LES BAXTER – African Jazz + TAK SHINDO – Mganga:  The Primitive Sounds Of Tak Shindo. Tikitune Records TK 5000. NEW UNPLAYED CD. This item does not come factory sealed. 2 complete albums on 1 CD. Originally issued in 1956 & 1958, respectively. This edition issued in 1995. African Jazz, originally issued on Capitol Records, is mono (I don’t believe it was ever issued in stereo); Mganga, originally issued on Edison International Records, is in stereo. TRACKS, Mganga:  Mombasa Love Song, Safari To Kenya, Ryoba Festival, Slave Chains Of Mtumwa, Bantu Spear Ance, Rains Of Okavango, Huts Of Kichwamba, Mganga, Mwanza Market Place, N’Ga The Maiden, Watusi Drum Dance, and Port Of Trinkitat. African Jazz:  Jungalero, Elephant Trail, Walkin’ Watusi, Ostrich Hunt, Cairo Bazaar, Rain, Lost City, Banana Boy, Safari, Mombasa After Midnight, Congo Train, and Balinese Bongos. DESCRIPTION, Tak Shindo – Mganga:  Les Baxter, the more recognized name here, gets top billing on the cover art, but it is Tak Shindo whose Mganga is featured first on this release. A bona fide musicologist by education, Tak Shindo was responsible for some of the more authentic uses of exotica instruments in exotica recordings. Shindo, born in 1922 in Sacramento, California, served in the U.S. Army Military Intelligence Service as a Japanese language instructor at Fort Snelling, Minnesota. After his discharge, he studied under the G.I. Bill at Los Angeles State College (now Cal State University, Los Angeles). After graduating with a bachelor's degree in music, he did graduate work at the University of Southern California over the course of the next decade, including study with the great film composer Miklos Rozsa, and eventually earned a masters degree. Shindo's graduate work took that long because he was also working full time as a studio composer. He worked with most of the big television and movie studios of the time, including Columbia, 20th Century Fox, Warner Brothers, Desilu, Disney, NBC, and CBS. Among the shows he worked on were Hawaiian Eye, The Dinah Shore Show, Gunsmoke, and The Untouchables. While with CBS television, he penned the themes to The Ed Sullivan Show, Wagon Train, and Adventure. In addition to this release for the Edison International label, Shindo also issued albums for Capitol and Mercury, all feature a mix of eastern and western musical styles and instrumentation. Most of them use a standard studio band with Oriental instrumentation, covering standard Western material such as Caravan and Wagon Wheels. The novelty effect was perhaps shorter-lived than the caliber of craftmanship Shindo put into them deserved. Although most of his work on others' recordings went uncredited, his name does show up on two interesting albums: The Yellow Unicorn, which features Rod McKuen reciting his poems to a mix of Japanese and western instruments played by Shindo and Julie Meredith; and East Meets West, on which organist Paul Marks plays Japanese pop and folk songs on the Wurlitzer while Shindo provides suitable accompaniment on the koto and other Japanese instruments. Shindo studied Japanese music extensively and was often tapped to score or provide incidental music for films dealing with Oriental subjects and settings, like Sayonara, Stop Over Tokyo, and Dawn of Asia. He collected Japanese instruments, wrote a history of Japanese music, and lectured extensively on Oriental music. In the mid-1960s, he joined the faculty of Cal State Los Angeles and left the studio system. He remained active in the Nisei veteran's organization, Go For Broke, and composed two pieces for the first anniversary celebration of the Go for Broke Monument in downtown Los Angeles in 2000. He passed away in 2002. Due, in part, to this release, Mganga, is probably the best known of his exotica work. However, Brass and Bamboo and Accent On Bamboo, both issued later on Capitol Records, were more typical of his output.

 

Les Baxter – African Jazz:  Well known in the world of exotica and lounge music, for this 1956 release Les Baxter has taken the basic rhythms... tribal chants, message patterns of the drums, even the Watusi "nanigo" rhythms used in their ceremonial rites... all these he has used as the beginning for a dozen original, Africa-inspired compositions. No one has been able to duplicate Les' music; imitate perhaps. One of the reasons is that he continually devotes a part of his life to traveling around the world, studying primitive music and instruments, understanding and absorbing them, thus enabling himself to use them as a part of his own musical vocabulary. Into these rhythmic and instrumental elements, Les pours a unique melodic and harmonic approach, using traditional instruments in highly untraditional ways, hearing and writing sounds that the instrumentalists have never before played, and then combining all the devices of composition and performance into something so unusual, so rich, so colorful that it bears the unmistakable stamp of Les Baxter. In this series of vivid impressions, Les has employed the talents of some outstanding jazz virtuosos. Larry Bunker is heard playing vibraphone, xylophone, and marimba. Milt Bernhart is featured on trombone. And Plas Johnson provides some surprising tenor sax passages. High fidelity enthusiasts will be particularly appreciative of this album, for Les displays not only the total exploration of instrumental tonalities but also the imaginative use of non-musical sounds such as the thrilling rumble of echoing thunder, the shriek of a train whistle, along with exotic African percussion instruments. It is all part of the Les Baxter genius for creating a rich, singular, ear-arresting kind of music, the kind found in African Jazz. SIDE BAR:  Les Baxter was the composer of the Whistler theme for the Lassie television series.   





THIS ITEM IS NEW AND UNPLAYED. Used items will include condition details for inserts, disc, and jewel case/digi-pak/mini-jacket.

 

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