Born in 1949 in Paris, designer Philippe Starck has been described as a provocateur, a defender of democratic design, and “a superstar on the French design scene.” It’s said that as a child, Starck slept under the drafting table of his father, who was an inventor and aeronautics engineer. Starck went on to study at the École Camondo in Paris, but was later quoted as saying that he “learned nothing” there and was, instead, driven by his own curiosity.

Around 1968, Starck set up his own studio in Paris, with a special focus on inflatable designs; he collaborated with the master of blow-up furniture, designer Quasar Khanh. The following year, Starck debuted an inflatable structure at Salon de l’Enfance and caught the attention of fashion designer Pierre Cardin, who straightaway offered him an art director position. 

In the mid to late 1970s, Starck found success designing nightclub interiors, like La Main Bleue in Montreuil and Les Bain Douches in Paris. As the 1980s neared, Starck launched a company called Starck Product—later named Ubik after the Philip K. Dick novel—and began producing furniture, lighting, and accessory designs for major manufacturers like Alessi, Driade,  Flos, Kartell, and Vitra.

In 1983, Starck’s international design celebrity began to build when French president François Mitterrand invited him to renovate the private apartments of the Élysée Palace. Not long after, Starck began to receive regular commissions for restaurant and hotel interiors. Highlights from this phase of his career include Café Costes in Paris (1984), Manin in Tokyo (1985), Theatron in Mexico City (1985), the Royalton (1988) and Paramount (1990) hotels in New York City, and the Delano Hotel in Miami Beach (1995). In 1999, Starck partnered with developer John Hitchcox to launch Yoo, a design firm dedicated to residential and commercial interiors.

Starck is arguably the most prolific designer living today, and any listing of his many iconic works must be abbreviated. Among the standouts, however, you’ll find Miss Dorn Chair for VIA and later for Driade (1980); Pat Conley I Chair for XO (1983); J. Série Lang Chair for Driade (1986); Hot Bertaa Kettle for Alessi (1987); Miss Donna Mirror for OWO and later for Alessi (1987); Lola Mundo Chair for Driade (1988); Juicy Salif Lemon Squeezer for Alessi (1990); W.W. Stool for Vitra (1990); Louis 20 Chair for Vitra (1991); Miss Sissi Table Lamp for Flos (1991); Vicieuse Coffee Table for Driade (1992); Excalibur Toilet Brush for Heller (1993); Jim Nature Portable Television for Thomson (1994); Rosy Angelis Lamp for Flos (1994); Dr. No Chair for Kartell (1996); Dr. Scud Fly Swatter for Alessi (1998); La Marie Chair for Kartell (1998); Miss C.O.C.O. Folding Chair for Cassina (1998); Gnome Stools for Kartell (1999); Bubble Club Sofa for Kartell (2000); Hudson Chair for Emeco (2000); Louis Ghost Chair for Kartell (2002); and Guns Lamp for Flos (2005).

In addition to furniture, electronics, and product design, Starck has tackled several larger-scale designs, like the Alhóndiga Cultural & Leisure Centure in Bilbao (2010), Port Adriano Harbor in Palma de Mallorca (2012), Apple CEO Steve Jobs’s yacht (2012), P.A.T.H Prefabricated Homes for Riko (2013), and Le Nuage Sports Center in Montpellier (2014), among many others.

Starck’s work can be found in most European and American museums, including the Musée National d’Art Moderne and Musée des Arts Décoratifs in Paris, MoMA and the Brooklyn Museum in New York, Vitra Design Museum in Weil am Rhein, and Design Museum London. The Pompidou Center hosted a Starck retrospective in 2003. His many awards are too numerous to name.

The roots of Italian lighting manufacturing company Flos can be traced to 1959. That is when Arturo Eisenkeil of Merano, Italy, began to look for new applications for a spray-on plastic coating he was importing from the United States. In the early 1960s, Eisenkeil had an auspicious meeting with two designer-entrepreneurs, Cesare Cassina (1909-1979) and Dino Gavina (1922-2007). Cassina was well versed in the vernacular of design, having founded his eponymous manufacturing company—often credited with introducing industrial design to Italy—along with his brother Umberto in 1927. Like Cassina, Gavina was also a design manufacturing impresario, having founded the Dino Gavina company in the 1950s and its subsidiary Gavina SpA in 1960. The three came together to launch Flos in Merano, Italy in 1962.

Flos’s mission was to revolutionize the lighting industry by exploiting new materials, starting with Eisenkeil’s “cocoon floss” polyamide. In the early years of Flos, design was overseen first by Pier Giacomo Castiglioni, followed by his brother Achille and Tobia Scarpa, and then Scarpa’s wife, Afra. The resulting products were intriguingly futuristic looking, such as the Castiglionis’ Viscontea Lamp (1960), Taraxacum Chandelier (1960), and Gato Table Light (1960), as well as the Scarpas’ Fantasma Floor Lamp (1960s). The effect of the cocoon allowed for a soft, ambient glow.

Other signature Flos pieces include the classic Arco Lamp (1962) by the Castiglioni brothers; the Parentesi Lamp (1971) by Achille Castiglioni and Pio Manzu, which was the first piece in the Flos collection to receive the Compasso d’Oro Award in 1979; the shaded Romeo Moon Table Lamp (1995) and Archimoon Soft Task Lamp (1998) by Philippe Starck; the portable work light May Day (1999) by Konstantin Grcic; and the opal glass Glo-Ball collection (1999) by Jasper Morrison. Other Flos collaborators include Michael Anastassiades, Barber Osgerby, Ronan and Erwan Bouroullec, Antonio Citterio, Ron Gilad, Marco Pezzolo, Paolo Rizzatto, Marc Sadler, Patricia Urquiola, Marcel Wanders, and Sebastian Wrong.

In 1964, the company moved to Brescia under the direction of Sergio Gandini. In the 1970s, Flos bought Arteluce, a well-known lighting manufacturer formerly led by Gino Sarfatti. In 1999, Gandini passed away, leaving Flos to his son Piero. In 2005, Flos acquired the Spanish architectural lighting brand Antares. In 2014, a significant portion of the company was sold to Investindustrial, which continues to support CEO Piero Gandini and Flos. Today, Flos offers a range of residential, commercial, and custom-made lighting products.

An ongoing dedication to innovation has ensured Flos a place in design history. Additionally, the brand continues to reap accolades for its collaborative legacy, working with iconic, award-winning designers. Flos designs can be found in museums around the world, including the permanent collection of the MoMA in New York and the Triennale Design Museum in Milan.