Item specifics
THIS IS VINTAGE ORIGINAL SOVIET SAVE NATURE PROPAGANDA POSTER.
ON IT WRITE don't throw away food waste .
1982 YEAR
17 / 11 INCHES OR 43 / 28 CENTIMETERS
ITS IN VERRY GOOD AND SAVED CONDITION. IF YOU HAVE ANY QUESTIONS OR NEED MORE INFORMATION, WRITE ME. PERFECT FOR COLLECTION, PRESENT, DECORATION, USE.
THE PAINTER IS
Karakashev Vilen Surenovich 1935 Graphic artist, poster artist, teacher. Member of the Union of Artists of the USSR (since 1964). Member of the Moscow Union of Artists (since 1986). Born in Baku, Azerbaijan SSR. Graduated from the Moscow secondary art school (MSHSH). He studied at the poster department of the Moscow State Institute named after V. I. Surikov (1956–1962) under professors M. M. Cheremnykh and N. A. Ponomarev. The issue of Karakashev is the last issue of the outstanding artist and teacher Mikhail Mikhailovich Cheremnykh. A happy chance brought Karakashev when he entered the Surikov Institute in the Poster Workshop. In this workshop, in addition to the poster, other easel art forms were also fully taught. As a result, a whole galaxy of remarkable universal artists emerged from its walls, among which was Vilen Karakashev. Thanks to a wisely set teaching system, with a poster as a core discipline, the students of the workshop of M. M. Cheremnykh were not suppressed by socialist realist dogma. Three of his thesis posters are published in a large edition by the Soviet Artist publishing house, then posters are published specially commissioned by the publishing house (“Freedom to Africa”, “One percent of the amount of military spending - and Africa is literate”). Immediately after graduating from the Surikov Institute, he began working in the field of film posters at the Reklamfilm publishing house, L. Ya. Levshunova, M. V. Lukyanov, V. I. Ostrovsky, Yu. nothing has yet been done in the political - social replicated poster. This is the time of the first wave of film posters. Artists working in other types of visual arts react with interest and attention to what happens in a movie poster, and vice versa. Karakashev became one of those who introduced a new aesthetic, a new plastic idea and beauty into the political poster. This was not in the posters of that time, as a rule. The poster artists of the older generation are being replaced by young artists: M. Lukyanov, L. Levshunova, V. Karakashev, V. Ostrovsky - the "Cheremnyhovites" of the last wave, who breathed new aesthetic thinking into the poster world. He was engaged in painting and graphics, made a poster for the puppet animated film Well Done (1964), worked on political and social topics; collaborated with the publishing houses "Fine Art", "Soviet Artist". Author of posters: “Freedom for Africa” (1962), “One percent of the amount of military spending - and Africa is literate” (1962), “For Peace” (1963), “Labor will be the ruler of the world. We shall build communism, we shall live under communism” (1963), “Do not extinguish the dawn of freedom!” (1967), “Today we can proudly say: a generation of remarkable fighters for the great cause of communism has grown up in our country” (1968), “The Soviet people, entering the second fiftieth anniversary of the great revolution, hold high the ideas of communism, the ideas of the Great October Revolution” (1968 ), “We set as our goal the creation of socialist production” (1968), “We set ourselves the goal of building a communist society. And we have achieved it "(1968)," Do not extinguish the dawn of freedom! (1969), “Our friends are with us in all our accomplishments and deeds!” (1969), “25 Years of the Reborn Poland” (1969), “Lenin’s Anniversary – Our Victories in Space Soyuz-4, Soyuz-5” (1969; together with M.V. Lukyanov), “Every Evening in eleven "(1969)," Workers of all countries, unite! (1970), "Spartakiad of the peoples of the USSR" (1971), "Down with colonialism!" (1972), "Down with Israeli aggressors from Arab territories!" (1972), "Youth denounces imperialism" (1972), "We lit the dawn of the space age" (1972), "Fascism will not pass!" (1972), "Take care of the forest!" (1973), "Nature Protection" (1974), "Peace to the World" (1975), "April 12 - Cosmonautics Day" (1980), "And life and death are in your hands" (1982), "XII World Festival of Youth and students. 1985 "(1985)," Humanity - a peaceful space! (1985). His advertising theatrical posters and film posters are known: "Splav" (1961), "The Komarov Brothers" (1961), "The Train Goes East" (1962), "From Evening Till Morning" (1962), "Beat the Drum!" (1962), "Wild Dog Dingo" (1962), "Submarine" 1962), "Black Gull" (1962), "713th Asks for Landing" (1962), "When the Trees Were Big" (1962), " It's time for love "(1963)," Both jokingly and seriously "(1963)," If a comrade calls "(1963)," I am Cuba "(1964)," I walk around Moscow "(1964)," The first snow "(1964), "It's time for love" (1965), "Assassination" (1966), "Car, love and mustard" (1966), "His name was Robert" (1967), "Quarantine" (1969), "Forty apples first year" 1969), "One of Us" (1970), "Crime and Punishment" (1970), "Dawns of Paris" (1971), "Black Mountain" (1971), "Needle" (1988), "Our armored train "(1988)," Girls from Rochefort "(1989)," Publication "(1989). He led the section of applied graphics and posters in the regional Union of Artists. He was chairman of the artistic council for industrial graphics. Since 1962 the participant of regional, republican all-Union exhibitions in Moscow, Leningrad, Kaliningrad, Baku, Vilnius, Vilen Surenovich 1935 Graphic artist, poster artist, teacher. Member of the Union of Artists of the USSR (since 1964). Member of the Moscow Union of Artists (since 1986). Born in Baku, Azerbaijan SSR. Graduated from the Moscow secondary art school (MSHSH). He studied at the poster department of the Moscow State Institute named after V. I. Surikov (1956–1962) under professors M. M. Cheremnykh and N. A. Ponomarev. The issue of Karakashev is the last issue of the outstanding artist and teacher Mikhail Mikhailovich Cheremnykh. A happy chance brought Karakashev when he entered the Surikov Institute in the Poster Workshop. In this workshop, in addition to the poster, other easel art forms were also fully taught. As a result, a whole galaxy of remarkable universal artists emerged from its walls, among which was Vilen Karakashev. Thanks to a wisely set teaching system, with a poster as a core discipline, the students of the workshop of M. M. Cheremnykh were not suppressed by socialist realist dogma. Three of his thesis posters are published in a large edition by the Soviet Artist publishing house, then posters are published specially commissioned by the publishing house (“Freedom to Africa”, “One percent of the amount of military spending - and Africa is literate”). Immediately after graduating from the Surikov Institute, he began working in the field of film posters at the Reklamfilm publishing house, L. Ya. Levshunova, M. V. Lukyanov, V. I. Ostrovsky, Yu. nothing has yet been done in the political - social replicated poster. This is the time of the first wave of film posters. Artists working in other types of visual arts react with interest and attention to what happens in a movie poster, and vice versa. Karakashev became one of those who introduced a new aesthetic, a new plastic idea and beauty into the political poster. This was not in the posters of that time, as a rule. The poster artists of the older generation are being replaced by young artists: M. Lukyanov, L. Levshunova, V. Karakashev, V. Ostrovsky - the "Cheremnyhovites" of the last wave, who breathed new aesthetic thinking into the poster world. He was engaged in painting and graphics, made a poster for the puppet animated film Well Done (1964), worked on political and social topics; collaborated with the publishing houses "Fine Art", "Soviet Artist". Author of posters: “Freedom for Africa” (1962), “One percent of the amount of military spending - and Africa is literate” (1962), “For Peace” (1963), “Labor will be the ruler of the world. We shall build communism, we shall live under communism” (1963), “Do not extinguish the dawn of freedom!” (1967), “Today we can proudly say: a generation of remarkable fighters for the great cause of communism has grown up in our country” (1968), “The Soviet people, entering the second fiftieth anniversary of the great revolution, hold high the ideas of communism, the ideas of the Great October Revolution” (1968 ), “We set as our goal the creation of socialist production” (1968), “We set ourselves the goal of building a communist society. And we have achieved it "(1968)," Do not extinguish the dawn of freedom! (1969), “Our friends are with us in all our accomplishments and deeds!” (1969), “25 Years of the Reborn Poland” (1969), “Lenin’s Anniversary – Our Victories in Space Soyuz-4, Soyuz-5” (1969; together with M.V. Lukyanov), “Every Evening in eleven "(1969)," Workers of all countries, unite! (1970), "Spartakiad of the peoples of the USSR" (1971), "Down with colonialism!" (1972), "Down with Israeli aggressors from Arab territories!" (1972), "Youth denounces imperialism" (1972), "We lit the dawn of the space age" (1972), "Fascism will not pass!" (1972), "Take care of the forest!" (1973), "Nature Protection" (1974), "Peace to the World" (1975), "April 12 - Cosmonautics Day" (1980), "And life and death are in your hands" (1982), "XII World Festival of Youth and students. 1985 "(1985)," Humanity - a peaceful space! (1985). His advertising theatrical posters and film posters are known: "Splav" (1961), "The Komarov Brothers" (1961), "The Train Goes East" (1962), "From Evening Till Morning" (1962), "Beat the Drum!" (1962), "Wild Dog Dingo" (1962), "Submarine" 1962), "Black Gull" (1962), "713th Asks for Landing" (1962), "When the Trees Were Big" (1962), " It's time for love "(1963)," Both jokingly and seriously "(1963)," If a comrade calls "(1963)," I am Cuba "(1964)," I walk around Moscow "(1964)," The first snow "(1964), "It's time for love" (1965), "Assassination" (1966), "Car, love and mustard" (1966), "His name was Robert" (1967), "Quarantine" (1969), "Forty apples first year" 1969), "One of Us" (1970), "Crime and Punishment" (1970), "Dawns of Paris" (1971), "Black Mountain" (1971), "Needle" (1988), "Our armored train "(1988)," Girls from Rochefort "(1989)," Publication "(1989). He led the section of applied graphics and posters in the regional Union of Artists. He was chairman of the artistic council for industrial graphics. Since 1962 the participant of regional, republican all-Union exhibitions in Moscow, Leningrad, Kaliningrad, Baku, Vilnius,
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