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Renaissance 

Art 

 

This medal has been minted in France to commemorate the Italian painter, poet, architect and engineer, Annibale CARRACCI, (1560 – 1609), the father of the caricature. 

 

VERY RARE!!!

This is a medal of the prominent English medalist working in France, Ronald SEARLE.

It is signed and has the number 39 of 100 pieces minted. 

 

 

Annibale Carracci (November 3, 1560 – July 15, 1609) was an Italian Baroque painter.

 

av. The Annibale Carracci; the legend; Father of the Caricature

rv. The portrait of Annibale Carracci; caricature 

 

size - 95 mm, (3¾ “)

weight – 356.10 gr (12.56 oz)

metal – bronze, silver platedmint patina 

 

Early career

Annibale Carracci was born in Bologna, and in all likelihood first apprenticed within his family. In 1582, Annibale, his brother Agostino, and his cousin Ludovico Carracci opened a painters' studio, initially called by some the Academy of the Desiderosi (desirous of fame and learning) and subsequently the Incamminati (progressives; literally "of those opening a new way"). While the Carraccis laid emphasis on the typically Florentine linear draftsmanship, as exemplified by Raphael and Andrea del Sarto, their interest in the glimmering colours and mistier edges of objects derived from the Venetian painters, notably the works of Venetian Oil Painter Titian, which Annibale and Agostino studied during their travels around Italy in 1580-81 at the behest of the elder Caracci Lodovico. This eclecticism was to become the defining trait of the artists of the Baroque Emilian or Bolognese School.

In many early Bolognese works by the Carraccis, it is difficult to distinguish the individual contributions made by each. For example, the frescoes on the story of Jason for Palazzo Fava in Bologna (c. 1583-84) are signed Carracci, which suggests that they all contributed. In 1585, Annibale completed an altarpiece of the Baptism of Christ for the church of San Gregorio in Bologna. In 1587, he painted the Assumption for the church of San Rocco in Reggio Emilia.

It is not clear how much work Annibale completed after finishing the major gallery in the Palazzo Farnese. In 1606, Annibale signs a Madonna of the bowl. However, in a letter from April 1606, Cardinal Odoardo Farnese bemoans that a "heavy melancholic humor" prevented Annibale from painting for him. Throughout 1607, Annibale is unable to complete a commission for the Duke of Modena of a Nativity. There is a note from 1608, where in Annibale stipulates to a pupil that he will spend at least two hours a day in his studio.

There is little documentation from the man or time to explain why his brush was stilled. Speculation abounds.

In 1609, Annibale died and was buried, according to his wish, near Raphael in the Pantheon of Rome. It is a measure of his achievement that artists as diverse as Bernini, Poussin, and Rubens praised his work. Many of his assistants or pupils in projects at the Palazzo Farnese and Herrera Chapel would become among the pre-eminent artists of the next decades, including Domenichino, Francesco Albani, Giovanni Lanfranco, Domenico Viola, Guido Reni, Sisto Badalocchio, and others.

 

 

Ronald William Fordham Searle, CBE, RDI, (born 3 March 1920, Cambridge, England) is an influential English artist and cartoonist. Best known as the creator of St Trinian's School (the subject of several books and seven full-length films). He is also the co-author (with Geoffrey Willans) of the Molesworth tetralogy.

Searle was born in Cambridge where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. He trained at Cambridge College of Arts and Technology, currently Anglia Ruskin University, for two years, and in 1941, published the first St Trinian's cartoon in the magazine Lilliput.

Awards

Searle received much recognition for his work, especially in America, including the National Cartoonist Society Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987.

His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant, Matt Groening, Hilary Knight and the animators of Disney's 101 Dalmatians. In 2005 he was the subject of a long BBC documentary on his life and work by Russell Davies. In 2007 he was decorated with France's highest award, the Légion d'honneur and in 2009 he received the German Order of Merit.

 

George Cruikshank, pen and black ink sketch, over graphite,France, 1977

A preparatory sketch for a series of medals commemorating caricaturists from the 16th to the 19th centuries

Searle made this study of George Cruikshank (1792-1878) for Six Fathers of Caricature, a series of medals struck by the French Mint from 1976-77. The other artists commemorated are Carracci, Ghezzi, Hogarth, Gillray, and Rowlandson. All the related drawings are in the Department of Prints and Drawings , while the medals themselves were presented by the artist to the Department of Coins and Medals of The British Museum.

Cruikshank was a celebrated caricaturist in nineteenth-century England; succeeding Gillray as the country's leading political cartoonist. Today, however, he is best known for his illustrations to Charles Dickens's novels. The source of this sketch is a portrait by Daniel Maclise, the most frequently reproduced portrait of Cruikshank, published in Fraser's Magazine in 1833. Cruikshank disliked the portrait; he became a vigorous teetotaller and objected to Maclise's depiction of him sketching in a tavern, seated on a beer barrel with a tankard and pipe beside him. Searle's final design shows Cruikshank sitting outside on the barrel amidst a riot, the tankard removed.