multiracial environment and started to attend on a regular basis. She would in time attend three bible colleges, including the Bible Institute of Los Angeles, Multnomah School of the Bible in Portland, Oregon and, briefly, a Christian retreat known as "Bibletown", part of the Boca Raton Community Church, Boca Raton, Florida.

She dated industrial designer Richard Arbib in the 1950s. She then married Armond Walterson in 1958; they divorced in 1963.

During the 1960s, she attempted to become a Christian missionary in Africa, but was rejected for having had a divorce. Over the next few years she worked for various Christian organizations before settling in Nashville in 1963. She worked full-time for Rev. Billy Graham.

She briefly remarried Billy Neal, her first husband, who helped her to gain entrance into missionary work; however, the two divorced again shortly thereafter. She returned to Florida in 1967, and married again, to Harry Lear, but this marriage also ended in divorce in 1972.

She moved to Southern California in 1979. There she had a nervous breakdown and had an altercation with her landlady. The doctors who examined her diagnosed her with acute schizophrenia, and she spent 20 months in a state mental hospital in San Bernardino, California. After a fight with another landlord she was arrested for assault, but was found not guilty by reason of insanity and placed under state supervision for eight years. She was released in 1992 from Patton State Hospital in San Bernardino County.

A cult following was built around her during the 1980s, of which she was unaware. This renewed attention was focused on her pinup and lingerie modeling rather than those depicting sexual fetishes or bondage, and she gained a certain public redemption and popular status as an icon of erotica from a bygone era. This attention also raised the question among her new fans of what happened to her after the 1950s. The 1990s edition of the popular Book of Lists included Page in a list of once-famous celebrities who had seemingly vanished from the public eye.

In 1976, Eros Publishing Co. published A Nostalgic Look at Bettie Page, a mixture of photos from the 1950s. Between 1978 and 1980, Belier Press published four volumes of Betty Page: Private Peeks, reprinting pictures from the private camera club sessions, which reintroduced Page to a new but small cult following. In 1983, London Enterprises released In Praise of Bettie Page ? A Nostalgic Collector's Item, reprinting camera club photos and an old cat fight photo shoot.

In the 70's, artists Eric Stanton, Robert Blue and Olivia De Berardinis were among the first to start painting Bettie images. In 1979 artist Robert Blue had a show in LA at a gallery on Melrose "Steps Into Space" where he showed his collection of Bettie Page paintings. At that time in New York artist Olivia De Berardinis had begun painting Bettie for Italian jean manufacturer Fiorucci. Olivia has continued to paint Bettie, culminating in a book collecting this artwork "Bettie Page by Olivia" published by Ozone Productions, Ltd. in 2006, with a foreword by Hugh Hefner.

By the mid 80's Olivia would note that women began to frequent her gallery openings sporting Bettie bangs, fetish clothing and tattoos of Ms.Page. Olivia said, "Black bangs, seamed stockings and snub nosed 6" stilettos. These are Bettie Page signatures, anyone who dons them wears her crown. Although the fantasy world of fetish/bondage existed in some form since the beginning time, Bettie is the iconic figurehead of it all. No star of this genre existed before her. Monroe had predecessors, Bettie did not."

In the early 1980s, comic book artist Dave Stevens based the female love interest of his hero Cliff Secord (alias "The Rocketeer") on Page. In 1987, Greg Theakston started a fanzine called The Betty Pages and recounted tales of her life, particularly the camera club days. For the next seven years, the magazine sparked a worldwide interest in Page. Women dyed their hair and cut it into bangs in an attempt to emulate the "Dark Angel". The media caught wind of the phenomenon and wrote numerous articles about her, more often than not with Theakston's help. Since almost all of her photos were in the public domain, opportunists launched related products and cashed in on the burgeoning craze.

In a 1993 telephone interview with Lifestyles of the Rich and Famous Page told host Robin Leach that she had been unaware of the resurgence of her popularity, stating that she was "penniless and infamous". Entertainment Tonight produced a segment on her. Page, who was living in a group home in Los Angeles, was astounded when she saw the E.T. piece, having had no idea that she had suddenly become famous again. Greg Theakston contacted her and extensively interviewed her for The Betty Page Annuals V.2.

Shortly after, Page signed with Chicago-based agent James Swanson. Three years later, nearly penniless and failing to receive any royalties, Page fired Swanson and signed with Curtis Management Group, a company which also represented the James Dean and Marilyn Monroe estates. She then began collecting payments which ensured her financial security.

After Jim Silke made a large format comic featuring her likeness, Dark Horse Comics published a comic based on her fictional adventures in the 1990s. Eros Comics published several Bettie Page titles, the most popular being the tongue-in-cheek Tor Love Bettie which suggested a romance between Page and wrestler-turned-Ed Wood film actor, Tor Johnson.

The question of what Page did in the obscure years after modeling was answered in part with the publication of an official biography in 1996, Bettie Page: The Life of a Pin-up Legend. That year, Bettie Page granted an exclusive one-on-one TV interview to entertainment reporter Tim Estiloz for a short-lived NBC morning magazine program Real Life to help publicize the book. The interview featured her reminiscing about her career and relating anecdotes about her personal life, as well as photos from her personal collection. At Page's request, her face was not shown. The interview was broadcast only once.

Another biography, The Real Bettie Page: The Truth about the Queen of Pinups written by Richard Foster and published in 1997, told a less happy tale. Foster's book immediately provoked attacks from her fans, including Hefner and Harlan Ellison, as well as a statement from Page that it was "full of lies," because they were not pleased that the book revealed a Los Angeles County Sheriff's police report that stated that she suffered from paranoid schizophrenia and, at age 56, had stabbed her elderly landlords on the afternoon of April 19, 1979 in an unprovoked attack during a fit of insanity. However, Steve Brewster, founder of The Bettie Scouts of America fan club, has stated that it is not as unsympathetic as the book's reputation makes it to be. Brewster adds that he also read the chapter about her business dealings with Swanson, and stated that Page was pleased with that part of her story.

In 1997, E! True Hollywood Story aired a feature on Page entitled, Bettie Page: From Pinup to Sex Queen.

In a late-1990s interview, Page stated she would not allow any current pictures of her to be shown because of concerns about her weight. However, in 1997, Page changed her mind and agreed to a rare television interview for the aforementioned E! True Hollywood Story/Page special on the condition that the location of the interview and her face not be revealed (she was shown with her face and dress electronically blacked out). In 2003, Page allowed a publicity picture to be taken of her for the August 2003 edition of Playboy. In 2006, the Los Angeles Times ran an article headlined A Golden Age for a Pinup, covering an autographing session at her current publicity company, CMG Worldwide. Once again, she declined to be photographed, saying that she would rather be remembered as she was.

In a 1998 interview with Playboy, she commented on her career:

I never thought it was shameful. I felt normal. It's just that it was much better than pounding a typewriter eight hours a day, which gets monotonous.

Within the last few years, she had hired a law firm to help her recoup some of the profits being made with her likeness. According to MTV: "Katy Perry's rocker bangs and throwback skimpy jumpers. Madonna's Sex book and fascination with bondage gear. Rihanna's obsession with all things leather, lace and second-skin binding. Uma Thurman in Pulp Fiction. The SuicideGirls Web site. The Pussycat Dolls. The entire career of burlesque dancer Dita Von Teese" would not have been possible without Page. Many rockabilly and gothic girls emulate Bettie's hairstyle with the black blunt bangs. You can see Bettie's hairstyle and timeless facial features emulated in many modern pin-up models, such as Bernie Dexter and Masuimi Max.

In 2011, her estate made the Forbes annual list of top-earning dead celebrities, earning $6 million and tied with the estates of George Harrison and Andy Warhol, at 13th on the list.

According to long-time friend and business agent Mark Roesler, on December 6, 2008, Bettie Page was hospitalized in critical condition. Roesler was quoted by the Associated Press as saying Page had suffered a heart attack and by Los Angeles television station KNBC as claiming Page was suffering from pneumonia. A family friend said Page was in a coma, a claim not denied by Roesler. Her family eventually agreed to discontinue life support, and she died at 18:41 PST on December 11, 2008.

She is buried at Westwood Village Memorial Park Cemetery. Her headstone lists her name as "Bettie Mae Page" and includes the legend "Queen of Pin-Ups".

Filmography

• Striporama (1953)
• Varietease (1954)
• Teaserama (1955)
• Irving Klaw Bondage Classics, Volume I (London Enterprises, 1984)
• Irving Klaw Bondage Classics, Volume II (London Enterprises, 1984)
• Bettie Page: Pin Up Queen (Cult Epics, 2005)
• Bettie Page: Bondage Queen (Cult Epics, 2005)
• 100 Girls by Bunny Yeager (Cult Epics, 2005)
• Bizarro Sex Loops, Volume 4 (Something Weird Video, 2007)
• Bizarro Sex Loops, Volume 20 (Something Weird Video, 2008)

(courtesy of Wikipedia)

BUNNY YEAGER BIO

Linnea Eleanor "Bunny" Yeager (March 13, 1929 ? May 25, 2014) was an American photographer and pin-up model.

Linnea Eleanor Yeager was born in the Pittsburgh suburb of Wilkinsburg, Pennsylvania, to Raymond Conrad and Linnea (née Sherlin) Yeager on March 13, 1926. Her family moved to Florida in when she was 17. She adopted the nickname "Bunny" from Lana Turner's character Bunny Smith in the 1945 movie Week-End at the Waldorf. The nickname has also been attributed to her portrayal of the Easter Bunny in a high school play.

She graduated from Miami Edison High School and afterwards enrolled at the Coronet Modeling School and Agency. She won numerous local beauty pageants including in rapid succession Queen of Miami, Florida Orchid Queen, Miss Trailercoach of Dade County, Miss Army & Air Force, Miss Personality of Miami Beach, Queen of the Sports Carnival and Cheesecake Queen of 1951. Yeager became one of the most photographed models in Miami. Photos of Yeager appeared in over 300 newspapers and magazines.

Yeager also designed and sewed many of the outfits she and her models wore, at one time boasting that she never wore the same outfit twice while modeling. She designed and produced hundreds of bikinis when the two-piece swimsuit was a new fashion item and is credited with its popularity in America. Bruno Banani, the German fashion company, has developed a line of swimwear based on Yeager's designs from the 1950s.

Yeager entered photography to save money by copying her modeling photographs, enrolling in a night class at a vocational school in 1953. Her career as a professional photographer began when a picture of Maria Stinger, taken for her first school assignment, was sold to Eye magazine for the cover of the March 1954 issue. She became a technically skilled photographer noted for, among other things, her early use of the fill flash technique to lighten dark shadows when shooting in bright sun. Yeager was one of the first photographers to photograph her models outdoors with natural light. Matt Schudel wrote in The Washington Post that her images were vivid and dynamic, going on to say, "She favored active poses and a direct gaze at the camera lens, in what could be interpreted alternately as playful innocence or pure lust."

She met Bettie Page in 1954, and took most of the photographs of her that year. During their brief collaboration she took over 1,000 pictures of Page. Along with photographer Irving Klaw, Yeager played a role in helping to make Page famous, particularly with her photos in Playboy magazine. American Photo magazine described Yeager's work with Page as "a body of imagery that remains some of the most memorable ? and endearing ? erotica on record" in a 1993 article. The most famous images of Page by Yeager include the January 1955 Playboy centerfold in which she kneels wearing only a Santa hat while hanging a silver ornament on a Christmas tree and a series of photographs with a pair of live cheetahs.

Yeager was a very prolific and successful pinup photographer in the 1950s and 1960s, so much so, that her work was described as ubiquitous in that era. She continued to work extensively with Playboy shooting eight centerfolds in addition to covers and pictorial spreads. She discovered Lisa Winters, the first Playmate of the Year. Yeager also appeared in the magazine as a model five times. One appearance with the headline, "Queen of the Playboy Centerfolds", was photographed by Hugh Hefner.

Her work was also published in mainstream magazines including Cosmopolitan, Esquire, Pageant, Redbook and Women's Wear Daily. The famous still images she took of Ursula Andress emerging from the water on the beach in Jamaica for the 1962 James Bond film Dr. No are probably her best known bikini photographs. She discovered many notable models. In the 1970s as men's magazines became more anatomically graphic Yeager largely stopped photographing for them, saying they were somewhat "smutty" and that, "They had girls showing more than they should." In 1998 she stated, "The kind of photographs they wanted was something I wasn't prepared to do."

An exhibition titled "Beach Babes Bash" in the early 1990s at the Center for Visual Communication (at that time located in Coral Gables, Florida) featured photographs by Yeager of models from Miami on the beach from the 1950s. Another exhibit at the same gallery featuring Yeager's work was titled "Sex Sirens of the Sixties." In 1992 Playboy published a retrospective of her work titled "The Bettie Boom". Since 2002, Yeager's work has been exhibited in contemporary art galleries.

In early 2010, The Andy Warhol Museum held the first major museum exhibition of Yeager's work.^[8] The exhibit, "The Legendary Queen of the Pin Up", featured her self-portraits, some from her book How I Photograph Myself published by A.S. Barnes & Co. in 1964. "The Fabulous Bunny Yeager" an exhibit in 2011 at the Harold Golen Gallery in Miami also featuring self-portraits by Yeager was of photographs that had not been exhibited previously. Also in 2011 Helmut Schuster curated an exhibition for Art Basel at the Dezer Schauhalle in Miami titled "Bunny Yeager: Retrospective to the Future" featuring over 200 of Yeager's photos. Included were some images that had not been shown before of models including Bettie Page.

In 2012 Bunny Yeager had two exhibitions in Germany, "Funland" at Gallery Schuster Potsdam and "Femme Fatale" in December 2012 at Gallery Schuster Berlin.

The Museum of Art Fort Lauderdale held a 2013 exhibit, "Bunny Yeager: Both Sides of the Camera" featuring her photographs of herself, Page, and model Paz de la Huerta. The exhibit also included some of Yeager's first new pictures in twenty years. Yeager had a show at the Sofia Vault in Sofia, Bulgaria in October 2013. The Gavlak Gallery in Palm Beach, Florida put on an exhibit, "Bunny Yeager: Selections from How I Photograph Myself" in 2014. The Sin City Gallery in Las Vegas held a posthumous exhibit, "Bunny's Bombshells", from June 5 to July 20 2014.

She had her own studio in the Wynwood Art District of Miami, part of the Center for Visual Communication. There is a "Bunny Yeager Lounge" in Berlin which is open to the public and shows photos, memorabilia and movies. Yeager was also founding editor and publisher of a trade magazine for entertainment professionals, Florida Stage & Screen. As of 1998 her 24 books had sold over 1 million copies.

Bunny Yeager was married twice, first to Arthur Irwin who died in 1977 and then to Harry Schaefer who died in 2000. She had two daughters, Lisa and Cherilu. Yeager died on May 25, 2014 of congestive heart failure at age 85 in North Miami, Florida.

Yeager's obituary in The Miami Herald called her "one of the country?s most famous and influential photographers." She has been cited as influencing many artists and photographers including Diane Arbus, Cindy Sherman and Yasumasa Morimura. Arbus called her, "the world?s greatest pinup photographer."^[4][13] In The New York Times, Margalit Fox wrote, "She is widely credited with helping turn the erotic pinup ? long a murky enterprise in every sense of the word ? into high photographic art." Her obituary in The Independent titled, "Bunny Yeager: Pin-up who moved behind the camera to take influential, iconic shots of Bettie Page and Ursula Andress" called her photographic technique pioneering and influential^. The Washington Post reported she "helped define [the] art of erotic photography."

Yeager is credited with helping to popularize the bikini in America. The inspiration for the term "cheesecake" in reference to scantily clad women has been attributed to Yeager. Her books, including Photographing the Female Figure which sold over 300,000 copies, have influenced several generations of photographers.

On July 14, 1957, Yeager appeared on What's My Line?, stumping the panel. She was also on I've Got a Secret and To Tell the Truth. She was a guest on The Tonight Show Starring Johnny Carson in 1966 to discuss her book, How I Photograph Myself. In 1968 she played the role of a Swedish masseuse opposite Frank Sinatra in Lady In Cement. She had bit parts in over half a dozen films including Tony Rome, Midnight Cowboy, Porky's, Dogs of War, Absence of Malice, Harry & Son and The Mean Season. Yeager also had small roles in a number of television series including Miami Vice and made occasional appearances singing in Miami nightclubs.

Yeager was played by Sarah Paulson in the 2005 film The Notorious Bettie Page. She was also featured on a 2006 CNN story about the 60th anniversary of the bikini. In 2005, Cult Epics released the DVD 100 Girls by Bunny Yeager, a documentary with behind-the-scenes footage on Yeager's photo sessions with Page and other pin-up models.

Books

·  Photographing the Female Figure. Greenwich, CT: Fawcett. 1957.

·  The Diane Weber Album. Compiled by George Harrison Marks. London: Kamera. 1959.

·  Bunny Yeager's Photo Studies. Louisville, KY: Whitestone. 1960.

·  How to Take Figure Photos. Louisville, KY: Whitestone. 1962.

·  Bunny Yeager's Art of Glamour Photography. Philadelphia: Chilton. 1962.

·  How I Photograph Nudes. New York: A.S. Barnes. 1963.

·  How to Photograph the Figure. Louisville, KY: Whitestone. 1963.

·  How I Photograph Myself. New York: A.S. Barnes. 1964.

·  ABC's of Figure Photography. Louisville, KY: Whitestone. 1964.

·  100 Girls: New Concept in Glamour Photography. South Brunswick, NJ: A.S. Barnes. 1965.

·  ?; Floreani, Tony (1965). Drawing the Human Figure Using Photographs. New York: A.S. Barnes.

·  Camera in the Caribbean. Louisville, KY: Whitestone. 1965.

·  Camera in Jamaica. London: Yoseloff. 1966.

·  Camera in Mexico. Greenwich, CT: Whitestone. 1967.

·  The 100 Calorie Miracle Diet. New York: Pinnacle. 1975.

·  The Amazing 600 Calorie Model's Diet. West Nyack, NY: Parker. 1980.

·  Bettie Page Confidential. New York: St. Martin's. 1994.

·  ?; Kroll, Eric (1994). Bunny's Honeys (in English, French, and German). Cologne, DE: Taschen.

·  Bunny Yeager. 30 Postcards. 67. Cologne, DE: Taschen. 1995.

·  Betty Page. 30 Postcards. 78. Cologne, DE: Taschen. 1996.

·  Peepshow: 1950s Pin-ups in 3D. Hombrechtikon, CH: Olms. 2001.

·  Bunny Yeager's Pin-up Girls of the 1950s. Atglen, PA: Schiffer. 2002.

·  Bikini Girls of the 1960s. Atglen, PA: Schiffer. 2002.

·  Bunny Yeager's Bikini Girls of the 1950s. Atglen, PA: Schiffer. 2004.

·  Bunny Yeager's Pin-up Girls of the 1960s. Atglen, PA: Schiffer. 2005.

·  Bunny Yeager's Flirts of the Fifties. Atglen, PA: Schiffer. 2007.

·  Striptease Artists of the 1950s. Atglen, PA: Schiffer. 2008.

·  Femmes Fatales of the 1950s. Atglen, PA: Schiffer. 2008.

·  Bunny Yeager?s Bouffant Beauties. Atglen, PA: Schiffer. 2009.

·  Bunny Yeager?s Beautiful Backsides. Schiffer. 2012.

·  Mason, Petra. Bunny Yeager's Darkroom: Pin-up Photography's Golden Era. Foreword by Dita Von Teese; photographs by Bunny Yeager l year 2012 l Rizzoli

(courtesy of Wikipedia)