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1840 Bartlett print CANADA: QUEENSTON, ONTARIO, #16

Nice view titled Queenston , from steel engraving with fine detail and clear impression, approx. page size 27 x 21 cm, approx. image size 18 x 12.5 cm. From: N. P. Willis, Canadian Scenery Illustrated, publisher George Virtue, London.


Queenston

Queenston is a compact rural community and unincorporated place 5 kilometres (3.1 mi) north of Niagara Falls in the Town of Niagara-on-the-Lake, Ontario, Canada. It is bordered by Highway 405 to the south and the Niagara River to the east; its location at the eponymous Queenston Heights on the Niagara Escarpment led to the establishment of the Queenston Quarry in the area. Across the river and the Canada–US border is the village of Lewiston, New York. The Lewiston-Queenston Bridge links the two communities. This village is at the point where the Niagara River began eroding the Niagara Escarpment. During the ensuing 12,000 years the Falls cut an 11 kilometres (6.8 mi) long gorge in the Escarpment southward to its present-day position.

In the early 19th century, the community's name was spelled as Queenstown.

Queenston marks the southern terminus of the Bruce Trail. The cairn marking the trail's terminus is in a parking lot, about 160 metres (520 ft) from General Brock's Monument on the easterly side of the monument's park grounds.

History

Queenston was first settled in the 1770s by Loyalist refugees and immigrants from the United States. By 1807, the village had 100 homes and a population of 300.

A new portage around Niagara Falls was developed in the 1780s with Queenston at its north end. Wharves, storehouses and a block-house were built. Initially called Lower Landing, it was named Queenston by Lieut.-Governor Simcoe. A great deal of fighting occurred here during the War of 1812, in the settlement and at nearby Fort George. In that era, Laura Secord lived in this area. Rebel William Lyon Mackenzie lived in Queenston in the 1820s and operated his publishing operation here.

On 13 October 1812, American troops took possession of Queenston Heights. Major-General Sir Isaac Brock arrived from Fort George, Ontario with a small force and was killed while trying to regain the heights. The British, Mohawk and militia troops under Major-General Roger Hale Sheaffe, with reinforcements from Chippawa, Ontario were able to take the hill and captured nearly 1000 prisoners. The victory and Brock's death are commemorated by Brock's Monument atop the Niagara Escarpment with a large stone statue of Brock overlooking the village below. Nearby is a smaller monument to Brock's gray horse, Alfred, which may, or may not, have been at Queenston during the battle. Queenston Heights is one of the National Historic Sites of Canada, so recognized in June 1968.

The settlement of Queenston was destroyed on 10 December 1813. British Captain William Hamilton Merritt later said that he saw "nothing but heaps of coals, and the streets full of furniture".

In the 1830s, Queenston was terminus for a first horse-drawn railway, the Erie and Ontario. The subsequent steam railroad that started in around 1854 bypassed Queenston.

In nearby St. David's, the Queenston Quarry was founded in 1837, and for 150 years stone was shipped here to help build many of Ontario's cities. Toronto buildings that benefitted from the supply of stone included Queen's Park, the Royal Ontario Museum, Union Station and the Gibraltar Point Lighthouse.

By the mid-1800s, the Welland Canal became the primary method of shipping goods and the village of Queenston received little trade.

Queenston became part of the town of Niagara-on-the-Lake in 1970.

RiverBrink Art Museum is located in Queenston. It is home to a unique collection of over 1,400 artworks and artefacts by Canadian and international artists, assembled by Samuel E. Weir. Completed in 1970, the building features Georgian-style architecture, including a mansard roof and gabled windows. It served as Weir's country residence, and was converted into an art museum following his death in 1981.

Battle of Queenston Heights

The Battle of Queenston Heights was the first major battle in the War of 1812. Resulting in a British victory, it took place on 13 October 1812 near Queenston, Upper Canada (now Ontario).

The battle was fought between United States regulars with New York militia forces, led by Major General Stephen Van Rensselaer, and British regulars, York and Lincoln militia and Mohawk warriors, led by Major General Isaac Brock and then Major General Roger Hale Sheaffe, who took command after Brock was killed.

The battle was fought as the result of an American attempt to establish a foothold on the Canadian side of the Niagara River before campaigning ended with the onset of winter. The decisive battle was the culmination of a poorly-managed American offensive and may be most historically significant for the loss of the British commander.

Despite their numerical advantage and the wide dispersal of British forces defending against their invasion attempt, the Americans, who were stationed in Lewiston, New York, were unable to get the bulk of their invasion force across the Niagara River because of the work of British artillery and the reluctance on the part of the undertrained and inexperienced American militia. As a result, British reinforcements arrived, defeated the unsupported American forces, and forced them to surrender.


William Henry Bartlett

William Henry Bartlett (March 26, 1809 – September 13, 1854) was a British artist, best known for his numerous drawings rendered into steel engravings.

Bartlett was born in Kentish Town, London in 1809. He was apprenticed to John Britton (1771–1857), and became one of the foremost illustrators of topography of his generation. He travelled throughout Britain, and in the mid and late 1840s he travelled extensively in the Balkans and the Middle East. He made four visits to North America between 1836 and 1852.

In 1835, Bartlett first visited the United States to draw the buildings, towns and scenery of the northeastern states. The finely detailed steel engravings Bartlett produced were published uncolored with a text by Nathaniel Parker Willis as American Scenery; or Land, Lake, and River: Illustrations of Transatlantic Nature. American Scenery was published by George Virtue in London in 30 monthly installments from 1837 to 1839. Bound editions of the work were published from 1840 onward. In 1838 Bartlett was in the Canadas producing sketches for Willis' Canadian scenery illustrated, published in 1842. Following a trip to the Middle East, he published Walks about the city and environs of Jerusalem in 1840.

Bartlett made sepia wash drawings the exact size to be engraved. His engraved views were widely copied by artists, but no signed oil painting by his hand is known. Engravings based on Bartlett's views were later used in his posthumous History of the United States of North America, continued by Bernard Bolingbroke Woodward and published around 1856.

Bartlett’s primary concern was to render "lively impressions of actual sights", as he wrote in the preface to The Nile Boat (London, 1849). Many views contain some ruin or element of the past including many scenes of churches, abbeys, cathedrals and castles, and Nathaniel Parker Willis described Bartlett's talent thus: "Bartlett could select his point of view so as to bring prominently into his sketch the castle or the cathedral, which history or antiquity had allowed".

Bartlett returning from his last trip to the Near East suddenly took ill and died of fever on board the French steamer Egyptus off the coast of Malta in 1854. His widow Susanna lived for almost 50 years after his death, and died in London on 25 October 1902, aged 91.