The Graphic was a British weekly illustrated newspaper, first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Ltd. Thomas's brother Lewis Samuel Thomas was a co-founder. The premature death of the latter in 1872 "as one of the founders of this newspaper, [and who] took an active interest in its management" left a marked gap in the early history of the publication.[1] It was set up as a rival to the popular Illustrated London News.
The influence of The Graphic within the art world was immense, its many admirers included Vincent van Gogh, and Hubert von Herkomer.[2]
It continued to be published weekly under this title until 23 April 1932 and then changed title to The National Graphicbetween 28 April and 14 July 1932; it then ceased publication, after 3,266 issues. From 1890 until 1926, Luson Thomas's company, H. R. Baines & Co., published The Daily Graphic.
The Graphic was founded by William Luson Thomas, a successful artist, wood-engraver and social reformer. Earlier he, his brother and his brother-in-law had been persuaded to go to New York and assist in launching two newspapers, Picture Gallery and Republic. Thomas also had an engraving establishment of his own and, aided by a large staff, illustrated and engraved numerous standard works.[3] Exasperated, even angered, by the unsympathetic treatment of artists by the world's most successful illustrated paper, The Illustrated London News, and having a good business sense Luson Thomas resolved to set up an opposition. His illustrated paper, despite being more expensive than its competition, became an immediate success.[2]
When it began in 1869, the newspaper was printed in a rented house. By 1882, the company owned three buildings and twenty printing presses, and employed more than 1,000 people. The first editor was Henry Sutherland Edwards. A successful artist himself, the founder Thomas recruited gifted artists including Luke Fildes, Hubert von Herkomer, Frank Holl, and John Everett Millais.
The Graphic was published on a Saturday and its original cover price was sixpence, while the Illustrated London News was fivepence.[2] In its first year, it described itself to advertisers as "a superior illustrated weekly newspaper, containing twenty-four pages imperial folio, printed on fine toned paper of beautiful quality, made expressly for the purpose and admirably adapted for the display of engravings".
In addition to its home market the paper had subscribers all around the British Empire and North America. The Graphic covered home news and news from around the Empire, and devoted much attention to literature, arts, sciences, the fashionable world, sport, music and opera. Royal occasions and national celebrations and ceremonials were also given prominent coverage.
Artists employed on The Graphic and The Daily Graphic at the end of the 19th century and beginning of the 20th century included Helen Allingham, Edmund Blampied, Alexander Boyd, Frank Brangwyn, Randolph Caldecott, Lance Calkin Léon Daviel, John Charles Dollman, James H. Dowd, Godefroy Durand, Luke Fildes, Harry Furniss, John Percival Gülich, George du Maurier, Phil May, George Percy Jacomb-Hood, Ernest Prater, Leonard Raven-Hill, Sidney Sime, Snaffles (Charles Johnson Payne), George Stampa, Edmund Sullivan, Bert Thomas, F. H. Townsend, Harrison Weir, and Henry Woods.
The notable illustrator Henry William Brewer, contributed a regular illustrated article on architecture to the magazine for 25 years, until his death in 1903.[4][5]
Writers for the paper included George Eliot, Thomas Hardy, H. Rider Haggard and Anthony Trollope.[6] Malcolm Charles Salaman was employed there from 1890 to 1899. Beatrice Grimshaw travelled the South Pacific reporting on her experiences for the Daily Graphic.[7] Mary Frances Billington served the Graphic as a special correspondent from 1890 to 1897, reporting from India in essays that were compiled into Woman in India (1895).[8] Joseph Ashby-Sterry wrote the Bystander column for the paper for 18 years.
The British Government, under strong pressure from the public reluctantly sent a relief column under Sir Garnet Wolseley to relieve the Khartoum garrison. This was described in some British papers as the 'Gordon Relief Expedition', a term Gordon strongly objected to. After defeating the Mahdists at the Battle of Abu Klea on 17 January 1885,[39] the column arrived within sight of Khartoum at the end of January, only to find they were too late: the city had fallen two days earlier, and Gordon and the garrison had been massacred.
The British also sent an expeditionary force under Lieutenant-General Sir Gerald Graham, including an Indian contingent, to Suakin in March 1885. Though successful in the two actions it fought, it failed to change the military situation and was withdrawn.[40] These events temporarily ended British and Egyptian involvement in Sudan, which passed completely under the control of the Mahdists.
Muhammad Ahmad died soon after his victory, on 22 June 1885, and was succeeded by the Khalifa Abdallahi ibn Muhammad, who proved to be an able, albeit ruthless, ruler of the Mahdist State.
Between 1886 and 1889 a British expedition to relieve the Egyptian governor of Equatoria made its way through central Africa. The governor, Emin Pasha, was rescued, though the expedition was not without its failures, such as the disaster that befell the rear column.
According to the Hewett Treaty of 3 June 1884, Ethiopia agreed to facilitate the evacuation of Egyptian garrisons in southern Sudan. In September 1884, Ethiopia reoccupied the province of Bogos, which had been occupied by Egypt, and began a long campaign to relieve the Egyptian garrisons besieged by the Mahdists. The bitter campaigning was led by the Emperor Yohannes IV and Ras Alula. The Ethiopians under Ras Alula achieved a victory in the Battle of Kufit on 23 September 1885.[41]
Between November 1885 and February 1886, Yohannes IV was putting down a revolt in Wollo. In January 1886, a Mahdist army invaded Ethiopia, seized Dembea, burned the Mahbere Selassie monastery and advanced on Chilga. King Tekle Haymanot of Gojjam led a successful counteroffensive as far as Gallabat in Sudan in January 1887. A year later, in January 1888, the Mahdists returned, defeating Tekle Haymanot at Sar Weha and sacking Gondar. This culminated in the end of the Ethiopian theatre at the Battle of Gallabat[41]
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