KATE BASSETT SUPERBODY FASHION MODEL LA 1989 OOAK MARK COLEMAN 35mm NEGATIVE no.7
  Kate attended the San Francisco Conservatory of Music where she studied classical violin performance. She worked at the San Francisco Symphony and joined the Moore Foundation in 2023 as an executive assistant to the president after more than twenty years of administrative and project management experience in performing arts, media, and advertising industries.
  The enormous investment of time and money into fashion photography and its social value can be compared to studio painting in prior centuries - a documentation, art work and commercial product. By the 1980s, fashion photography was firmly defined by categories of fashion, accessories and beauty. But the same photographers who were shooting editorials were now crafting editorial-like ad campaigns. Mass market fashion photography became an economic stronghold for the continued dream of capitalism. The emerging power of the photographer and the supermodel, resulted in higher salaries and greater influence. Since the 1990s, the photographic style of luxury glamour has transformed into a more everyday naturalism, concurrent with reality media and making fashion photography more significant to both art and history.

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