Ursula K. Le Guin – The Tombs of Atuan – US 1st Athenium
hardcover edition – February 1972 - 163 pages. Publisher: Athenium – Cover: Gail
Garraty.
Notes: Copyright 1970, 1971. "First printing June
1971". "Second Printing February 1972"; no number line.
Has the 1972 Newbery Award sticker on the front of the
dustjacket and states “A 1972 Newbury Honor Book” on dustjacket front flap. Not
price clipped.
Summary:
3 The Tombs of
Atuan [Earthsea Cycle #2] (1970) - novel by Ursula K. Le Guin
“The main protagonist of The Tombs of Atuan is a
young Kargish girl named Tenar. Because she was born as the previous high
priestess of the Tombs of Atuan passed away, the Kargish believe that Tenar is
the reincarnation of the priestess. (There are many high priestesses, and the
priestess of the Tombs of Atuan is just one of them). Renamed Arha, which
translates as “the eaten one,” Tenar is forcibly removed from her family at the
age of five and conscripted into the society’s patriarchal upper caste known as
the Nameless Ones. Though the house she is given to live in is tiny, Tenar’s
status as the future priestess is very high in Kargish society. Meanwhile, a
young eunuch named Manan becomes her eternal servant.
Although lonely, Tenar’s childhood is marked by friendship to some degree. She
develops a very close bond with Manan, and another close bond with a fellow
similarly aged priestess-in-training known as Penthe. The two priestesses
charged with training Tenar are named Thar and Kossil. Thar is intensely stern
but also fair. Kossil, on the other hand, is hateful and suspicious of Tenar’s
growing power, and jealous of the esteem in which Tenar is held by the Nameless
Ones. Through her training, Tenar learns to navigate the labyrinthine tunnels
beneath the tombs, where it is said there is a highly valuable treasure that
“evil” sorcerers of Hardic descent have sought for years. Part of Tenar’s duty
as high priestess is to protect this treasure.
Another far more unsettling duty that Tenar must carry out is sentencing
prisoners to die in the tombs. The culture’s preferred method of capital
punishment is starvation, which amounts to a long, slow torture. Tenar is
haunted by her role in sentencing individuals to such pain and torment.”
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