THIONVILLE FRANCE 1575 MÜNSTER & BELLEFOREST UNUSUAL ANTIQUE WOODCUT VIEw

Thionville.

Description: Striking and highly detailed unusual 1575 Sebastian Münster original woocut bird's-eye view of the city of Thionville, France.

The view show the city with its buildings, churches, streets, town walls and surrounding landscape. French text on the verso and on the recto.
 
The sheet has been published in: "La Cosmographie universelle de tout le monde". Paris, 1575. Nicolas Chesneau and Michel Sonnius. French translation of the Cosmographia of Sebastian Münster, with substantial additional material.
 
The Cosmographia ("Cosmography") by Sebastian Münster (1488–1552) from 1544 is the earliest German-language description of the world.
 
It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after his death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map "Tabula novarum insularum", which is credited as the first map to show the American continents as geographically discrete.
 
His earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemy's Geographia with illustrations.
 
Editions:
 
German 1544, 1546, 1548, 1550, 1553, 1556, 1558, 1561, 1564, 1567, 1569, 1572, 1574, 1578, 1588, 1592, 1598, 1614, 1628
Latin 1550, 1552, 1554, 1559, 1572
French 1552, 1556, 1560, 1565, 1568, 1575
Italian 1558, 1575
Czech 1554. 

Date: 1574 ( undated )

Dimension:  View size approx.: cm 15,3 x 35,8 === Paper size approx.: cm 22,2 x 35,8

Condition: Very strong and dark impression on good paper. Paper with chains. Map uncolored. Wide margins. Small foxing and browning. Small waterstains. Sheet folded. Conditions are as you can see in the images.

Mapmaker: Sebastian Münster was born in Nierder-Ingelheim, near Mainz on 20th January 1488, the son of Andreas Münster. In 1505, he joined the Franciscan Order, and four years later was sent to the monastery of St. Katherina in Rufach. There he studied under Konrad Pelikan, who was to have great influence over the young man in the next five years. Pelikan was a teacher of Hebrew, Greek, mathematics and cosmography.
 
In 1529 Munster settled in Basle, where he was to spend the rest of his life. In 1540, Munster's edition of Ptolemy appeared, illustrated with 48 woodcut maps, the standard Ptolemaic corpus supplemented by a number of new maps, of great significance for the mapping of Europe.
 
Having completed the Geographia, Munster returned to his pet project, the description of Germany. In 1544, he published the first edition of the Cosmographia, a summary both of Munster's own geographical researches and those of his many correspondents. The Cosmographia, with its later expanded editions, was as close as Munster would come to fulfilling the vision of 1528.

Transletor: François de Belleforest (1530 – 1 January 1583) was a prolific French author, poet and translator of the Renaissance. He was born in Samatan (actual department of Gers), into a poor family, and his father (a soldier) was killed when he was seven. He spent some time in the court of Marguerite of Navarre, traveled to Toulouse and Bordeaux (where he met George Buchanan), and then to Paris where he came into contact with members of the young literary generation, including Pierre de Ronsard, Jean Antoine de Baïf, Jean Dorat, Remy Belleau, Antoine Du Verdier and Odet de Turnèbe. In 1568 he became historiographer to the king. He died in Paris. Belleforest wrote on cosmography, morals, literature and history, and he translated the works of Matteo Bandello, Boccaccio, Antonio de Guevara, Lodovico Guicciardini, Polydore Vergil, Saint Cyprian, Sebastian Münster, Achilles Tatius, Cicero and Demosthenes into French. He is also the author of the first French pastoral novel, La Pyrénée (or La Pastorale amoureuse) (1571) modeled on the Diana of Jorge de Montemayor. His Grandes Annales are a polemic tract against François Hotman. His total output comprises more than 50 volumes. His most successful work was most likely his translation and adaptation of the "histoires tragiques" by the Italian Matteo Bandello, which built on the work of Pierre Boaistuau and eventually amounted to seven volumes (1564–1582). One of these tales might be the source for Shakespeare's Hamlet.