This is an original cartoon from British Punch humor/satire magazine, drawn by Bernard Partridge, published February 27, 1935, and pulled from the magazine; original, not a modern reproduction. Full size: 8 x 10 1/2 inches, including borders. Pictured image is slightly cropped. CONDITION: excellent -- the paper has been humidified and flatted (ready for framing, if desired), minor paper toning and clean; note: backside is blank.
TACT. General Goring. "Now, Adolf - About those 'Air Locarno' conversations with Great Britain: The one thing we must be careful NOT to say is that GERMANY'S frontier is not the THAMES."
Keywords: Locarno Treaty, Adolf Hitler, Herman Goering, Reichsluftfahrtminister, National Socialist German Workers Party, appeasement, irony, Deutsche Luftwaffe, Treaty o Versailles, expansion, imperialism, empire, cunning, negotiations, France, England, Holland, Belgium.
--The Locarno Treaties were seven agreements negotiated at Locarno, Switzerland, during 5 to 16 October 1925 and formally signed in London on 1 December, in which the First World War Western European Allied powers and the new states of Central and Eastern Europe sought to secure the post-war territorial settlement, in return for normalising relations with the defeated German Reich (the Weimar Republic). It also stated that Germany would never go to war with the other countries. Locarno divided borders in Europe into two categories: western, which were guaranteed by the Locarno Treaties, and eastern borders of Germany with Poland, which were open for revision.
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WHO IS THE ILLUSTRATOR?
Cartoons from Punch magazine by Bernard Partridge.
Knighted in 1925, Sir Bernard Partridge was simply one of the finest political cartoonists ever to grace the pages of Punch, and therefore the world. His style was a simplifying of Sir John Tenniel's fine cross hatching, with thicker but no less detailed expression into dramatic and epic statements. This successful progression of tone in Punch was in no small part due to Partridge having been a theatre actor of renown who knew and painted many portraits of Henry Irving, one of England's greatest stage actors.
His bold and rousing images span a career of over 50 years and his WW1 & 2 political cartoons are not only the best of propaganda from that time, but also often chillingly and brutally observed, which nearly a hundred years on are still fresh and hard hitting. If one were to pick just two definitive examples from Punch magazine, it would surely be a Tenniel cartoon from the Victorian era and a Partridge cartoon from the Twentieth Century.
WHAT IS PUNCH?
Punch, a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Punch was the world's most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity -- and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an invaluable source of cartoon art, satire, but as primary source material for historians.