Eno's richly layered arrangements juxtapose very different treated sounds, yet they blend and flow together perfectly, hinting at the directions his work would soon take with the seamless sound paintings of Another Green World.  

“The idea of this record-top of the pops from quasi-dadaist British synth wizard--may put you off, but the actuality is quite engaging in a vaguely Velvet Underground kind of way.  

Minimally differentiated variations on the same melody recur and recur, but it's a great melody, and not the only one, and chances are he meant it that way, as a statement, which I agree with."

Robert Christgau, Village Voice