Panasonic GH5 II + LUMIX X 12-35mm f/2.8 Kit
- Panasonic GH5 II Body
- 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating
- Advanced Body I.S. (Image Stabiliser) delivers up to 6.5-stops slower shutter speeds
- Improved Autofocus Performance
- C4K/4K 60p 4:2:0 10-bit internal recording
- Supports simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording
- V-log L profile pre-installed
- Supports high quality wireless live streaming with a smartphone and the LUMIX Sync app
- Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)vii/ 2.4GHz (IEEE802.11b/g/n)
- Free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot)
- Supports most GH5 accessories, including XLR microphone adaptor, shutter remote control and battery grip
- Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens
- Micro Four Thirds System
- 24-70mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- Four Aspherical Elements
- One UED Element and One UHR Element
- Nano Surface Coating
- POWER Optical Image Stabilizer
- Splash, Dust, and Freezeproof Design
- Rounded 7-Blade Diaphragm
The Panasonic GH5 II + LUMIX X 12-35mm F2.8 Kit bundles the Panasonic GH5 II Body, the Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens as an excellent low light video zoom package.
Panasonic GH5 II Body
The Panasonic GH5 II Body Only delivers new enhancements including wireless live streaming capability; C4K/4K 60p 4:2:0 10-bit video recording and simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording; V-Log L pre-installed; and unlimited recording in all video modes.
This camera is the first G Series model to offer high quality wireless live streaming with just the camera, smartphone and the LUMIX Sync app. H.264 in RTMP/RTMPS protocol, allows streaming directly to platforms such as YouTube or Facebook without the need for a paid cloud streaming server. In addition, 1080p Full HD at up to 60 frames per second 16Mbps maximises video quality.
For wired live streaming, the LUMIX Webcam Software (download) allows the Panasonic GH5 II to act as a high quality webcam via USB. With a future firmware update, the camera will also support wired IP streaming (RTP/RTSP), providing greater flexibility for live production and multi-camera setups.
By using the latest algorithm developed for the S1H, GH5 II's Advanced Body I.S. (Image Stabiliser) delivers up to 6.5-stops slower shutter speeds, a 1.5 stops improvement on the previous GH5 camera for impressively stable handheld shooting and video panning. The camera also incorporates a 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating for maximum lens performance, and an updated image processor with the latest high-speed Venus Engine. The autofocus has also been improved for both video recording and still shooting with more accurate subject detection and precise focusing - particularly for faces and heads, as well as animals and moving objects.
A rugged field-ready design with a magnesium alloy full diecast front/rear frame, is both splash and dust-resistant and also freeze-resistant down to -10 degrees Celsius. Dual SD card slots offer flexibility with relay recording or backup support. To enhance shooting ergonomics, a versatile free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot) features a higher luminosity than the GH5, plus superior colour reproduction for better visibility in outdoor shooting situations.
To further enhance performance and usability, GH5 Mark II firmware updates are scheduled for June 8, 2021. They will include Live View Composite, USB Tethering, and RTP/RTSP Wired IP Streaming. In addition, when LUMIX G / LEICA DG lenses are used with the GH5 Mark 2, users will be able to choose between linear or non-linear control of the focus ring, allowing for more precise and repeatable focus transitions when using manual focus.
Key Features of the Panasonic GH5 II Body Only
- 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating
- Advanced Body I.S. (Image Stabiliser) delivers up to 6.5-stops slower shutter speeds
- Improved Autofocus Performance
- C4K/4K 60p 4:2:0 10-bit internal recording
- Supports simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording
- V-log L profile pre-installed
- Supports high quality wireless live streaming with a smartphone and the LUMIX Sync app
- Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)vii/ 2.4GHz (IEEE802.11b/g/n)
- Free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot)
- Supports most GH5 accessories, including XLR microphone adaptor, shutter remote control and battery grip
High Quality Video & Advanced Editing
Panasonic GH5 II features outstanding video performance for professional videography and is capable of unlimited video recording in all video modes. In addition, the camera can record C4K/4K 60p 4:2:0 10-bit; and also offers simultaneous output of 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording. With no crop when recording in 4K 60p, the user can capture video in the original viewing angle of the lens.
HLG Gamma + Cinelike Colour Profiles
Like the S1H - the S Series video flagship full-frame mirrorless camera - the LUMIX GH5 II includes the HLG gamma profile and has two types of Cinelike gamma presets selectable in Photo Style. HLG allows for high dynamic range video shooting with minimal need for editing, thanks to its broadcast-ready colour gamut format.
With the included Cinelike modes, impressive warm skin tones or delicate nuances of light and shadow can be reproduced even without colour grading over V-Log L footage. The Cinelike D2 setting gives priority to dynamic range and the Cinelike V2 prioritises contrast. MonochromeS and L.ClassicNeo Photo Styles, which were first introduced on the LUMIX S5, have also been added. All these modes can be used for Anamorphic video recording. For VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD180fps are available. AF can be set before starting VFR recording. The Panasonic LUMIX GH5 II also incorporates cinema-standard practical video assist tools such as Waveform Monitor and V-Log L View Assist.
Pre-installed V-Log L
V-Log L comes pre-installed in the camera, delivering high dynamic range with broad colours, and renders a very flat image while maintaining all of the colour information within the image. Designed with consistent colour management and an easier post production workflow in mind, the recorded footage is easily matched with VLog L footage recorded by the LUMIX S1/S1H/S5 or LUMIX GH5/GH5S/BGH1. 35 conversion LUTs for VariCam cinema cameras can be downloaded free of charge for use in the LUMIX GH5 II.
High-precision AF
The Panasonic GH5 II features high-speed, high-precision AF. In addition to the eye, face and body, the head is also separately recognised by real-time detection technology to provide even more precise focusing. The camera keeps tracking subjects when they move quickly, turn away, tilt their head or move far away from the camera. Also, improvements to DFD technology have enhanced AFC, which allows the camera to keep tracking small or fast-moving subjects and capture them in crisp focus. GH5 Mark II detects the eye and face at a 2x faster recognition cycle speed than the GH5, even if they are around 50% smaller in the frame.
Reliability & Versatility
The camera is highly reliable in the field, with secure construction and a sealing for every joint, dial, and button. The shutter unit also has a life of around 200,000 cycles. For outdoor use, the Panasonic GH5 II uses the DMW-BLK22 2200mAh high capacity battery first launched with the LUMIX S5. The battery complies with USB PD (Power Delivery), convenient when travelling and using a USB power bank, and can also be recharged via AC or USB. The GH5 II has a double SD Memory Card slot compatible with high-speed, high capacity UHS-II for Relay, Backup or Allocation Recording.
Other shooting assist functions include Frame Markers for checking composition during recording. A wide range of aspect ratios are supported, including those for popular social media platforms - 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. In addition, the REC Frame Indicator allows the user to check at a glance if the camera is recording or not.
Bluetooth 4.2 & Wi-Fi 5-GHz Connectivity
Content sharing with smartphones is streamlined using Bluetooth 4.2 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4GHz Wi-Fi® (IEEE 802.11b/g/n). With an always-on Bluetooth connection, a smartphone can act as the camera's remote control via the LUMIX Sync app. The settings of a GH5 II camera can also be copied and transmitted to other GH5 II cameras when shooting using multiple cameras (either via LUMIX Sync or SD Card).
The camera is compatible with the LUMIX Tether applications which enable tethered shooting via USB. Users can control the camera by connecting it to a PC and view images on a large PC screen while shooting, useful in situations where continuous confirmation is required.
Continued support with Future Firmware Update planned for GH5 II by the end of 2021
Panasonic has already promised future support and plan to bring even more features to the new Panasonic GH5 Mark II. Features planned includes:
- Live View Composite
- USB Tethering(4G/5G Smartphone Link) Compatible Streaming Distribution for more stable connection with smartphones
- RTP/RTSP wired IP streaming - by connecting the camera to the PC via wired LAN, high quality video with sound can be stably streamed to social streaming platforms. A USB Ethernet adaptor is required.
Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens
The Panasonic Lumix G X Vario 12-35mm f/2.8 Asph. Lens for Micro 4/3 (Black) is the first constant-aperture standard zoom for a mirrorless system camera. With an equivalent (in 35mm format) 24-70mm zoom range, this is a close match for a type of zoom lens that's very popular with photographers using full-frame cameras--from a true wide-angle to a short telephoto focal length and a bright f/2.8 maximum aperture through the entire range.
This lens features POWER O.I.S. image stabilisation, nearly silent operation when shooting video, and specially treated glass that dramatically reduces ghosting and flare (Nano Surface Coating), minimizes chromatic aberration (Ultra Extra-Low Dispersion glass), and improves descriptive performance from corner to corner (Ultra High Refractive glass). A splash-proof and dust-proof design means you won't need to handle this lens with kid gloves, or put your camera away when a drop of rain falls. It is designed to withstand the harshest conditions and perform under all manner of stress.
Key Features of the Panasonic Lumix G X Vario 12-35mm f/2.8 Asph. Lens for Micro 4/3 (Black)
- Lens has f/2.8 brightness over the entire zoom range
- Nano Surface Coating technology for dramatic reduction of ghost and flare
- UED (Ultra Extra-Low Dispersion) lens minimize chromatic aberration while the UHR (Ultra High Refractive) lens realizes high descriptive performance from corner to corner.
- POWER O.I.S. (Optical Image Stabilizer) that suppresses large, slow movement 2x more effectively
- Outstandingly compact and light-weight among the lens with the same level of performance
- Capable of using under harsh conditions with its splash / dust proof design
- Circular aperture diaphragm
- Durable metal mount
Buy Panasonic GH5 II + LUMIX X 12-35mm F2.8 Kit with Panasonic Australia Warranty from digiDirect
All our Panasonic products come with Panasonic Australia Warranty.
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- MPN - DC-GH5M2PRO
- GTIN - 9302704039357
Panasonic GH5 II Body
Type
| Type | Digital Single Lens Mirrorless camera |
|---|---|
| Recording Media | SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. |
| Lens Mount | Micro Four Thirds mount |
Image Sensor
| Type | Live MOS sensor (17.3 x 13.0 mm) |
|---|---|
| Camera effective pixels / Total pixels | 20.33 megapixels / 21.77 megapixels |
| AR (Anti Reflection) coating | Yes |
| Aspect ratio / Color filter | 4:3 / Primary color filter |
| Dust reduction system | Image sensor shift type |
| Latitude | 12 stops (V-Log L) |
Still Image
| Recording file format | Still image: JPEG (DCF, Exif 2.31), RAW 6K PHOTO (*1) / 4K PHOTO (*1): 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch)) 4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))Extracted still images: JPEG (DCF, Exif 2.31) |
|---|---|
| Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 |
| File size (Pixels) | 4:3 5184x3888(L) / 3712x2784(M) / 2624x1968(S) / 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) 3:2 5184x3456(L) / 3712x2480(M) / 2624x1752(S) / 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) 16:9 5184x2920(L) / 3840x2160(M) / 1920x1080(S) / 3840x2160(4K PHOTO) 1:1 3888x3888(L) / 2784x2784(M) / 1968x1968(S) / 2880x2880(4K PHOTO) |
| Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard |
| Color space | sRGB, AdobeRGB |
Motion Picture
| Recording file format | MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately).MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch)) |
|---|---|
| System frequency | 59.94Hz / 50.00Hz / 24.00Hz |
| Image area of video | Full / Pixel by Pixel |
MOV (*1)High-res audio is selectable only when using the DMW-XLR1 (sold separately).
| 59.94Hz | [C4K] 4096x2160 59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [4K] 3840x2160 59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [Anamorphic 6K] 4992x3744 (4:3) 29.97p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. 23.98p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. [Anamorphic 4K] 3328x2496 (4:3) 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [FHD] 1920x1080 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. |
|---|---|
| 50.00Hz | [C4K] 4096x2160 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [4K] 3840x2160 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [Anamorphic 6K] 4992x3744 (4:3) 25.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. [Anamorphic 4K] 3328x2496 (4:3) 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [FHD] 1920x1080 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. |
| 24.00Hz | [C4K] 4096x2160 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [4K] 3840x2160 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [Anamorphic 6K] 4992x3744 (4:3) 24.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. [Anamorphic 4K] 3328x2496 (4:3) 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. [FHD] 1920x1080 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. |
MP4 (*1)
| 59.94Hz | [4K] 3840x2160 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920x1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
|---|---|
| 50.00Hz | [4K] 3840x2160 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) [FHD] 1920x1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
| 24.00Hz | - |
Variable Frame Rate
| Recording Format | MOV (*1) High-res audio is selectable only when using the DMW-XLR1 (sold separately). |
|---|---|
| 59.94Hz | [C4K] 4096x2160 29.97p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [4K] 3840x2160 29.97p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [Anamorphic 4K] 3328x2496 (4:3) 29.97p (Maximum output of sensor is 50fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 48fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [FHD] 1920x1080 59.94p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
| 50.00Hz | [C4K] 4096x2160 25.00p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [4K] 3840x2160 25.00p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [Anamorphic 4K] 3328x2496 (4:3) 25.00p (Maximum output of sensor is 50fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [FHD] 1920x1080 50.00p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
| 24.00Hz | [C4K] 4096x2160 24.00p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [4K] 3840x2160 24.00p (Maximum output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [Anamorphic 4K] 3328x2496 (4:3) 24.00p (Maximum output of sensor is 48fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) [FHD] 1920x1080 24.00p (Maximum output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
Streaming
| Protocol | RTMP / RTMPS |
|---|---|
| Streaming quality NTSC (59.94Hz) | [FHD] 1920x1080 59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set. 29.97p, 6Mbps / 3Mbps (H.264) [HD] 1280x720 59.94p, 6Mbps (H.264) 29.97p, 4Mbps (H.264) |
| Streaming quality PAL (50.00Hz) | [FHD] 1920x1080 50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set. 25.00p, 6Mbps / 3Mbps (H.264) [HD] 1280x720 50.00p, 6Mbps (H.264) 25.00p, 4Mbps (H.264) |
Viewfinder
| Type | OLED Live View Finder |
|---|---|
| Pixels | Approx. 3.68 million dots |
| Field of view / Magnification | Approx. 100% / Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3 |
| Eye point / Diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt) |
| Eye sensor | Yes |
| Display speed | 120fps / 60fps |
Rear Monitor
| Type | TFT LCD monitor with static touch control |
|---|---|
| Monitor size | Free-angle, 3.0-inch (7.5cm), 3:2 aspect |
| Pixels | Approx. 1.84 million dots |
| Field of view | Approx. 100% |
Focus
| Type | Contrast AF system |
|---|---|
| DFD technology | Yes |
| Focus mode | AFS (Single) / AFC (Continuous) / MF |
| AF mode | Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3(Full area touch is available) (Scalable AF frame size and flexible AF position) |
| AF detective range | EV -4 - 18 (F2.0, ISO100 equivalent, AFS) |
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
| AF assist light | Yes |
| AF lock | Set the Fn button in custom menu to AF lock |
| Post Focus / Focus Stacking | Yes / Yes |
| Focus Ring Control | Nonlinear / Linear *When a compatible lens is attached. |
| Others | Focus Peaking, 1-Area AF Moving Speed, AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, Loop Focus Frame, AFC Start Point (225-Area), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume |
Exposure Control
| Light metering system | 1,728-zone multi-pattern sensing system |
|---|---|
| Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted |
| Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
| Recording mode | Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure / Creative Video / Custom 1, 2, 3, 4 / Intelligent Auto |
| ISO sensitivity (Standard output sensitivity) | Still image: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step) |
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
| AE lock | Set the Fn button in custom menu to AE lock |
Image Stabilization System
| Type | Image sensor shift type (5-axis / 6.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used. Dual I.S. (6.5-stop* Dual I.S. 2 compatible) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FS14140 is used. |
|---|
White Balance
| White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
|---|---|
| White balance adjustment | Blue/Amber bias, Magenta/Green bias |
| Color temperature setting | 2500-10000K in 100K |
Shutter
| Type | Focal-plane shutter |
|---|---|
| Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/16,000 - 60 Motion picture: 1/16,000 - 1/25 Creative Video M mode / MF mode: 1/16,000 - 1/2 |
| Self timer | 10sec, 3 images / 2sec / 10sec / Custom Time |
| Remote control | Remote control by DMW-RS2 (sold separately) |
| Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
Bracket
| AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
|---|---|
| Aperture bracket | 3, 5 or all positions |
| Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
| White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
Burst Shooting
| Burst speed | Mechanical shutter / Electronic front AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFC: H: 9 frames/sec (with Live View), M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) Electronic shutter AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFC: H: 7 frames/sec (with Live View), M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) |
|---|---|
| Number of recordable images | RAW / RAW+JPEG: More than 108 images JPEG: More than 999 images (When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)" inserted into card slot 1.) *When recording is performed under the test conditions specified by Panasonic. |
6K PHOTO (*1) / 4K PHOTO (*1)
| Burst speed | 6K PHOTO: 30 frames/sec 4K PHOTO: 60 frames/sec, 30 frames/sec |
|---|---|
| Exif information | Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.) |
Flash
| Flash type | TTL External Flash (sold separately) |
|---|---|
| Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
| Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
| Flash output adjustment | 1/3EV step ±3EV |
| Synchronization speed | Less than 1/250 second |
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
| Flash sync socket | Yes |
Photo Style
| Photo Style | Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log L / Hybrid Log Gamma / My Photo Style 1-10 |
|---|---|
| Picture adjustment | Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB *Adjustable settings vary depending on the Photo Style mode. |
| Filters | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* *For photos only. |
Motion Picture Function
| Master pedestal level | 31 steps |
|---|---|
| Luminance level | 8-bit: 0-255 / 16-235 / 16-255 10-bit: 0‒1023 / 64‒940 / 64‒1023 |
| Wave form monitor / Vectorscope | Selectable |
| LUT view assist | Monitor / HDMI |
| HLG view assist | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) |
| Anamorphic desqueeze display | 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF |
| Synchro scan | Yes |
| Time code | Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When NTSC (59.94Hz) is selected.) |
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB |
| Color bars / 1kHz test tone | Yes (SMPTE / EBU / ARIB) / Yes |
| Knee control | Yes (in Like709 mode) |
| Other functions | Red REC Frame Indicator, Streaming Blue Frame Indicator, |
Function Button
| REC | Exposure Comp. / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / Exposure Mode / Synchro Scan / AF Mode / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode / 1 Shot "6K/4K PHOTO" / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Live View Composite / Motion Pic. Rec File Format / Motion Pic. Rec Quality / Motion Pic. Rec Quality (My List) / Variable Frame Rate / Time Code Display / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Level Limiter / XLR Mic Adaptor Setting / Special Mic. Directivity Adjust / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control/ Zoom Control / Step Zoom / Zoom Speed / Destination Card Slot / Off (Disable Press and Hold) / Restore to Default |
|---|---|
| PLAY | Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Night Mode / Card Slot Change / Wi-Fi / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / 6K/4K Photo Play / No Setting / Off (Disable Press and Hold) / Restore to Default |
Interface
| USB | SuperSpeed USB 3.1 Gen1 Type-C |
|---|---|
| HDMI (*2) | HDMI HDMI TypeA Audio: Stereo Monitor-through 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].) 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].) Down Convert: Auto / 4K / 1080p / 1080i / OFF Playback 59.94Hz: Auto / C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p 50.00Hz: Auto / C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p 24.00Hz: Auto / C4K/24p / 4K/24p / 1080p |
| Remote inputs | φ2.5mm |
| Microphone | Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately). |
| External microphone / external audio device input | φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE is selectable. Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). |
| XLR microphone | Yes with DMW-XLR1 (sold separately) |
| Speaker | Monaural |
| Headphone output | φ3.5mm |
| SD card slot | Slot 1, Slot 2 |
Wireless
| Wi-Fi | 2.4GHz (STA/AP) (IEEE802.11b/g/n) 5GHz (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi is not available in some countries. |
|---|---|
| Bluetooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) |
Power
| Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery |
|---|---|
| Battery life (CIPA standard) | Approx. 400 images, 1200 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 410 images, 1200 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 *Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
| Continuous recordable time (Motion picture) (*1) | MP4 [4K/60p]: Approx. 120 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 140 min with H-ES12060 / H-FS12060 |
| Actual recordable time (Motion picture) (*1) | MP4 [4K/60p]: Approx. 60 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 70 min with H-ES12060 / H-FS12060 |
| Battery grip | DMW-BGGH5 (sold separately) |
Other
| Timelapse Shot | Yes |
|---|---|
| Stop Motion Animation | Yes |
| Extra Tele Conversion | 2.0x (EX S), 1.4x (EX M) *Only for still image recording. |
| Vertical Position Information | Still image / Motion picture (ON/OFF) |
| Level Gauge | Yes |
| PrintBridge compatible | |
| Dust and Splash Resistant* | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
Dimensions / Weight
| Dimensions (W x H x D) | Approx. 138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions) |
|---|---|
| Weight | Approx. 727g / 1.60 lb (SD Memory Card x 1, Battery, Body) Approx. 647g / 1.43 lb (Body only) |
Operating Environment
| Operating temperature (*3) | -10°C to 40°C (14°F to 104°F) |
|---|---|
| Operating humidity | 10%RH to 80％RH |
Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens
| Focal Length | 12 to 35mm (35mm Equivalent Focal Length: 24 to 70mm) |
|---|---|
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Micro Four Thirds |
| Format Compatibility | Micro Four Thirds |
| Angle of View | 84° to 34° |
| Minimum Focus Distance | 9.84" / 25 cm |
| Maximum Magnification | 0.17x |
| Optical Design | 14 Elements in 9 Groups |
| Diaphragm Blades | 7, Rounded |
| Focus Type | Autofocus |
| Image Stabilization | Yes |
| Filter Size | 58 mm (Front) |
| Dimensions (ø x L) | 2.66 x 2.91" / 67.6 x 73.8 mm |
| Weight | 10.76 oz / 305 g |
- Body Cap
- Hot Shoe Cover
- Eye Cup
- Flash Synchro Socket Cap
- Cover for the Battery Grip Connector
- Shoulder Strap
- Battery Pack
- Battery Charger
- AC Adaptor
- USB Connection Cable (A-C)
- Cable Holder
- Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens
When will my order ship?
If payment is received by 11:00am
item will be shipped the same day.
Payments received after 11:00am will ship the following business day
Can I cancel or return my order/delivery?
We begin processing your order as soon as it is placed, once your order progresses it may be too late to cancel. However, once you’ve received your order, you can return your purchase within 14 days, provided your return is in accordance with our returns policy.
Can I change my delivery address?
Once you submit your order we get to work straight away getting it ready for you, unfortunately this means we are unable to amend the delivery address once your order is submitted with us. We only ship to address indicated in the PayPal record.
What will happen if I miss the delivery?
If our couriers can find your
address but you aren’t there, don’t stress, you will receive a post office card with
all the information you’ll need to go down to your local post office to pick up your
order at a time that suits you.
Your order will remain waiting for you at your local post office for 10 days before
being sent back to our warehouse. If your order is not collected within that time,
re-delivery charges will apply.
Does digiDIRECT have a store?
We have stores in the Sydney CBD, at Westfield Bondi Junction, Westfield Miranda, Brisbane CBD, Melbourne CBD and in Cannington (Perth). Our modern stores provide ideal opportunities to view a vast range of products and to meet our friendly staff and management in person.
Does digiDIRECT have a returns policy?
Under Consumer Protection Law, we
do not accept returns for "change of mind" or if you order incorrectly. However,
damages or faults will be treated on a case-by-case basis. At digiDIRECT, we are
committed to providing our customers with the best service and support.
Shipping and handling charges are non-refundable.
What if we made an error on the listing?
Whilst every effort is made to ensure that all details, descriptions, and prices that appear on this Website are accurate, errors may occur. If we discover an error in the price of any goods which you have ordered, we will inform you of this as soon as possible and give you the option of reconfirming your order at the correct price or cancelling it. If we are unable to contact, you within 36 hours we will cancel the order.
Do digiDIRECT products come with official Australian manufacturer's warranty?
Absolutely. Warranty is 12 - 24 months (dependent upon manufacturer) back-to-base official Australian warranty (Refurbished products excepted - 6 months). We are among the few on-line suppliers with direct accounts with the Australian distributors of leading digital brands, including Canon, Nikon, Sony, Panasonic, Olympus, Pentax just to name a few. We do not Grey Import any of our products.
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